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*2026 repress!!!* Oh yes! First ever official reissue of the positively sublime and very rare Butterfly LP, recorded in Tokyo in 1979 by Japanese songstress Kimiko Kasai and jazz legend Herbie Hancock. Due to its super-rare status as a Japan-only release, this exquisite collection of covers never got the recognition it deserved at the time, despite incredibly inspired performances from Kimiko, Herbie and the supremely talented musicians assembled for the project. From heavenly drummer Alphonse M…
2023 Japanese CD re-issue with bonus track on Sony's "We Want Jazz" series of the 1968 album featuring Dave Holland, Ron Carter, Tony Williams, Chick Corea, Herbie Hancock and Wayne Shorter. Still sealed with obi
2023 Japanese CD re-issue with bonus track on Sony's "We Want Jazz" series of the 1968 album featuring Ron Carter, Tony Williams, Herbie Hancock, George Benson and Wayne Shorter. Still sealed with obi.
Promotional copy of the original Japanese edition of the 1977 live double album featuring Ron Carter, Tony Williams, Wayne Shorter, Freddie Hubbard, Julian Priester, Eddie Henderson and Bennie Maupin. With insert and obi.
Original edition on CBS/Sony's "Master Sound DD Direct Disk" series of the 1979 album featuring Ron Carter, Tony Williams, Wayne Shorter and Freddie Hubbard. With insert.
Herbie Hancock debuted on Blue Note in 1962 and quickly established himself as both a remarkable pianist and a brilliant composer with three excellent albums—Takin’ Off, My Point Of View, and Inventions & Dimensions—before making what is widely considered to be his first masterpiece: Empyrean Isles. Recorded in 1964, the album seemed to distill the full breadth of Hancock’s artistry into a sweeping 35-minute musical journey. Joining Hancock on the voyage were three of his closest collaborators: …
On Maiden Voyage, Herbie Hancock turns the small jazz group into an ocean vessel, steering a dream team of Freddie Hubbard (trumpet), George Coleman (tenor sax), Ron Carter (bass), and Tony Williams (drums) through a suite of sea‑evoking pieces. Modal harmonies, open forms, and long, swelling melodies create a sense of expanse; Carter and Williams suggest tides and undertows, while Hubbard and Coleman trace arcs that feel both exploratory and inevitable. Hancock’s piano balances delicacy with fo…
Recorded and released in 1969, Herbie Hancock’s last Blue Note album The Prisoner is a powerful but overlooked masterpiece. A moving tribute to Dr. Martin Luther King, this nonet session features some of the most exceptional instrumentalists in jazz including Joe Henderson, Johnny Coles, Hubert Laws, Garnett Brown, Buster Williams, and Albert “Tootie” Heath. Hancock said of The Prisoner: “I've been able to get closer to the real me with this album than on any other previous one.”
Blue Note Tone …
It would not be incorrect to claim that Zawinul was the first Weather Report album with regard to both its concept and sound since all protagonists are already present: Joe Zawinul, Wayne Shorter and Miroslav Vitouš. This album confirms that Zawinul was the primary creative generator of Weather Report, the connecting link between the band and Miles Davis’s keyboard-laden experiments on "In A Silent Way"; indeed, the composition in its complex orchestral form as composed by Zawinul is newly arran…
** Special Time-Limited Offer ** On Speak Like a Child, Herbie Hancock opts for subtler shades with an unusual front line of Thad Jones on flugelhorn, Peter Phillips (or Jerry Dodgion) on alto flute, and Jackie McLean on alto sax, supported by Ron Carter on bass and Mickey Roker on drums. Carefully voiced harmonies create a soft‑focus glow around lullaby‑like themes that harbour unexpected harmonic turns. Hancock’s piano is restrained and lyrical, often leaving wide spaces around simple phrases,…
** Special Time-Limited Offer ** My Point of View shows Herbie Hancock widening his palette with a larger band: Donald Byrd on trumpet, Garnett Brown on trombone, Hank Mobley on tenor, Grant Green on guitar, Chuck Israels on bass, Tony Williams on drums, and Patricia “Patty” T. on vocals on one track. The writing is richer and more layered, from soulful vamps to waltz‑like lyricism, yet unified by Hancock’s sense of structure and colour. The horns are given space to develop ideas; Green’s guitar…
The 1971 entry point into Herbie Hancock's celebrated Mwandishi trilogy, returning here on vinyl. Mwandishi opens what would become the most adventurous and freely exploratory chapter of Hancock's discography, the first record to officially document the sextet that the pianist would shape into one of the great working bands of early seventies jazz.
Recorded at Wally Heider Studios in San Francisco on New Year's Eve 1970 and released in March 1971 on Warner Bros, the album marked Hancock's decisi…
Blow-Up is a soundtrack album by Herbie Hancock featuring music composed for Michelangelo Antonioni's cult film Blow-Up, released in 1966. Musically the songs evoke the ambience of swinging Sixties' London with grooves that create effective bluesy Jazz moods on the slow pieces, and funky ones on the up-tempo tracks. The album features performances by Hancock on keys, Freddie Hubbard and Joe Newman on trumpet, Phil Woods and Joe Henderson on sax, Ron Carter on bass and Jack DeJohnette on drums. R…