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Ilhan Mimaroglu
Ilhan Mimaroglu emerged out of the Columbia - Princeton Electronic Music Center and public radio programs at New York's WBAI where his socially and politically charged radio programs took the city by surprise. .He is best known for his work with Edgard Varese, mentor Vladimir Ussachevsky, a spellbinding collaboration with jazz musician Freddy Hubbard and as a chief composer of Fellini's Satyricon as well as electronic albums released on his own Finnadar label.
Ilhan Mimaroglu emerged out of the Columbia - Princeton Electronic Music Center and public radio programs at New York's WBAI where his socially and politically charged radio programs took the city by surprise. .He is best known for his work with Edgard Varese, mentor Vladimir Ussachevsky, a spellbinding collaboration with jazz musician Freddy Hubbard and as a chief composer of Fellini's Satyricon as well as electronic albums released on his own Finnadar label.
Big tip! Sing Me a Song of Songmy is an album-length composition by avant-garde Turkish composer İlhan Mimaroğlu, released in 1971. Principal performers include jazz trumpeter Freddie Hubbard and Mimaroğlu himself. The piece includes a chorus, strings, recitations of poems by Fazil Husnu Daglarca and other texts, organists and tape-based musique concrète, as well as Hubbard's jazz quintet. It is considered as one of Hubbard's most experimental albums.
*2024 stock* Created by Turkish musician and electronic music composer İlhan Mimaroğlu, Tract is dedicated to fellow countryman Nȃzim Hikmet, whom Mimaroğlu regarded “as the greatest poet of the revolutionary struggles.” Utilizing the voice of Turkish singer Tülay German (identified as Tuly Sand on this recording), Mimaroğlu creates an audio collage of political messages in the propaganda style (agitprop) of the Bolsheviks during the Russian Revolution. Although his text is based on “direct and …
**2020 stock** Turkish-born musician and composer Ilhan Mimaroglu worked extensively with electronic (tape) music. The two programmatic pieces paired here are "To Kill a Sunrise," a dirge subtitled "Requiem for Those Shot in the Back" with words borrowed from a poem by Guatemalan guerilla poet Marco Antonio Flores, composed in Columbia-Princeton Electronic Music Center (New-York, N.Y., 1974). And "La Ruche" composed at Groupe de Recherches Musicales (Paris, France, 1968) an experiment of reminis…
While there’s no explicit date listed anywhere within, I’m guessing the pair of 45rpm 7”s in question - released only in Turkey - date to the mid-60s, with each featuring Solmaz Sporel reading a different fairly tale over a completely amazing Musique Concrète tape-backing by Ilhan Mimaroglu, produced at the Columbia-Princeton Electronic Music Center in New York. Personally, these particular outings are some of the most gratifyingly zonked things I’ve ever heard, having much to do with the langua…
two albums of 'agitprop' electronic music -- Tract & To Kill A Sunrise cut between 1968 and 1975 -- by mysterious & controversial Turkish composer Ilhan Mimaroglu -- one of the truly underrepresented pioneers of the golden age of the Princeton-Columbia electronic music scene. Produced as a direct reaction to an extended period of intense repression, counterrevolutionary terror, & execution style murder in Turkey, Tract is a scrambled mash up peppered with spunky electronic bursts, radio ads loop…