Jim Haynes
Inconsequential
This is the final pulse of a dying giant’s heart beat. "Inconsequential" is Haynes consciously channeling the God of cold industrial, Anenzephalia, and coming out on the other side with a totally sovereign statement on authoritarian dread. An album that transmits the adrenaline soaked anxiety of the merciless advancement of the process. Nagging, nauseating oscillations, nervously braying spinal screeching, skull resonating ambience. Utilizing a more partitioned layering of sonic elements than hi…
Inauspicious
*200 copies limited edition* In a recent interview, the california artist Jim Haynes was asked to name his top five noise albums. In quick fashion, he listed Off Kill the King, Send, Desnos, Persona, and Carcinosi. Since then, he's equivocated on which albums to choose, but the artists behind such works remain as the adjacent signposts and landmarks to his own constructions of industrial noise. How those records connect to the output from haynes is found in their unique combination of smoldering…
Turbulence
*250 copies limited edition. Printed color sleeves sporting hand-drilled holes of varying amounts, size and placing. In process of stocking* Turbulence is a prequel of sorts, with two twenty minute studies in smoldering noise and concretized electricity, as evinced through shortwave radio, corroded metal-on-metal, and glass being vibrating just shy of the point for shattering. Thick, fluttering, heated rays of sound building a slow tension of rhythmic, oppressive structures. Piercing, crackling …
Incomplete
No Rents Records presents Incomplete by Jim Haynes. Describing his work through the pithy phrase, "I rust things", Jim Haynes (b. 1972) is a California based artist who has developed a vocabulary of decay that he has applied to photography, sculpture, installation, and sound. He has exhibited internationally at institutions such as The Exploratorium (San Francisco), WestSpace (Melbourne, Australia), Jack Straw Productions (Seattle), Eyedrum (Atlanta), Diapson (New York), and The Lab (San Francis…
Shortwave Radio Recordings On MiniDisc
One for lovers of the Conet project, Jim Haynes with a set of often bizarre shortwave recordings including Soviet-era Buzzer signals, a Romanian language lesson, Morse code transmission, a WWCR / Alex Jones broadcast, Radio Damascus and a conspiracy theorist speaking about fluoride and water fluorination. Totally our kinda shit.
"I acquired my first shortwave radio back in 1998 or 1999. Living in San Francisco at that time, I found a wealth of signals being broadcast from across the Pacific towa…
The Wires Cracked
The recordings for The Wires Cracked were completed in a frenzied two week period in October of 2012. I had mentioned in discussing a previous album's construction that I prefer to forget how I build any particular electro-acoustic amalgam. This is so that I don't get to precious with them, so that I could refine them further, so that the sounds themselves speak beyond their aggregate parts. With the album being relatively fresh in my mind, I can still recall various components to "The Wires Cra…
Electrical Injuries
Jim Haynes on the album: “electrical injuries was designed as an intense record. Something akin to a sustained self-immolation. The themes of corrosion and dislocation central to the research. Similarly, the source material and the means of production also maintains a lineage that dates back to my earlier compositions and designs. I still use shortwave radio, electric disruptions and varispeed motors along with a smattering of synthesized sound that have recently blossomed from a long-term resid…
Throttle & Calibration
In 2015, Jim Haynes accepted a residency at MoKS in the village of Mooste, Estonia to collaborate and contribute to Simon Whetham's Active Crossover series. For this particular incarnation of Active Crossover, well over a dozen international artists were invited to this region of Estonia to collect field recordings and engage in a cross-pollination of ideas, strategies, and concepts that spawned from those recordings. The refuse from Soviet-era industrial farming complexes, the droned blur of ae…
Flammable Materials from Foreign Lands
The new LP from Jim Haynes is a haunted and provocative endeavor, rust-covered and mysterious. It is the result of an immersive listening/recording process through which Haynes' singular techniques intersected with an unfamiliar, disquieting landscape.... "The album was mostly composed, recorded, and sketched during an Estonian residency at MoKS for a program that was hosted by Simon Whetham and John Grzinich called Active Crossover. The goal of that program was to bring together various artists…
The Decline Effect
Parapsychology introduced the notion of the decline effect as a statistical phenomenon of diminishing results whilst investigating extra-sensory perception and psychokinesis. Where initial findings might substantiate proof of such abilities, further studies would almost always demonstrate the contrary. As such, this ontological disappearing act stands in allegorical parallel to the entropic art of Jim Haynes and frames his 2011 opus of the corroded drone and a compacted disintegration of …
Eraldus I Eravaldus
Beautiful picture disc LP featuring two full-color reproductions of visual works by Jim Haynes and two new side-long solo compositions. 'The ideal companion pieces to Jim Haynes' masterful album, Telegraphy by the Sea, Eraldus and Eravaldus are both shadowy concoctions built from agitated objects and amplified spaces (a lighthouse, some high-tension wires driven by wind, a very large pile of sand, etc.). These are subtly manipulated field recordings, rusted to perfection and fine-tuned into scra…
The Sleeping Moustache
This curious quintet makes sounds that recall the glory days of Nurse With Wound: long, shapeshifting collages of psychedelic murk interrupted by random outbursts of industrial clatter, nightmarish drones, deeply bizarre audio mutations and tangible masses of sticky audio goop of impossibly vague origin. The Sleeping Moustache consists of five ten-minute tracks interspersed with five brief interstitial tracks. Everything blends together well because nothing blends together well; forced juxtaposi…