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*In process of stocking.* In late 1957, jazz saxophonist, clarinetist, composer, and iconoclast Jimmy Giuffre broke up the original Jimmy Giuffre 3 with Ralph Pena and Jim Hall. In early 1958, for a recording session, he formed a new trio without a rhythm section. For the album "Trav'lin' Light", his new trio included Hall on guitar and the underrated trombone giant Bob Brookmeyer. For a year, they gigged together up and down the West Coast and played summer festivals, recorded, and even played …
The closely affiliated Black Saint and Soul Note labels were established in the 1970s by Italian jazz lover Giacomo Pellicciotti, and together they released some of the most forward-thinking jazz recordings on the market during their four decades of independent existence (both labels were acquired by another company in 2008). In 2011, the labels' new owner began releasing a series of budget-priced box sets documenting the complete output of particular artists, each individual disc housed in an L…
Temporary Super Offer! The trio of Jimmy Giuffre, pianist Paul Bley, and Steve Swallow on acoustic bass, through their previous recordings and live concerts in Europe, had reached the precipice of complete improvisational freedom. The leap came with Free Fall. What I feel to be the more revealing and revolutionary aspects of this album, however, are to be found in the five unaccompanied clarinet pieces. – Art Lange
With this release we like to celebrate Jimmy Giuffre at 100. (26. April 1921 – 24…
After introducing his new trio with pianist Paul Bley and double bassist Steve Swallow in two 1961 albums on Verve, clarinetist Jimmy Giuffre embarked on a tour of Europe, this recently discovered, well-recorded concert in Graf, Austria the perfect example of his unique concepts yielding intensely focused, harmonically challenging, rhythmically abstract, and exquisite chamber jazz.
The Jimmy Giuffre 3 with Paul Bley and Steve Swallow only lasted about a year, but their work, which ranged from blues to tempo-less group improvisation, became a major influence on a wide variety of subsequent music from 'soft jazz' to 'hard-core' free improvisation. This double CD reissues their only known well-recorded concerts, originally released in 1992/3 on hat ART 6071/2. In addition, there are six previously unissued performances from the Bremen concert, three trios and three piano…