Jon Rose
Jon Rose has created a body of radical music, and an alternative cultural context for the violin, its practice and its history. His Fence Project, has seen him, over the last 20 years, explore the sonic possibilities of fences all over the world. Throughout the 1970’s, first in England and then in Australia, he played, composed and studied in a large variety of music genres
Jon Rose has created a body of radical music, and an alternative cultural context for the violin, its practice and its history. His Fence Project, has seen him, over the last 20 years, explore the sonic possibilities of fences all over the world. Throughout the 1970’s, first in England and then in Australia, he played, composed and studied in a large variety of music genres
Band Width
Living on different continents, the possibilities of linking up were few and far between but we did keep in touch and perform when the occasion presented itself. The software SonoBus solved the problem of distance and we recorded, Mark on the edge of a desert in San Diego and me in the middle of three Australian deserts at Alice Springs. A selection from these sessions you hear on this CD.The duos were recorded direct to stereo live.On the last track you will hear our most recent guest Vladimir …
Brain Weather (The Story Of The Rosenbergs)
Brain is a CD musi-drama (opera pervers) with El Maestro Jon Rose lui-meme, Shelley Hirsch, Phil Minton, a Nietschean dentist and thousands of Rosenbergs. Plus The Weatherman. Full texts and notes. Cover by Peter Blegvad
The People's Music
With string orchestras, percussion, a motivating red guard and the severed embalmed arm of the great helmsman himself (maybe), Jon Pits the ethos of Mao's China - and in particular the mass production of the violin and it's use in life against the 'reductive cultural practice of our globalised world'. Well, that's what it says here and by golly I agree. Apart from that, this a large scale work that features fine and extensive writing for string orchestras, juxtaposed with (more or less) controll…
Aeolian Tendency
Characteristically invisible and inaudible, the wind is made manifest solely by its agency and performance on objects: huge waves crash to shore, sand dunes edge forward over millennia (rumbling as they go), cyclones uproot trees and houses, intergalactic winds confound the planets. On a more modest scale, I’ve been building aeolian instruments since 1979, part of my investigation into the innumerable aspects of the vibrating string. I designed the two recent aeolian instruments heard on this al…
Fringe Benefits 1977-1985
** 2021 Stock ** Entropy Stereo Recordings presents Fringe Benefits by Jon Rose. Two CD's (almost 150 minutes) worth of archival material from the 70's and 80's handpicked by Jon Rose with detailed liner notes. The music constitutes his experimental work in Australia with many home made instruments.
Café Grand Abyss
It had to happen... This CD sees Jon Rose and Alvin Curran on terrifying form: Alvin spookily surefooted in his deployment of an often counterintuitive palette of sounds, and Jon just brilliant. This is a duo made in heaven and provides a perfect context for both - a rare combination of proper musicianship and exquisite musical thinking. And beautifully recorded.Alvin recently left 80 behind, Jon is facing down 70. The two have known each other since 1985, when they were both living in Berlin – …
Peggy
Jon Rose and Chris Abrahams (of The Necks), after four decades of being parts of other projects, finally got around to recording as a duo. Jon uses a number of violins, including the bird - a specially made tenor hardanger fiddle with sympathetic strings; his tunings are non-standard, and create complex microtonal dissonances with the standard keyboard. Abrahams is unfazed and somehow manages to make the conversation coherent; they’re still speaking one language – probably because these are both…
Tuning Out
Improvised pieces for tracker action organs and strings recorded in five English churches. Because these organs are entirely mechanical, there is a more direct physical relationship between the instrument and the player. When each stop is very carefully and slowly pulled while a key is pressed, a myriad of uncertain transitional stages of sound is produced. Thus organist Veryan Weston has a much wider of range of tones than he would have if he were playing a piano or electric organ. Violist Jon …
Rosin
As this four-disc retrospective shows, Australian violinist Jon Rose has done more than any musician to revolutionise the approach to his instrument, with technical developments and radical performance strategies. Jon Rose is one of the most productive, original and focused people I know; he's also an extraordinary musician and an inspired composer. To mark his 60th anniversary we are releasing this three CD box of previously unreleased works ranging from radio documentary and radio fiction to v…
