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*2023 stock. 250 copies limited release* Recorded during Japanese tour.
Recorded live at Musica Japonica, Umeda, Osaka on 21 March 2007Petter Flaten Eilertsen - electronics, effects and percussionPer Gisle Galåen - guitar and effectsHiroshi Higashi - synthesizerMakoto Kawabata - guitar and effectsKai Mikalsen - electronics and effects
Recorded by Petter Flaten EilertsenEdited and produced by Kai MikalsenMastered by Lasse Marhaug
Dragonfly's First Flight, taking up the full side A, features Simeon Coxe and Kawabata Makoto jamming over familiar Silver Apples hypnotic rhythms. Fans of both groups will delight in the interplay between Simeon's keyboard and Makoto's drone guitar feedback soloing. Side B ranges from free-form freakouts to ambient poetry readings by Simeon with Japanese translation spoken by Makoto. Future Reminiscence, which closes side B, is a song that sounds like a long-lost Silver Apples track. Mirage is …
When Acid Mothers Temple and Richard Pinhas visited Lima for the first time, in November 2017, to participate in the experimental music festival "Integraciones", Luis Alvarado, the director of Buh Records and curator of the festival, summoned the Japanese and the French musicians to Manongo Mujica's studio and invited Juan Luis Pereira (El Polen) to join them for a recording session. The result was this album which finally comes to light, and where a variety of instruments and sensibilities are …
**In process of stocking** A collaboration between Makoto Kawabata ( leader of the legendary Japanese psychedelic band Acid Mothers Temple) and the French/British multi-instrumentalist RG Rough. The pair create an unsettling sonic jungle in which Makoto's guitar drones multiply, intertwine and collide with a wide variety of electronic and concrete sounds and percussion. On two occasions a soft, sleepy sounding voice comes out of nowhere and whispers a strange lullaby which soon disappears under …
LP version. Makoto Kawabata (Acid Mothers Temple), Richard Pinhas (Heldon), and Tatsuya Yoshida (Ruins). What else is there to say? Richard Pinhas is one of the more atypical French musicians of the last 40 years. He has been surprising everyone all these years -- Always appearing where you expect him the least. Makoto Kawabata, who has been a big follower of Heldon, has also been a longtime friend and partner of Tatsuya Yoshida. So naturally, these three reunited in 2016 at the Studio Con…
**restocked** Kawabata Makoto emerges from a period of relative quiet with his first widely available solo release in several years, the blockbuster Krautrock-flavored Astro Love & Infinite Kisses. This lovely and impressionistic record showcases the other side of Makoto's outrageous works with Acid Mothers Temple. Taking cues from classics of the genre like Tangerine Dream's Phaedra and Steve Hillage's Rainbow Dome Musick, 'Dos Nurages' is the album's centerpiece, a 41-minute hypnotic epic, wit…
*2022 stock* Hard to imagine a more powerful or intriguing, improvising power trio than these 3: Charles Hayward on drums (This Heat and Massacre), Kawabata Makoto (Acid Mothers Temple) and Guy Segers (Univers Zero) caught in wild act at Cafe OTO, London, on May 24, 2013.
- "...[Kawabata is] a genuine Guitar God..." --Pitchfork - "Hayward's interest in all manner of world rhythms and percussion... lent the music an otherworldly quality..." --Pitchfork - "Darker and more bleakly melodramatic, bas…
Brand new LP from Kawabata Makoto, his second for Blackest Rainbow following on nicely from where 2008's 'Rainbow Of Love' left off. White Summer of Love Dreamer continues to develop Kawabata's experimentation into psychedelic drone music using a variety of instruments. Across the two tracks on this LP, Kawabata seamlessly uses acoustic guitar, electric guitar, bouzouki, sarangi, tambura, organ, hurdy-gurdy, electronics, field recording, and his voice to create a stunning soundscape of hazy summ…
Kawabata Makoto (better known in his adult incarnation as the Father Yod like ringleader of Acid Mother's Temple) was a precocious Japanese kid at the age of 13 when he made these recordings. Like his Dark Revolution Collective album that was recorded about the same time in 1978, the only instrument that Kawabata had access to was a borrowed synthesizer, which he tweedled and modulated to create what qualified way back then as "Psychedelic Noise." In between all of the Morton Subotnik / Conrad S…