Kobe Van Cauwenberghe

*200 copies limited edition* "In a somewhat inconspicuous passage in Ursula K. Le Guin’s sci-fi classic The Dispossessed, its main character — the brilliant physicist Shevek — meets a composer who has translated Shevek’s revolutionary theories into music: ‘I’m writing a piece of chamber music. Thought I might call it The Simultaneity Principle. [Several] instruments each playing an independent cyclic theme; no melodic causality; the forward process entirely in the relationship of the parts. It m…