Lol Coxhill
Famous for his unaccompanied, unorthodox concerts and albums, Lol Coxhill had an immediately identifiable soprano and sopranino style. He was perhaps Steve Lacy's prime rival in getting odd sounds out of the soprano with his wrenching, twisting, quirky solos.
Famous for his unaccompanied, unorthodox concerts and albums, Lol Coxhill had an immediately identifiable soprano and sopranino style. He was perhaps Steve Lacy's prime rival in getting odd sounds out of the soprano with his wrenching, twisting, quirky solos.
Lol Coxhill & Totsuzen Danball
One of the wildest albums that British reedman Lol Coxhill ever played on – and that's really saying a lot, as he's played on a heck of a lot of wild albums! The set's done with a Japanese group, and it's got an insane mix of improvised jazz and post-punk energy – Lol's work on soprano sax mixing with guitar, drums, and percussion – often used in different combinations from track to track – sometimes very free, sometimes with more of a song structure, and vocals from singer Eiichi Tsutaki in Jap…
Coxhill 85
Lol Coxhill was an English saxophone player, largely known for playing soprano and sopranino saxophones. He began playing aged 15 in 1947 and later in that decade, organised club sessions where he introduced music from the jazz coming from the US. He later toured with musicians in America. Back in the UK, he played with Otis Spann, Jack Dupree and many other musicians. Coxhill was unconventional in so many ways. Rather than a permanent trio, quartet or collaborator, he played with a host of diff…
Coxhill on Ogun
Ogun presents Coxhill on Ogun by Lol Coxhill. Packaged in a double-gated cardboard sleeve including a short biography of Lol Coxhill, portrait photo and visuals on inner panels. Artwork [Inside Etching] – Claire Coxhill. Artwork [Inside Painting] – Stephen Cochrane. Executive Producer – Hazel Miller. Layout – David Ilic. Mastered By [CD Mastering] – Shawn. Photography [Portrait] – An Italian Friend. Soprano Saxophone, Producer – Lol Coxhill. Visuals: "Diverse" illustration (front) from Victorian…
Slow Music
Records are almost always more than they seem. For all the sound and joy that they bring, they are works of art in multiple that indicate vast networks of happening, history, and ideas; beacons to be chased, leading to understanding beyond themselves. Particularly in the case of historical works, whether they emerge from dusty crates or as reissues and archival releases, these objects can reveal unexpected creative intersections that defy our notions of what was. Aguirre’s first-time reissue of …
Tree Dancing
This recording from the earlier years of Cafe Oto documents the impossible pairing of four contemporary giants. It's the reason the venue opened in the first place, for miraculous one-off groupings like this. "The magic of the first minutes -- an alto solo by Joe McPhee of true purity -- soft-spoken, masterful and accomplished -- brought back to mind the blissful Coleman/Haden duet last year at the Royal Festival Hall. 'Ornette gave me freedom to move in a certain way,' said McPhee. He searched …