Mamer
辐射较弱 = Faintish Radiation
2025 stock After his self imposed exile from the global world music niche, Mamer found his stage at Shenzhen’s two annual music festivals – Tomorrow Festival and OCT-LOFT Jazz Festival – curated by his loyal friend and supporter Tu Fei, who would always reserve at least one set for Mamer’s newest sonic experimentations. Mamer’s most recent album Faintish Radiation documents his full performances of solo improvisation at the seventh (2017) and eighth (2018) OCT-LOFT Jazz Festivals, in which he pe…
Memory
This album is a special production for IZ's 2025 China Tour. The selected tracks include the live recordings from the "Koxpendi" tour in 2023 and from the BBC radio show in 2010. Over the years, as an important branch of Mamer's many music projects, IZ has been on a path of self-innovation and even self-denial. We hope you can feel this from these recordings spanning 13 years. As Mamer said, "We need to learn from tradition, and give back as much new content to it as possible, at the same time e…
Awlaⱪta / Afar
*60 copies limited edition* In mid-December 2021, Mamer flew from Ürümqi to Shenzhen to play a few booked gigs. Afterwards, he decided to stay on for a marathon music residency at the Old Heaven bookstore. From Dec 13 to 27, Mamer performed 14 concerts in 15 days, unreservedly presenting his vast creative world to a small but dedicated audience, who followed him throughout this journey. These performances were announced on each day with a theme decided often last minute, free admission offered. …
Desert: Guitar Solo For Reel-to-reel Tape Recording
Mamer first became known as a dombra virtuoso and a modern master of Kazakh folk music. Over the years, he has evolved into a prolific and versatile artist, working across the boundaries of both tranditional and contemporary music. Mamer leads seven band projects: IZ, Bande, Mekrop, TAT, Mask, 51-Rayon, and Kunakar. He has released over 30 records, presenting a diversity of distinct styles including folk, ambient, industrial, noise, improvisation, and drone music.
“Every Mamer is brand new”. On…
Dirty
Live recording from Mamer's solo performance 'The Imitator Series Ⅷ: Dirty' on June 25, 2024 at Old Heaven Books.
Imitate Sky
Track A1, B3 and B4 are original compositions by Mamer, track B1 is composed by Ashim Dongxeuly, track B5 is a Tatar traditional folk tune, the rest are based on Kazakh traditional folk tunes. Live recording from Mamer's solo performance 'The Imitator Series Ⅵ: Sky' on June 19, 2024 at Old Heaven Books.
Underground Factory
Live recording from Mamer's solo performance 'The Imitator Series V: Underground Factory' on June 18, 2024 at Old Heaven Books.
Fake Jazz
Live recording from Mamer's solo performance 'The Imitator Series Ⅺ: Fake Jazz' on July 3, 2024 at Old Heaven Books.
Sleepless
This album was recorded at Liu Ying Studio in Shenzhen. An improvised session on acoustic guitar from start to finish, it nonetheless demonstrates a highly original, coherent artistic conception: a distinct “Oriental” aesthetic redefined by Mamer’s own creative vision. In tracks like “Sleepless”, “Man from the East”, and “Backyard”, Mamer ingeniously deconstructs and deploys traditional Han Chinese music scales to serve his own purpose, adding artful ambivalence and rich subtleties to an unmista…
Sherter Solo
*2024 stock* "On the night of December 18, 2021, Mamer and his newly formed psychedelic folk band Mask were about to record a live album at Shenzhen B10 Live, a few audiences were invited. Before the recording, Mamer improvised on sherter for nearly 40 minutes. This album was therefore born. Xêrtêrmin / Sherter Solo may be, or should be the world’s first sherter solo album—although we don’t want to overemphasize it for the sake of sales. Most of the time, this ancient Kazakh instrument is used a…
Lo-Fi Machine
*2024 stock* "This is one of the many solo albums that Mamer completed in 2013. At that time Mamer's desire to create erupted like a volcano. I remember that bookstores had just released his solo albums "Stars" and "Cycles", as well as IZ's "Echoes"; many fans were slowly accepting music like IZ's "Shadows", and some people started to talk about the expansion and "revolutionization" of folk instrumentation on "Stars", while Mamer was already immersed in another world.
One day he handed me a bun…