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That Alexandre Manuel Thiago de Mello (aka Manduka), born in Petrópolis, a city in the south-east Brazil, isn’t a bigger name in the annals of Brazilian music is surely largely down to the unforgiving vagaries of politics rather than talent. This debut album, originally released in 1972, is up there with anything recorded contemporaneously by the big name post-tropicalistas. In figuring out its relative obscurity you have to factor in the unusual and febrile context in which it was composed, ami…