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A studio album between three UK master improvisers - John Butcher on sax, John Edwards on double bass, and Mark Sanders on drums - the trio pushing the envelope in technique and dialog in nearly telepathic playing that transports the listener into their environment, as the music builds and releases in effortless ways that are stunning and exulant; highly recommended.
In collaboration between Christian Marclay and the London Sinfonietta, some of the world’s most renowned contemporary musicians have been invited to stage performances, including new compositions and live improvisation sessions inside the White Cube. Each performance over the course of the exhibition will be recorded, pressed and screen-printed live inside the gallery. The fifth performance is by Mark Sanders.
Mark Sanders has played with many renowned musicians including Derek Bailey, He…
The extraordinary improvising duo of John Edwards and Mark Sanders have recorded together in countless groups, but only once as a duo [Nisus Duets Emanem 2002]. For this recording, Mark uses an unorthodox kit setup with horizontal orchestral bass drum. John's huge bass sound is captured in full by the old RCA ribbon microphone used in this recording. Constantly imaginative, thrilling playing.
"Mikolaj Trzaska (pronounced "Miko-why Chass-kuh") is not a name which drops off even the most assiduous jazz fan's lips. But on the evidence of this recording, it will become increasingly familiar outside his native Poland. Already the reedman has featured alongside American multi-instrumentalist Joe McPheeon the excellent Magic , with reedman Ken Vandermark's Resonance Ensemble, and in a spinoff from that aggregation with trombonist Steve Swell under the moniker Inner Ear. Riverloam Trio unite…
First solo recording by Mark Sanders, one of the world's great improvisors. Recorded from the drummer's perspective, a beautiful virtuoso performance in 9 parts.
A deeply enigmatic duo of trumpet and drums augmented by live electronics and an expanded percussive array (tam-tam, multiple high hats etc.), Stonecipher is a mesmerising work that operates in the blurred regions between the electronic and acoustic. Dörner's electronics have never been more effective, creating viscous clouds of sound which are illuminated by Sanders' sparse, precise formations, producing a dense fabric of insidious extended tones, gradual inclines and sudden drops, and sounds t…
Meetings with Remarkable Saxophonists - Volume 1. John Edwards, double bass. Evan Parker, tenor saxophone. Eddie Prévost, drums. First of a series of recordings made at The Network Theatre, London on 30th May 2011.
Recorded February 2008, this album captures a specially organised Treader concert at St Giles-in-the-Fields church in London's West End. A series of duos played at the event, each improvising over the course of a twenty-five minute set. First up, the excellent John Butcher (on tenor and soprano saxophones) pairs with drummer Mark Sanders for 'Tooth Pivot', an incredible opener that stumbles into life through the reverberant performance space, with Butcher at first sounding measured and contempla…
Agustí Fernández (piano), John Edwards (double bass) and Mark Sanders (drums). Agustí Fernández's connection with the London scene grows stronger by the year. His trio with John Edwards (double bass) and Mark Sanders (drums) brings him to the heart of things. Their set played at the Jazz Sigüenza 2007 festival in Spain comprised this free improvisation, which was captured by the fabulous ears of ace engineer Checa R Puértolas & mixer Feran Conangla.
This double CD pairs a studio recording from December 2003 (the Gateway part) with a May 2002 concert recording of two long improvisations (the Vienna part). When this trio released their previous Emanem CD Mercury Concert in 1999, Veryan Weston was described as "underrated and John Edwards and Mark Sanders were described as "younger, unacclaimed players who are regulars on the London improv circuit. In the intervening years, Edwards and Sanders have advanced in acclaim, to the point where they …
Digital concert recording Colchester (Mercury Theatre) - 1998 June 24 All of the music of the concert is included unedited, in the order of performance. All instruments were used without amplification or other electronics.