Massimo Silverio is one of the most distinctive names in the new Italian music scene, carving out a niche within the independent landscape with his unconventional idea of songwriting — influenced by the folklore of Carnia, electronic textures, and a highly personal approach to songwriting.
Surtùm arrives two years after Hrudja (2023), the album that established Silverio as one of the most intriguing emerging artists in Italy, blending the metalinguistic folklore of Sigur Rós, the gothic arrangem…