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Maurizio Bianchi

Bianchi began to produce music in 1979, since 1980 using electronic equipment with the avowed goal "to produce technological sounds and in such a way to work on complete realising of the modern decadence". In the beginning, he published tapes under the alias Sacher-Pelz. Until 1984, Bianchi published on other labels intensively as either MB or simply Maurizio Bianchi, sometimes several albums and/or tapes per year, as well as numerous tracks to compilations. Bianchi became religious and withdrew himself from the music business. Much of his work is sought today by collectors, especially as they appeared in extremely small editions

Bianchi began to produce music in 1979, since 1980 using electronic equipment with the avowed goal "to produce technological sounds and in such a way to work on complete realising of the modern decadence". In the beginning, he published tapes under the alias Sacher-Pelz. Until 1984, Bianchi published on other labels intensively as either MB or simply Maurizio Bianchi, sometimes several albums and/or tapes per year, as well as numerous tracks to compilations. Bianchi became religious and withdrew himself from the music business. Much of his work is sought today by collectors, especially as they appeared in extremely small editions

Member of: Maribor, Vértice
Isometrie sonore
Postface by M.B. - An isometric sound ineluctably holds a thematic notion which generalizes that of the rigid motion of noise, combining with a psychometric and cacophonous object. Formally, it is a modulatory function between two metric spaces preserving their silent distances. In the example shown here, isometry moves along electronic pathways and captivates the listener's mind through rotations and reflections in plane or in spatial sound, maintaining the geometric concepts of experimental su…
Merzbow meets M.B.
This strictly limited premiere release comprises a vibrantly coloured LP on green/blue/yellow splatter vinyl, plus an additional seven inch, the fuchsia coloured seven inch is a noisy split with a  with a xeroxed cover, with a numbered insert included.
Mectpyo Bakterium
Mectypo Bakterium is a work furnished of implacable plastic exasperation. The icy oppression, the hallucinatory electronic wounds, are a precious and singular fact in a technological society brought to the limit. The emotion is pushed into dangerous zones, and unusual tensions free biological groans of extreme effectiveness. A vivid expression of a world in extinction. Near exact replica of this classic Maurizio Bianchi LP published by DYS in the USA in 1982."An other awesome, bizarre, ultra-opp…
Hic omnia Ur-Aizib
This is the second release from Maurizio Bianchi for Red Light sound. It begins explores the world of tubolar percussion while track two takes a completely different turn using modular synth treatments with Pharmakustik.
Concredrones
M.B., also known as Maurizio Bianchi doesn’t need much introduction. In the early 80s he was responsible for a string of compelling electronic music albums in the first wave of ‘industrial music’. After a hiatus of many years he returned in the late 90s and since then has been very active with many new solo releases, but also on the side with collaborations. Here he works with Mario Costa, also known as Sostrah Tinnitus, from Italy, who has had a number of releases on labels as Umbra, Beyond, My…
The Plain Truth
Presented in an elegant digipack featuring a new artwork based on the original cover pictures and fully approved by the author, "The Plain Truth" continues the series of reissues dedicated to the undisputed master of Italian Noise and Experimental Music. Officina Fonografica Italiana is particularly proud to introduce this title because it is one of the best entries in Maurizio Bianchi's ever-growing discography. Originally released in the U.K. as a 500 copies limited edition LP by Broken Flag i…
Giudizio Final (Compilation And Unreleased Tracks)
Lovely compilation of M.B. music including old tracks taken from 80's compilation cassettes. Cover image is a 1982 original M.B. artwork. Numbered edition in a paste-on digipack.
Amniocentesi / Envoise 30 05 82
Two unreleased long tracks recorded in 1982. These tracks were originally submitted for the Mail Art Music Project compilation LP. Only one minute of each track was published on the now extremely rare compilation album.Remastered from original master tapes. Cover photo taken in 1982 in Milan. Numbered edition with paste-on cover.
Menses
*Numbered edition of 206 copies pressed on 180 gram Menstrual Blood Red vinyl* Reissue of the private LP edition of 300 copies from 1981; the pyramidal construction of these two 'suites,' with its intentionally brutal and grotesque deformations, elaborates on overflowing and apocalyptical collapse, dragging a completely dissolvent conception of the world and of the para-industrial sound. Bonus tracks: 'Milan Bruits' from the Fix Planet! comp (Ata Tak) and the two tracks first issued in the v…
Tibetan slide art (the Come Organisation Files)
Limited edition of 413 copies in dvd box including a numbered insert with a M.B. essay from 1982 titled After The Entrance, The Final Solution. The material conained here was previously issued under the moniker Leibstandarte SS MB. The moniker Leibstandarte SS MB and the nazi speeches that were added to the music were used without Maurizio Bianchi knowledge and without his consent. Cassette releases on the Come Organistaion Label, hence the Liebstandarte SS prefix, added by William Bennet…
Das Testament
Backwards proudly presents the reissue of a private Maurizio Bianchi vinyl LP, issued in a small edition of 300 copies in 1983 and titled "Das Testament". M.B. is an Italian pioneer of noise music, born near Milan. Bianchi began to produce music in 1979, and since 1980 has used electronic equipment with the avowed goal "to produce technological sounds and in such a way to work on complete realising of the modern decadence". Now remastered, for this release MB plays electronics, rhythms, neutroni…
Material Modulations
"Second and final collaborative work by MB [Maurizio Bianchi] & MO [Mauthausen Orchestra], recorded before the premature departure of Pierpalo Zoppo the man behind Maurhausen Orchestra (R.I.P.).In the modulatory system, sounds are extracted from a basic materialistic sound and then overlaid with the use of random techniques that conceal the rumoristic load-bearing tones. The result is these "Material Modulations", which represent the primary device to receive physical and emotional response for …
Spiritual Noises
Historical collaboration between two of the fathers of Italian (and not only Italian) Old-School Industrial, Maurizio Bianchi and Mauthausen Orchestra."Creating noise is determined by the presence of an original particle to which randomly apply an alteration to convey a voltage-activated disturbing that determinates the electrophonic perturbation. As a result we obtain the spiritual noisesMO_disturbo" Sounds by M.B.: ancient loops, modern metals and futuristic waves and M.O. :synthesizer, loops,…
Hibernum
Exclusive work by Italian noise legend Maurizio Bianchi.A marginal division of the whole existence in four palpable seasons, marked by pestilential changes in emotional  hemisphere. At the end, the hibernating organisms organize a reproducing molecule of environmental for a silent "hybernum".‘Hibernum’ contains 3 lengthy, slowly shifting atmospheres for private meditation.
Computers S.p.A. / Com.SA
Released 2010 by At War With False Noise: Second in the At War series of early CD issues of tapes by noise legend Maurizio Bianchi. This has been a long time coming and I promise the next installment (Mectypo/Blut since you ask) won't take so long and should surface early next year. Both these albums are lofi, featuring very primitive use of synthesizer, tape loops and tape manipulation. There's a real charm and otherworldly feel to them, There's something very prescient about MB's explorations …
Ludium
 A long and almost solemn track built with reverberated piano notes, a slow and rhythmical flow leaned on a background made of clashing hisses and vague, distant, rustling ambient noises. A brief interval based on obscure drones moving in circles, inexorably entangled on themselves. Then another long piano-based track, this time more dilated, confused, ethereal and prim, so much that it takes the distinguishing features of an indecipherable sonic mass, abstract and booming, estranging, deep and …
Loopspool
a CDr with recent MB works, representing the radicalization of the fragmentary approach in Maurizio Bianchi's music. A cosmic journey!
Nervo/Hydra
First issued as a limited private tape in 1981.2010 re-issue of 500 copies on Kubitsuri Tapes (Japan).
NH/HN
The Italian sound experimentalist/ industrialist Maurizio Bianchi/M.B. needing not any introduction comes here reissued. "NH/HN" is one of M.B.'s earliest tapes, recorded and released back in September 1980. Not to be confused with the "Nervo/Hydra" tape (1981) which was ilegally reissued by several labels which wrongly entitled them as this one. Synthesizers, radio transmissions, concrete noises and weird vocals are the elements used on this recording by M.B to create a parallel reality …
A M.B. Iehn Tale
The brand new release of  Maurizio Bianchi (M.B.). Similar to his early experimental bionic – industrial masterpiece like The Plain Truth, Armaghedon, Endometrio and Carcinosi, this album presents eight decomposed tracks with slow, obscure and meditative music… Cold atmospheres and reverberating piano… Really one of Maurizio Bianchi best work to date!!! Dedicated to all the meditative people who is living in the environmental paradise.
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