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Fratto9 under the sky and Kinky Gabber present the second volume of the “seven inch series”, a series of coloured 7 inches in limited and numbered edition that Luminance Ratio shares with different international artists and musicians. While the first volume of this series, released a few months ago, involved the American musician/artist Steve Roden (almost sold out now), this second volume features Luminance ratio with a psychedelic piece of music in between free-folk and ambient and the …
Wreckage is a collaborative work between Australian composers Oren Ambarchi and James Rushford. Cycling through a set of asymmetrical harmonic and rhythmic patterns, the composition is a study in displacement. The material, though repetitive, shifts itself in unpredictable ways to create an amorphous, and extremely delicate, sonic world. Wreckage draws upon both avant-garde and avant pop sensibilities, influenced by a variety of artists including Morton Feldman, Luciano Cilio and Luigi Non…
Raga Ooty unearths three previously unreleased works (each titled with reference to the area in south India where his mother was born) from Oren Ambarchi's archive, showcasing the rawer side of his solo work between 2006 and 2011. The side-long Raga Ooty unspools a twisting, skittering thread of gritty guitar harmonics over a bed of buzzing tambura drone, creating the same paradoxical impression of simultaneous stasis and forward propulsion achieved by minimalist masters such as Henry Flynt, to …
Gatefold double LP version. On Audience Of One, Oren Ambarchi presents a four-part suite which moves from throbbing minimalism to expansive song-craft to ecstatic free-rock. His previous solo albums for Touch exhibited a clear progression towards augmenting and embellishing his signature bass-heavy guitar tones with fragile acoustic instrumentation. Audience Of One, while also existing in clear continuity with these recordings, opens the next chapter. Remarkable in its confidence and bread…
Amongst the first generation of innovators in non-idiomatic and non-composed music, Keith Rowe has distinguished himself through his intense collaboration with younger musicians, collaborations that have engaged all involved in processes of reciprocal influence. Rowe has clearly been a teacher, or in his own words a 'permission-maker', for international groups of musicians who (especially in the last twenty years) have taken up his exploration of dislocated instrumental technique, new modes of l…
Rune Grammofon presents the third album from Swedish trio Fire! -- something of a supergroup with members from already well-known projects. And again, it's a collaboration, this time with the extraordinary and prolific guitarist Oren Ambarchi. With their heavy, hypnotic, psychedelic rock'n'jazz explorations, they have carved out a different sound than any of the groups they are normally associated with. Sax player, improviser, composer and fervent record collector Mats Gustafsson is proba…
The next chapter for the trio of Keiji Haino, Jim O'Rourke and Oren Ambarchi, extending the power-trio strategies of their previous LP with intense music that transcends rock and electronic music. "The yearly summit of Keiji Haino, Jim O'Rourke and Oren Ambarchi continues with Imikuzushi, which finds the group extending the power-trio strategies of 2011's highly-praised In A Flash Everything Comes Together As One There Is No Need For A Subject (BT 005LP) and bringing to them a newly-sustained in…
The Mortimer Trap is an epic, 77-minute "variation" of Morton Feldman's For Bunita Marcus, constructed by German experimentalist and techno icon Thomas Brinkmann and Australian sound artist Oren Ambarchi. Pulsating waves of claustrophobic ambience generated from who-knows-what patiently builds into a throbbing, rhythmic pulse of gorgeous sonic density. Since the '80s, Thomas Brinkmann has experimented with sound, its textures and its construction methods. His custom-built two-arm turntable …
** Double LP in full colour gatefold sleeve, issued in an edition of 280 copies. ** This is the Menstruation Sisters 2LP brand new effort, titled “Puppet Island” is a cabaret nightmare number of carnival hell disappearance, a prevocal natterings, no-fi/low-wave crash/bash masterpiece
Day 13. The green hell of the jungle stretches around us at all sides. Ifeel like I am being driven mad by the constant suffocation of its hotand terrible embrace. Everywhere, awful vegetable life fights forsupre…
March 2011 release: phenomenal new power trio moves from a group that easily rivals Fushitsusha or Seijaku in intensity of attack. Here Haino is mostly featured on guitar and vocals with occasional forays into lapsteel (!) and air synth while O’Rourke plays bass and Ambarchi plays drums. This is some of the most squealing iconoclastic psychedelic rock of Haino’s career and his guitar playing is back at a Double Live/Hendrixoid peak, with endlessly overloaded single note guitar solos wres…
'Bo Weavil presents a sublime duo recording from old sparring partners Oren Ambarchi and Robbie Aveniam recorded live in Tel Aviv in 2009. This is a single edit of the performance which perfectly captures the chemistry between Robbie's busy percussive maneuvers and Oren's textural overlay. A previous performance of the pair was documented on the 'Clockwork' CD (re-issued by room40) and prior to this the notorious 'The Alter Rebbe's Niggun' CD was released on Tzadik. Here, the two come together w…
Awesome record, exactly as good as you’d expect it to be (Keith Fullerton Withman) "While Oren Ambarchi and Jim O’Rourke have collaborated in a number of forms, from remixes to their acclaimed trio with Keiji Haino, Indeed is their first duo album. One long electro-acoustic exploration (presented here as two side-long pieces), what Ambarchi and O’Rourke proffer up here is also melodic and approachable, bringing to mind the warm post-minimalism of composers like Alvin Curran, David Behrman and L…
Motion – Movement In Australian Sound is a generous, 2-CD overview of 22 artists representing Australia’s burgeoning terrain of electronic and experimental music. From Scott Horscroft’s mesmerising piece for eleven guitars, the sublimely sweet, driving tones of Pretty Boy Crossover, Sue Harding’s melodies from dot matrix printers to renown veteran Alan Lamb’s awe-inducing casting of field recordings from the West Australian outback, Motioncasts wide to expose some of the most creative and …
Who would have thought a relaxed sunny afternoon, newfound friendships and some spur-of-the-moment would have resulted in what's been described as 'one of the most compelling documents of both free improvisation and electronica' (All Music Guide) It's the people involved in 'Afternoon Tea' - originally released in 2000 on German label Ritornell and now available on vinyl for the first time with a new master, bonus tracks and newly discovered live recordings - that ensured it as more than a happy…
'Black Truffle presents a stunning document of the debut meeting of international trio Oren AMBARCHI, Jim O'Rourke and Keiji HAINO. Recorded live at the Playhouse, Kitakyushu, Japan in January 2009, Tima Formosa retains a mysteriously alien atmosphere throughout its three lengthy explorations with AMBARCHI's mesmerizing textures and signature, deep guitar tones beautifully merging with O'Rourke's Tudor-esque piano-feedback interjections. HAINO provides the icing on the cake via his melancholic,…
Intermission brings together a range of material Australian sound artist Oren Ambarchi has contributed to compilations and limited-edition vinyl releases between the years 2000 and 2008. Highlights include two live recordings -- an early, fragile solo guitar recording taken from a radio broadcast in 2000 and "A Final Kiss On Poisoned Cheeks," his powerful 12" recorded live in Vancouver in 2007 and originally released on Table Of The Elements. Additional tracks include "Iron Waves,"an exclusive t…
"Devil Wolf Men" is a tapestry of location recordings and studio collaborations made during Ambarchi and Marhaug's tour of China in 2005. Your world will not be the same.
Reissue of their legendary first LP, released originally in an edition of 100 in Australia only. Total rock-noise-guitar-percussion-vocal madness that destroys any ideas of what sound and structure should or shouldn't be. Best band ever? Limited to 500 copies.
Rare original edition, a few back in stock. ** 300 copies ** Cornelius Cardew's opus magnus Treatise is a 193 page graphic score written between 1963 and 1967 while he was performing with the improvisation group AMM. The score's graphic notation, with its intricately devised graphic lines, shapes and symbols was intended to question the limits of compositional practice. Decisions concerning pitch, timbre and duration, along with the choice of instruments and the number of performers, are left en…
i don't know a rabi that yells as high pitched and psycho then nik rizili! and i don't know another guitarist besides oren ambarchi that can make strings sound like yiddish yelling! they do sound like ladies that have their period non stop, since 5 years! and they do sound like they are 456 km away from the hospital while the head of a baby is forcing it's way out of a mangina. so much stress, and strings so loose on a guitar that u can put both your legs and your two arms between the strings an…