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Miles Davis

Trumpeter, bandleader, composer, and one of the most important figures in jazz music history, and music history in general. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz.

Trumpeter, bandleader, composer, and one of the most important figures in jazz music history, and music history in general. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz.

Bitches Brew Live
"Bitches Brew Live" contains recordings from two performances: the first three songs were recorded at his Newport Jazz performance in July 1969 - a couple of weeks before the Bitches Brew sessions in August of that year - and have remained unissued till this day.
Miles in the Sky
Miles Davis' often overlooked masterpiece Miles in the Sky is his venture into the jazz-rock, which later became known as fusion. While working together with his second great quintet his interest in the usage of electric instruments was increasing every day. The first album from his “Electric” period is one big grooving adventure, in which he gets the support of the stellar line-up of Wayne Shorter, Tony Williams, Ron Carter, Herbie Hancock, and George Benson. It's a ground-breaking record from …
Agharta
Agharta was recorded on the afternoon in 1975, at one of two concerts Miles Davis performed at the Osaka Festival Hall in Japan. He performed with his flautist and saxophonist Sonny Fortune, bassist Michael Henderson, drummer Al Foster, percussionist James Mtume, guitarist Reggie Lucas, and Pete Cosey, who played guitar, synthesizer, and percussion. Produced and recorded by Teo Macero, the album's four seemingly unstructured segments emphasize the playing of Davis' sidemen rather than his own tr…
Get Up With It
Miles Davis' 1974 album Get Up With It is a collection of tracks recorded between 1970 and 1974. Released as a double LP, it was Davis' last studio album before five years of retirement from music. He Loved Him Madly was recorded by Davis as his tribute to then-recently deceased Duke Ellington, who used to tell his audiences I love you madly. English musician Brian Eno cited it as a lasting influence on his own work.This album is an essential. An overlooked classic of Psychedelic Soul, represent…
In A Silent Way
"Listening to Miles Davis' originally released version of In a Silent Way in light of the complete sessions released by Sony in 2001 (Columbia Legacy 65362) reveals just how strategic and dramatic a studio construction it was. If one listens to Joe Zawinul's original version of In a Silent Way, it comes across as almost a folk song with a very pronounced melody. The version Miles Davis and Teo Macero assembled from the recording session in July of 1968 is anything but. There is no melody, not ev…
Black Beauty
Black Beauty, Miles Davis At Fillmore West, was recorded on April 10, 1970 at Fillmore West, San Francisco, when Davis performed as the opening act for the Grateful Dead. The recording took place shortly after the release of Miles' classic album Bitches Brew. The album was released in 1973, originally in Japan only. Black Beauty, a true jazz-rock album, captured one of Davis' first performances at a rock venue during the early stages of his electric period. At the concert, he led his band (saxop…
Live Evil
A beautiful live representation of the energy of the Bitches Brew years – one that has Miles Davis and the group really letting loose with free-flowing, modally-inspired lines – cooking up an incredible blend of acoustic and electric sounds at once! There's a bit of funk here, but not much – and although guitar is sometimes used strongly, it's often not as noisy as in later live sides. Instead, the whole group gels together beautifully – an unlikely assortment of players that includes G…
Live at the Shaboo-Inn (part II)
***restocked, very last copies** "2nd and final set from that legendary concert, here's a review i found on the net about part I: Unbelievable previously unreleased live electric Miles blow-out from January 1974: this is a mind-blower, with the electric group at an insane high energy over-amped peak. Not many live recordings exist from 1974, the same era as Dark Magus etc. Here Miles is paired with Dave Liebman, guitarist Pete Cosey, Reggie Lucas, Michael Henderson, Al Foster and Mtume and the f…
1975/1978 LP
**restocked, very last copies** "two things make this record so special: it fills a void in Miles' discography as during this period he stayed away from the scene for a while and 2nd these unissued tracks have such an unique sound that you'll not hear anything like that on any other Miles Davis albums (here he plays mostly organ). so futuristic and ahead of it's time (as it'll probably be also in the next few years)." punzmann
Bitches Brew
One of those records that keeps cropping up on Greatest Albums of All Time lists, and one whose historical significance can’t be denied — the crazy rhythms, the spirit of unconstrained innovation - and it's pure listening pleasure. "Thought by many to be among the most revolutionary albums in jazz history, Miles Davis' Bitches Brew solidified the genre known as jazz-rock fusion. The original double LP included only six cuts and featured up to 12 musicians at any given time, some of whom were alr…
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