More Eaze is the project of Mari Maurice, an American composer and multi-instrumentalist from San Antonio, Texas, based in Austin. Under this name she mixes violin, guitar, electronics and processed vocals into ambient and experimental pop. She is known for her long partnership with Claire Rousay, with whom she made No Floor for Thrill Jockey in 2025. Maurice studied at Trinity University in San Antonio and took a graduate degree in composition at CalArts. Her releases have appeared on Orange Milk and Leaving Records, which issued Strawberry Season.
More Eaze and Claire Rousay’s collaborations are effortlessly joyful, their music evoking the warmth and respect they have for each other. Their bond goes back to their youthful hometown of San Antonio, Texas where they played in country outfits and noise rock bands respectively, and each pushed their music to extend beyond the traditions and conventions of genre. more eaze (the moniker of violinist/multi-instrumentalist mari maurice) and rousay have spent the past decade pushing boundaries, sta…
‘Lacuna and Parlor’ is anchored in the left-field chamber music and incidental recordings that have long accented more eaze’s roving sound. Composed with one ear pressed to the rich textures of instrumental recording environments, this is a resonant and tactile collection tinged in rephrased space and skewed time. Taking the rudiments of tonal music theory as her conceptual base, more eaze formed the compositions around her own manipulations of these core principles. Simple chord progressions st…
*200 copies limited edition* OOH-sounds family members more eaze, pardo & glass join forces on a celestial album linking ambient neo-folk, fractured electronics and romantic escapism. Referencing to Wim Wenders' 1984 road-movie drama masterpiece, ‘paris paris, texas texas’ is a strikingly cinematic tapestry of americana, resampled guitars, glistening electronics, subtle field recordings and processed vocals. The beginnings of this project date back to the summer of 2022 when pardo and glass star…
*300 copies limited edition* Forged alone in a cave on the island of Java, and recorded in a fortress in Poland, Antonina Nowacka’s “Lamunan” is an intimate exploration of a mysterious darkness and the earliest of musical forms. Nowacka has co-created raw electronics and audiovisuals as half of WIDT and the enigmatic Mentos Gulgendo, but her solo practice focuses solely on the voice’s inherent connection to mental states, its ability to speak wordlessly, and the apparatus of speech itself – lead…
Never Stop Texting Me by More Eaze and Claire Rousay is a pop record. Melodies and chorus in every track about crushes, collaborating with friends, and the mundane of everyday life. Maybe the first mention of Bandcamp Friday in a pop song? Mari and Claire share an equal amount of duties on the record, rendering it a pure representation of their collaborative work. The appeal of this record is the assertive pop blending w Robert Ashley like moments which simultaneously satiates the desire to hea…