We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Morphogenesis started recording in January 1985 and our first public performance was at the West Square Festival in London in July '85. The group was formed by a group of people interested in exploring the possibilities of live electronic music and collective improvisation. Our preferred choice is to work in a live situation where the clash of different performance spaces, available equipment and general atmosphere creates a more diverse music. The members of the group come from a wide range of musical backgrounds and have worked in a variety of musical activities outside of the group. The groups aim is to unify and integrate many diverse sound elements, (electronic, vocal, instrumental and environmental) within a context of continual evolution and group dialogue. We construct our own instruments in addition to using adapted or prepared conventional instruments - usually violin, piano and acoustic guitar. The range of sounds are further extended by means of filtering and other forms of signal processing. Contact microphones are used to amplify the sounds of bubbling water and other small sounds. All these accoustic sounds are enhanced by electronic filtering etc. Members: Clive Graham, Roger Sutherland, Ron Briefel, Micha, Fred Sansom, Andy Courdry
Morphogenesis started recording in January 1985 and our first public performance was at the West Square Festival in London in July '85. The group was formed by a group of people interested in exploring the possibilities of live electronic music and collective improvisation. Our preferred choice is to work in a live situation where the clash of different performance spaces, available equipment and general atmosphere creates a more diverse music. The members of the group come from a wide range of musical backgrounds and have worked in a variety of musical activities outside of the group. The groups aim is to unify and integrate many diverse sound elements, (electronic, vocal, instrumental and environmental) within a context of continual evolution and group dialogue. We construct our own instruments in addition to using adapted or prepared conventional instruments - usually violin, piano and acoustic guitar. The range of sounds are further extended by means of filtering and other forms of signal processing. Contact microphones are used to amplify the sounds of bubbling water and other small sounds. All these accoustic sounds are enhanced by electronic filtering etc. Members: Clive Graham, Roger Sutherland, Ron Briefel, Micha, Fred Sansom, Andy Courdry
**100 copies** Two concerts: one by Morphogenesis at Cafe OTO one by Clive Graham / Morphogenesis member and KHj+F at Avantgarde FFestival Schiphorst. This is the second vinyl release by Morphogenesis ever.
Mycophile Records presents a live concert by Jim O'Rourke - Guitar, Electronics, Michael Prime - Electronics and Eddie Prévost - Percussion. Track 1 was recorded live at Jackman's Lane Centre, London 1994 and Track 2 was recorded 27/8/90 in Catford.
All of the sounds used in this composition were produced by recording the bioelectrical field of a specimen of the Peyote cactus (Lophophora williamsii). A fascinating work that takes the listener into normally unheard realms. One Hour As A Plant was…
Morphogenesis, made up of: Clive Graham, Roger Sutherland, Ron Briefel, Micha, Fred Sansom, and Andy Courdry, was formed in 1985. They were interested in exploring the possibilities of live electronics and collective improvisation. The members have d…
Stromatolites 1 & 2 are lamination pieces which were mixed in the studio by superimposing tracks of sepaately recorded instrumental material. Some of the constituent tracks were recorded in several different locations. There is no sinchronisation to …
2001 release. Like Volume 1, this CD also contains excerpts from three concerts (all in London this time) and a studio piece. Morphogenesis plays a few concerts a year, almost always in London. Concerts have always yielded their most varied material,…
This is the fifth CD release by Morphogenesis, and the first since 1998. Although Morphogenesis do not play live very often, it is certainly their preferred working situation, where the interaction between the space, the people present and the availa…
This third full-length by London improv collective Morphogenesis was released in 1996. Formed in 1985, Morphogenesis consisted of seven people at the time of recording, but for all the sessions, except the live track, the line-ups are amalgams of var…
The purpose of Domestic Science is to let the listener rediscover the sound environment of a household. Michael Prime works with regular appliances, amplifying and manipulating the sound they produce in order to construct highly suggestive pieces: on…
Some records will please you, others will disturb or mystify you. And then some rare specimens will extend your conception of life. Michael Prime's l-fields is of the latter category. The source material on l-fields consists of bioelectrical recordin…
A new album by Michael Prime who is another prolific sound composer for many years. Being an active member of Morphogenesis he also collaborated with among others: David Jackman/Organum, Jim O'Rourke, Eddie Prevost, David Toop, Adam Bohman. He's also…