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For slugabed’s duration, Veliotis and Filip seem to always be seeking an equilibrium, never comfortable with the one they’re currently nestled in. Despite this fickle dynamic, the music is never inpatient, nor worried. Like the drunk donkey (? horse?) depicted on its cover, slugabed is utterly comfortable with its languid meandering.Those familiar with Veliotis’ music, whether composed or improvised, probably have an idea what this meeting sounds like. A drone-based improvisation, slugabed resem…