A project of audio/visual environment started in Berlin in the Spring of 2006 by musician Claudio Rocchetti and visual artist Riccardo Benassi, and the displacement of a symbol, the overcoming of language on content and of information on production. A systematic plumbing of noise depths and of minimal-techno dérives reaches new visionnaire landscapes. In Hells & Bells the immobility of images hides a perpetuous rotatory movement based on choices of throughness.
Analogic lamp-lit high-speed shots show a machine plant in an unknown environment that becomes visible in marginal fragments.
A project of audio/visual environment started in Berlin in the Spring of 2006 by musician Claudio Rocchetti and visual artist Riccardo Benassi, and the displacement of a symbol, the overcoming of language on content and of information on production. A systematic plumbing of noise depths and of minimal-techno dérives reaches new visionnaire landscapes. In Hells & Bells the immobility of images hides a perpetuous rotatory movement based on choices of throughness.
Analogic lamp-lit high-speed shots show a machine plant in an unknown environment that becomes visible in marginal fragments.