Pauline Oliveros (1932 to 2016) was an American composer, accordionist and author, born in Houston. In 1961 she co-founded the San Francisco Tape Music Center with Morton Subotnick and Ramon Sender and made some of the earliest electronic and tape pieces on the West Coast. Her instrument in performance was an accordion retuned in two systems of just intonation, later fed through the Expanded Instrument System, her own array of digital delays and processors.
2008 release ** "Pauline Oliveros (accordion with Expanded Instrument System); Peer Bode (live text with Bode vocoder); Andrew Deutsch (live mixing, archival recordings, samples, loops and electronics). Voice Coil was performed by the Carrier Band in…
With Robert Ashley, George Cacioppo, Gordon Mumma, Roger Reynolds, Donald Scavarda, David Behrman, George Crevoshay, Philip Krumm, Pauline Oliveros, Robert Sheff, Bruce Wise. Ann Arbor, Michigan, seems an unlikely site for the establishment of a majo…
One of the most unexpected yet fruitful partnerships of recent years: in the mid-1990s, Pauline Oliveros, electronic music pioneer and sage of the environmental drone, began working with Reynols, the prolific and resolutely undefinable Argentinian gr…
"In the summer of 1966 I worked in the classical Electronic Music Studio at the University of Toronto for six weeks. The system I used to create No Mo and Something Else consisted of Layfette tone generators, noise source and tape delay. In the Fall …
Pauline Oliveros completed Beautiful Soop (1966) and Alien Bog (1967) utilizing the original Buchla Box 100 series created for the Tape Music Center by Don Buchla and her tape delay system. "I was deeply impressed by the sounds from the frog pond out…
One of our favourite "pure drone" album consisting of 3 amazing long tracks by Pauline Oliveros. I of IV was made in July 1966 at the University of Toronto Electronic Music Studio and was first released by CBS alongside works by 2 other young compose…
2018 repress now packaged in a 6 panel digipak with heavy-duty stock and a matte finish. The Wanderer is based on a single modal scale (B C# D D# E F# G#) and rhythmic modes based on a meter consisting of 3/4 and 3/8. Part I, "Song," is intended to e…
The long awaited soundtrack of the Ghostdance music and dance collaboration between Oliveros and Paula Josa-Jones, commissioned by Lincoln Center Out-of -Doors. "The Gkostdance collaboration with choreographer Paula Josa Jones began in Monterrey Mexi…