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Andrzej Chłopecki, the late critic and animator of the music scene, wrote extensively about Szymański's music as well as supporting the composer by means of his longtime role with the Warsaw Autumn festival. Chłopecki puts things thus: "the formal structure is beautiful while stylistic expression is calculated: for Szymański's music is a continual game." He then offers precedents in Johannes Ockeghem and Anton Webern, deducing that Szymański's "guiding principles would be speculation and con…