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With its title refering to the infamous satanic chord, the musical language of POTEMKINE’s second album (originally released in 1977) is to be found in the Zheul galaxy or on the streets of Canterbury rather than in the flames of Hell
Potemkine managed to blend in a very good way the basis of Zeuhl music with its prominent bass role and a lighthearted spirit of fusion with some 20th century contemporary music. They this deviate from the norm of “mainstream” Zeuhl, but they manage …
