Belgian duo Razen consists of Brecht Ameel en Kim Delcour who blend old European music and deep listening into a very pure form of acoustic minimalism.
*300 copies limited edition* Belgian formation Razen joins forces with Dutch composer and theatre musician Dick Van der Harst for a new collaborative album Stained Glass Starling. Between modal mysticism and otherworldly folk trance, “Stained Glass Starling” draws the Razen universe into its deepest listening mode yet. After their recent LP Mirages (Kraak Records, 2025) with French turntablist Guilhem’All, the group continues to explore collaborations with artists and instruments from diverse mu…
Tip! Printed artwork on reverse-board inner & outer sleeves.Pressed on 180g Vinyl. Includes DL card. Razen is the collective consciousness of core members Brecht Ameel and Kim Delcour, who since 2010 have realized themselves through virtuoistic and highly expressive improvisations with lesser-heard instruments. Experimenting with repetition of tones through controlled breathing and phrasing, Razen arrive at a synesthetic playground of auditory textures and colorful imagery. The ensemble is ca…
Mirages by Razen is a hallucinatory expedition through sand-swept soundscapes where drone, ritual improvisation, and microtonal pulse converge. Recorded in Brussels’ Echo Chamber and released by KRAAK, the album expands the Belgian ensemble’s psych-acoustic vocabulary—desert winds, harmonium breaths, bowed reeds—into a shimmering study of illusion and endurance.
*300 copies limited edition* "Rain and experimental music have had an interesting connection for decades. Under the umbrella of American film music promotion, Hanns Eisler was already looking for "Vierzehn Arten, den Regen zu beschreiben” (fourteen ways to describe the rain) in 1941. A good 20 years later, The Cascades interpreted the periodicity of rain as a rhythm of mourning. For the Beatles ("If the rain falls, they run and hide their heads"), the precipitation inspired the band to use backw…
Long after the year 4000, it's highly likely the sun will shine a different light. Equatorial rain belts may have turned into white-ash flotsam. Animal forms will have undergone a major metamorphosis, with only the memories of danger still archaically intact.
Razen tackle the theme of reincarnation hypnosis on Hier L'an 4000, their new album for Hands In The Dark, set for release September '23. Inspired by the writings of Donoso and Slauerhoff, by 1940s SF drawings, sky burials and a fantasy of …
Razen's Postcards From Hereafter was recorded using a 17th century organ tuned at 398 Hz (meantone) in a Belgian cathedral erected in 1305. The ensemble explored, with rich results, the organ's strict and limiting tuning with an arrangement that included hurdy gurdy, recorders, chalumeau, violone and nyckelharpa. The pieces on Postcards From Hereafter explore the crossover between this world and the next with improvised spiritual, religious music. Brussels-based ensemble Razen use the unique tim…
Razen are back with a second album on HITD, follow up to last year's release 'Robot Brujo'. On 'Blue Rot', the band introduces a softer palette and a new quartet, as the core duo of multi-instrumentalists Brecht Ameel and Kim Delcour is augmented with new band member Berlinde Deman on Serpent and guest Thomas Bloch on Glassharmonica and crystal Baschet. Drawing inspiration from late 19th-Century Symbolist art, 'Blue Rot' summons heartbreak and the perils of isolation in languid, hypnotic modes,…
The Xvoto Reels provides additional proof (if necessary) that Razen is an audacious group. If the Belgian band led by the duo Brecht Ameel and Kim Delcour has explored different musical worlds with changing formations, the involuntary irruption of a sixth “member” has upset the content of this new album. Through these brutal and unpredictable interventions, it made an ambitious album - recording live improvisations in a church with an organ and a tabla - unique. “When we listened to the tape ree…
In the wild and tangled web of sound that makes up contemporary experimental music, it can be hard to see up from down. Beyond all their obvious tasks, record labels double as a crucial lens. Ears to the ground, they build context and understanding for the disparate elements of this sonic world. Among the most notable of these, looking beyond the well trodden path, is Hands In The Dark.Over the last decade, they’ve become an unmissable force, bringing visionary and unexpected projects into focus…
**300 copies** Razen celebrate their 10th anniversary with Ayîk Adhîsta Adhîsta Ayîk, an album that takes a paragraph from Cael Gustav Jung’s Memories, Dreams, Reflections as a reference point to set off a journey that goes from light to dark, from day to night, from life to death, and back. As much a reflection of primal imagery and rituals of knowledge as a way of coming to terms with anxieties about the chaos of the night, the album concerns itself with the question: who - or what - are we in…
The Brussels-based Razen make experimental and minimal music with unconventional instruments, focusing on tuning, intonation and the use of intervals. Their The Night Receptionist album sees them working again with performance artist and poet, videographer and self-portrait painter Bryan Lewis Saunders. Recorded during a two-week residency at QO2 in Brussels in 2016, The Night Receptionist employs a just intonation system based on the tonality diamond of Harry Partch. The instruments of choice w…
Brussels-based group Razen present Endrhymes, a work of hardcore melodic minimalism and raw, dystopian deep listening. Exclusive artwork by Bryan Lewis Saunders. The four pieces on Endrhymes thrive on an almost compulsory focus and improvisation carefully developed during many concerts. As a trio, Razen erase the acoustic deep listening from their previous album to explore territory of raw, melodic, and psychedelic minimalism that refers to the massive works of Louis Andriessen. The first and la…
"KRAAK is proud to present the new double LP by Razen. After a split-lp with Sheldon Siegel and the debut-cd Rope House Temper (both on Kraak), a number of tapes and the album Reed Bombus LFO (Deep Distance), the duo retreated to various chapels and churches in the countryside around Brussels. They started exploring the practices of deep listening and acoustic research during a series of recording sessions. Using largely forgotten or ignored instruments such as shawm, church organ, Ondes Marteno…
Hand-numbered limited edition of 300 copies, Razen and Sheldon Siegel split LP in a gorgeous mix between eastern raga and experimental free jazz... HELDON SIEGEL side features a 25-minute long recording of our live set in cc netwerk in aalst, 16th of januari 2010.