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Having fronted legendary drone-rockers Loop and steered offshoot project Main into isolationist dub terrain over the course of the 90s, Hampson officially began his solo career under his own name with Vectors, released on Touch in 2009. Preferring to now explore other avenues of sound and its diffusion, especially multi-channel systems for live performances, Hampson was invited by the Groupe de Recherches Musicales (GRM) in Paris to compose and perform on many occasions.
Having fronted legendary drone-rockers Loop and steered offshoot project Main into isolationist dub terrain over the course of the 90s, Hampson officially began his solo career under his own name with Vectors, released on Touch in 2009. Preferring to now explore other avenues of sound and its diffusion, especially multi-channel systems for live performances, Hampson was invited by the Groupe de Recherches Musicales (GRM) in Paris to compose and perform on many occasions.
From Lawrence English: "A few years ago, my dear friend and bandmate Jamie Stewart and I were talking about Swans. I started to mention how much I admired the utterly personal approach to guitar that Norman Westberg had developed on those early records and moreover how that had blossomed out so richly on this latest incarnation of the band. During the course of the conversation Jamie mentioned a CDR that Norman had passed to him, which collected a few pieces of solo work that Norman had been wor…
2023 Stock. Drawing deeply on the earliest recorded period of Japan’s history, the Kofun era, Chihei Hatakeyama’s Mirror meditates on the importance placed on reflection during this age. The mirror was a source of great inspiration, not only as a metaphor for the sun, but also for its ability to shift and reflect light from one location to another. This act of transplanting light, considered almost magical by many during that time.
Similarly, this idea of reflection spurred Hatakeyama to underta…
2023 stock. From Scanner, aka Robin Rimbaud: "There were three performers and one witness. I can remember this day well, even though it was some twenty-four years ago. Standing up before a mixing desk in a dark room in an apartment in South London, Jim O'Rourke, Robert Hampson, and myself, literally all hands-on deck as we each took responsibility for the faders on the desk. Introducing sounds to the mix, the accident reigned supreme. Sometimes the high frequency of cellular noise would pervade …
Suspended Cadences (released simultaneously, but sold separately as Signaux) is a series of live improvisations for Analogue Electronics and Guitar lasting a duration of 20 minutes each. Each performance is given a number and it can be based either in concert or the studio.
Two variations of the same theme are presented here. (Three) is a majestic uplifting high velocity stormer of a set, which shows Hampson’s improvising skills coming into full force. If (Three) s the the ‘upper’ then (F…
Robert Hampson released the exceptional Répercussions earlier this year, now he has followed that up with two more albums, released simultaneously but presented separately. Even though he has become suddenly prolific, both albums are of the utmost quality, and have a distinctly different approach to sound between them. And yes, fans of Loop and Main, there are guitars! On Signaux Hampson sets up a rich tapestry of needle like high frequencies and subtle bass spreads, expertly woven into …
This is Robert Hampson’s 2nd solo album under his own name. Released as a special Stereo CD and 5.1 Surround DVD. Répercussions : An Acousmatic multi channel piece commissioned by the Groupe de Recherches Musicales (GRM) in Paris for a performance the Akousma festival, diffused on the Acousmonium speaker system in 2011. Recordings of percussive intruments of all kinds - Piano, Drum skins, Gamelan, Metal grates etc are treated and manipulated to form a dense nonlinear or non rhythmical narr…
Touch releases an album by UK experimental musician Robert Hampson. Before his involvement with acousmatic sound, Hampson was the originator behind such guitar-based acts such as Loop and Main. He was also a member of Godflesh, and collaborated with Jim O'Rourke and Organum. Vectors features three pieces, two of which were commissioned by the Group du Recherches Musicales (GRM) which had their debut performances on the Acousmonium in Paris. "Umbra" (2006) is a 16-channel piece that had its d…