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Imagined by Zebulon and made possible by the artists who answered our call for support during the extended period when our doors were shut due to Covid, this compilation captures just a handful of the many magic moments that have occurred on our stage over the years.
All of the tracks featured on this album were recorded live at Zebulon LA between 2018 and 2020 – with the exception of the title track by Jonas Mekas, which was recorded at Zebulon Brooklyn in 2009. Jonas is posthumously with us in…
Tip! *4CD Edition* A limited edition compilation celebrating Hans-Joachim Roedelius' 90th birthday includes four CDs of previously unpublished material. The majority of the music on "90" originates from Revox 2-track recordings from 1968 to 1980. The Revox tapes, created with his Echolette tape delay and Farfisa organ—the same equipment used by Roedelius to record his beloved Selbstportrait records and much of his seminal work with Dieter Moebius and Michael Rother—document the processes and sou…
Krautrock, what is it anyway? A genre, a derogative term, a song by Faust, … or: a welcome (and recurring) opportunity to talk about all of this. The music associated with the term in question has eagerly been canonized. From the enthusiastic and idiosyncratic ramblings of Julian Cope’s “Krautrocksampler” to encyclopaedic approaches like Alan and Stephen Freeman’s “Crack in the Cosmic Egg”, there are plenty of books to read and lists to discuss: Who’s in, who isn’t? The quarrels and disputes sur…
Composer/poet Hans-Joachim Roedelius (Kluster, Cluster, Harmonia) is one of the most prolific musicians of the German avant-garde and a key figure in the birth of Krautrock, synthesizer pop and ambient music. Jardin Au Fou is his second solo album, originally issued in 1979 on France's Egg label, and produced by former Tangerine Dream member Peter Baumann. This record was all the more noteworthy as it bore no resemblance whatsoever to what was expected of avant-garde electronica and displayed no…
*2023 stock* A beautiful collection of recordings from 1972 to 1978, first released in 1990 (with different artwork). "Selbstportrait VI" contains compositions Roedelius did in addition to his work with Cluster, Harmonia and Brian Eno in the legendary Forst years. In the booklet Roedelius looks back on this personal and artistical important period of his life. He explains the magic of the idyllic place and its influence on his music.
*2023 stock* If we can agree on 1969 as the year of Cluster's inception, then Roedelius needed a good 17 years to discover the aural qualities and musical beauty of the grand piano for his own compositions. Rarely has the title of a Roedelius album so poetically and yet so accurately described its content. On "Like The Whispering Of The Wind" from 1986 Roedelius expands his Études towards amorphousness, then suddenly a disarmingly familiar melody appears, from a completely different source perha…
*200 copies limited edition. Black Vinyl* Deep and beautiful ambient experimentalism from two true masters. “Roedelius / Hausswolff II”is this duo’s second album. The two met in Vienna in 2016 when Carl Michael Von Hausswolff invited Hans-Joachim Roedelius to participate in the collective sound-installation and concert””freq_out ”. Since H-J had been, and still is, organizing the festival “More Ohr Les“ in his home town Baden just outside Vienna it has been natural for him to invite CM to collab…
First-ever vinyl release on 180-gram 2LP black vinyl limited to 500 copies worldwide. Gatefold premium matte sleeve with spot gloss and OBI. Hand-numbered Lunz art print signed by Story/Roedelius. New liner notes from Tim Story. Contains two previously unreleased bonus tracks from the Lunz sessions. Curious Music and Groenland Records are pleased to announce the 20th anniversary special edition release of Lunz by Tim Story and Hans-Joachim Roedelius.This very special release comes newly remaster…
"...I'm looking forward to playing live together with you Linda, Christian and Michael wherever on the globe, as soon as the Covid restrictions are abrogated. This would be a great pleasure for me. Stay healthy, yours" - Joachim
"It has been a privilege to have the opportunity of recording with you Joachim. Thank you for opening the doors to the sonic cinema and ushering in our minds. Lights, Camera, Action - or as you once told us - Do it!" - Dallas Acid
Hans-Joachim Roedelius: Piano, Organ, Ke…
LP version on 180 gram vinyl. This is the third solo album by German keyboardist Hans-Joachim Roedelius, originally released in 1979 on Sky Records. Alongside his ongoing work with Cluster and Harmonia, Roedelius amassed an almost incalculable number of musical notations during his time in the idyllic Weser Uplands. Fleeting sketches, spontaneous improvisations, implied miniatures, rough compositions -- Roedelius recorded virtually every idea he came up with outside the studio sessions on h…
Wenn Der Südwind Weht ("When The South Wind Is Blowing") is the seventh solo album by Hans-Joachim Roedelius, originally released on Sky Records in 1981 (also known under the title Selbstportrait IV). "Where on earth does Roedelius find such a beautiful array of notes?" wonders Asmus Tietchens in his sleeve notes for this reissue. Not an unreasonable question. Roedelius, a pioneer of ambient music, Krautrock and, arguably, synthesizer pop, member of such seminal bands as Cluster and Harmonia, …
LP version. The first part of Hans-Joachim Roedelius's Selbstportrait (Self-Portrait) series was originally released under the title Sanfte Musik on Sky Records in 1979. Now, some forty years later, a new instalment has arrived in the form of an album entitled Wahre Liebe. One of the initiators of the Berlin Zodiak Free Arts Lab in 1967, Roedelius went on to co-found Kluster/Cluster and Harmonia, unleashing a new and free form of music which, with the benefit of hindsight, can be considered a mi…
180 gram LP version. Bureau B reissues the eleventh solo album by German keyboardist Hans-Joachim Roedelius, originally released in 1986 on the small Norwegian label Cicada. If we can agree on 1969 as the year of Cluster's inception, then Roedelius needed a good 17 years to discover the aural qualities and musical beauty of the grand piano for his own compositions. More precisely, he must have become aware of the grand piano during the recording sessions for Jardin Au Fou (1979) andLustwandel (1…
MILESTONE! Bureau B releases a limited 3LP box set to celebrate Hans-Joachim Roedelius' 80th birthday. During the legendary Forst years, Roedelius had a private workspace with a Farfisa organ, a Revox-A77 tape machine, an echo device and a synthesizer which he borrowed from the Cluster studio next door, now and again. Here he experimented, practiced, and allowed his imagination to flow at any hour of the day or night, whenever he was not in the studio with Dieter Moebius and/or Michael Rot…
Hans-Joachim Roedelius and Christopher Chaplin first met in 2010 at the "Gugginger Irritationen 2" festival near Vienna, dedicated to Art Brut. In 2011, Roedelius was invited to play a live piano set for the BBC, which would be recorded and remixed by a musician of his choice, but with whom he had never worked before. Roedelius chose Christopher Chaplin for the task. The result was broadcast on BBC Radio 3's "Late Junction Sessions" program in June 2011. Roedelius then asked Christopher t…
This is the fourth solo album by German keyboardist Hans-Joachim Roedelius, originally released in 1980 on Sky Records. With Selbstportrait, Roedelius gave unequivocal confirmation that he no longer was treading the hitherto common paths of electronic music. Selbstportrait - Vol. II corroborated the findings: for Roedelius, electronics would no longer be a means of creating abstract, noise-like music in the future, nor of generating utopian, mechanical rhythmic structures. His own utopia was …
'Water in the wind': Roedelius conjures flowing, weightless keyboard music of great delicacy. Melodies drift and eddy like the title, serene, warm and quietly transporting. Solo kosmische at its most graceful.
LP version, on 180 gram vinyl. This is the tenth solo album by German keyboardist Hans-Joachim Roedelius, originally released in 1984 on Editions EG. On Geschenk Des Augenblicks - Gift Of The Moment, Roedelius broke away unequivocally from purely electronic music. If Lustwandel (BB 055CD/LP) and Jardin Au Fou (BB 023CD/LP) had seen the process set in motion, this was the album that completed the transition. Following the Selbstportraits, which had at least been created through the use of electr…
This is an epic 'best of' from the great Hans Joachim Roedelius one of the pioneers of Krautrock and early electronica. What's more, he's 74 years old and still producing music, now how's that for commitment to the scene? Working with Kluster, Human Being, forming Cluster with Dieter Mobius and working with Mobius and Michael Rother as Harmonia - the man has covered a lot of ground in his time, and that's never been as evident as on these two discs. We've got squelchy synthesized Krautroc…