Sam Kidel
Silicon Ear
Following his compelling comment on the modern-day culture of call centres, Disruptive Muzak -- awarded Album of the Year 2016 by Boomkat -- Sam Kidel turns his analytical artistry towards the ominous gatekeepers of online communication with a rave-inspired rebel spirit to match his scientific methodology. 'Chamber music meets free-party-scene warehouse-invasion' First exhibited at EBM(T) in Tokyo, 'Live @ Google Data Center' trespasses in Google's data center in Council Bluffs, Iowa to perform …
Untitled
Sam Kidel a.k.a. El Kid presents an extended drone work for the excellent Entr’acte label inspired by Henri Michaux's 'Untitled (Movements)' drawing. Located much farther out than his work with Killing Sound or the Young Echo collective, or even his numerous soundtracks for film, TV and theatre, the piece is based on two layers of synthesiser - one outputting the wavering, natural heat fluctuations of analogue circuitry, and another undergoing a slow and subtle metamorphosis. Pocked with collage…
Disruptive Muzak
Sam Kidel's debut for The Death of Rave is a deft subversion of Muzak's meaning, application and affect, employing government call centers as unwitting agents in a stroke of Cagean and Kafka-esque compositional genius. It's a remarkably innovative, emotive and incisive 20 minute sound piece (with an additional 20 minute version on the other side) that reflects and refracts an aspect of the modern world in a way that arguably few other records have achieved. In aesthetic, Disruptive Muzak highlig…