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Tip! *200 copies lmited edition* Tom James Scott holds a unique position in experimental music. With a soft brush approach Scott, who currently lives on the North-West coast of England, has explored delicacy in music with a variety of sublime releases on a variety of labels. Predominantly known for gentle investigations of guitar and piano, Scott has shifted to incorporating different technology and tactics over time. All of this, either in performance or recording, is embedded with a spirit tha…
*300 copies limited edition* Recorded in correspondence throughout a calamitous and uncertain 2020, “Eye of the Sea" is a collaborative record made by Tom James Scott of the United Kingdom and Svitlana Nianio of Ukraine. Active since the late 1980s, Nianio has released a treasure trove of diverse and beguiling music under her own name, as a member of the legendary Ukrainian experimental unit Cukor Bila Smerť, and in collaboration with the late musician and instrument maker Oleksandr Yurchenko. F…
Limited edition of 350 copies. Sold out at source To celebrate the 10th anniversary of Recital, we present Autumn Fair. A group LP comprised of 44 guest players (full list below), curated and edited together by Sean McCann. Autumn Fair aptly embodies the feeling of Recital as a record label; the infusion of abstract sound art and sentimental beauty – performed by both younger and older generations of artists. Oren Ambarchi - guitar, Ed Atkins - paper shredder, Jason Bannon - family, Derek Baron …
“Mine is the Heron” is the new Tom James Scott record, the first document of his solo work since 2017. Over the past decade, the UK-based composer has released a diverse body of recordings via labels such as Bo’Weavil, Carnivals, Where To Now?, and his own impeccably curated Skire imprint.
Following on from the sun-bleached, decayed atmospheres of Scott's previous 2016 release 'The Carousel' (SKR05), 'Hilldrop' brings together four pieces for piano, FM synth, finger cymbals, autoharp, and clock chime. Recorded in different domestic settings between 2011 and 2016, the four tracks vary in structure and intensity, yet remain united by a common sense of stillness and a lightness of touch familiar to much of Scott's solo and collaborative work. Originally planned as a double 7”, 'Hilld…
**Edition of 350 copies pressed on clear vinyl** Crystal is the third release and first vinyl LP outing by composer Tom James Scott. Sonically, the pieces presented on Crystal contrast as structures of space and density, dividing and inhabiting the space of the format. While Scott's previous releases used acoustic instrumentation to explore aspects of melodic form and song structure, 'Crystal' sees a shift towards a more electronic means of sound production. 'Skire' - the opening track - employs…
Tom James Scott's two previous CD releases for Bo'Weavil Recordings both featured acoustic guitar as primary voice. His first LP -- while maintaining similar melodic sensibilities and a feeling of hushed expanse -- sees piano become the main focus, with the title "Drape" (defined in literature documenting past and present dialect native to what is now Cumbria, as, "to speak slowly") determining pace and durations across the four pieces presented. Strings of single notes become humming, shadowy r…
Calluna is the second collaborative release from Andrew Chalk & Tom James Scott, and was completed following the duo's first live performance in summer 2014. Recorded over a longer time period than Wild Flowers (2013), Calluna sees the haze of their debut lifted to reveal a clearer, more expansive sound world. Scott's sparse unadorned piano notes occasionally cluster into more elaborate, decorative phrases, delicately underpinned and enhanced by Chalk's slow, carefully placed additions. Edited f…
*restocked* Andrew Chalk & Tom James Scott released their first duo recording in 2013 through Scott's own Skire label. Wild Flowers saw the delicate surface of Scott's hushed piano playing occasionally blurred by Chalk's sensitive and unique approach to production, unearthing a depth of feeling usually heard as an undercurrent to the muted, almost half-sounded surface notes. Evoking distant childhood summers, strings swell and vanish like flashes of light across a weather-beaten lens, enveloping…