Various
Niger
*few copies available* Private Charles Duvelle label, from the archive of Charles Duvelle includes recordings from disques Ocora 1960 to 1974 featuring complete and unedited recordings from master tapes.
Slowscan Vol. 5
Original copies, few in stock, long out of print. This anthology of Canadian and Swedish soundpoetry is a numbered editon of 300 copies. Packed in a paperboard case with attached 4-page booklet (side 4 is glued to the box). It features contribution b…
Naši Hostia: Experimental Studio Bratislava Series, vol. 3
This Series of electro acoustic music and Musique Concrète has started in 2015 to celebrate the 50th anniversary of the Experimental Studio Bratislava, Exs. Series 1 introduced us to Ina Hudba/Other Music from the first generation of Slovak…
The Photographs of Charles Duvelle: Disques Ocora
Disques Ocora, a French label dedicated to capturing and publishing the sounds of folkloric culture from around the world, is held in the highest possible regard in the realms of professional and amateur ethnomusicology. Instigated in 1958 by Pierre …
Revolutions Per Minute (The art Record)
Restocked, reduced price. Bubbling below the surface of the sonic avant-garde - spanning art and music, lays the rarely observed context of the Artist Record - a field of recorded sounds stemming from, or attached to, the environments of fine art. Th…
Señales De Síntesis - Música Electroacústica Peruana
In the bulletin 103 of the Casa de las Americas, published in the second semester of 1984, there is an article by Peruvian composer and musicologist Aurelio Tello, offering a full-scale view of what by then was the last generation of Peruvian comp…
Visiones De La Catástrofe Documentos Del Noise Industrial En El
In the mid ’80s a hardcore punk movement burst in Lima under the Movida de Rock Subterráneo moniker, meaning Underground Rock Movement. By the end of said decade the movement had diversified its musical options toward post punk, fusion, techno and…
Music from Saharan Cellphones Vol.2
2017 repress. "Contemporary pop music from the Sahara desert, where songs are stored on cellphones. Collected in Northern Mali in 2010 (since taken over by extremists who've banned music on cellphones) the second volume expands into new sonic territo…
Music from Saharan Cellphones
2017 repress, originally released in 2012. "A compilation of the most popular music circulating the Sahara desert on the unofficial network of cellphones -- where mp3s are stored, played, and traded in very literal peer to peer bluetooth transfers. T…
Agrim Agadez: Musique Guitare de la Republique du Niger
Agrim Agadez is a compilation of contemporary field recordings of guitar music from the Sahelian empire of Niger. Focusing on guitar music throughout the country, from meditative starlight ballads, fuzzy Hendrix covers, rag tag wedding bands, to p…
Jazz am Rhein 1967-1968
It was the summer of love in 1967, and more than 12 000 people found their way into the Rheinpark in Cologne – situated opposite the majestic cathedral and right at the bank of the Rhine river – for the first German open air jazz festival. Featured o…
États-Unis bundle
Within an era dedicated reassessing neglected sonic histories, Superior Viaduct has emerged as a distinct and singular voice - dismissing the presumptions of taste and genre, offering fans an endless stream of adventurous sound. With a singe hit o…
Eteenpäin! Vorwärts!Forward!Antauen! 1966-70
A 6xLP box comprising the entire discography of Eteenpäin! Records, the first Finnish record label and also the first to release music from outside the mainstream, including experimental and totally weird styles. Includes tracks by legendary artist…
An Introduction to Ored Recordings, Pt. 1: Song
The tireless Death Is Not The End returns with the first of two primers of Caucasus folk in conjunction with the Ored Recordings label. Established in 2014, Ored Recordings is a free ethnographic net-label that has drawn together a truly enlightening…
An Introduction to Ored Recordings, Pt. 2: Dance
The tireless Death Is Not The End returns with the second of two primers of Caucasus folk in conjunction with the Ored Recordings label. We’ve been blown away by this joint endeavour from Death Is Not The End and Ored Recordings, a Nalchik, Russia-ba…
New Zealand Electronic Music
Well I’ll be - I went to Auckland in May of this year with the sole intent of finding a copy of the “New Zealand Electronic Music” set - well; and to play a killer show w/ Pumice and Dean Roberts / Guy Treadgold - which naturally was nowhere to be fo…
Works of Electronic Music
Something of a “companion” volume to the “Greek Electronic Music -1” compilation (one of the most popular & enduring entries in the early Creel Pone replography) issued a decade later, comprised of late-70s & mid-80s works by a successive generation…
Musiques de l'O.N.F., Music of the N.F.B.
reproduction of a lovely 1977 double-lp set collecting only the earliest electronic music made in canada; with a majority of pieces remarkably made without the aid of magnetic tape (!?) but directly on optical film... music of the n.f.b. (volume 1)au…
The Inside of the Outside, or The Outside of the Inside
"Who Are They? Where Do They Come From? Why are They Here?" After a short beauty res(e)t, Creel Pone returns borne anew with this pristine nugget, a reproduction of this 1965 Serenus-label lp by one George Engler - with one piece credited to “Heinz …
Iowa Ear Music
This one’s certainly a mold-breaker; closer in spirit to Cage / Tudor’s “Indeterminacy” than the sort of bedroom solo composer / producer / performer LPs that have been the Creel Pone archetype thus far. Improvisors were set up in 4 different isolat…