Walter Zimmermann, born in Schwabach in 1949, is a German composer of stage, orchestral, chamber, choral, vocal, piano and electroacoustic works performed and recorded across Europe. From 1968 to 1970 he was pianist in the Ars Nova ensemble in Nuremberg and studied composition with Werner Heider; from 1970 to 1973 he studied with Mauricio Kagel and at the Institute of Sonology in Utrecht. In 1974 he went to the United States, first to study computer music in Hamilton, New York, then to travel the country talking with twenty three American composers, conversations published as Desert Plants.
condition (record/cover): NM/EX . Contemporary composers reimagine folk traditions. Commissioned by the Festival Musica '900 (Trento) and Incontri Internazionali di Musica Contemporanea (Bolzano), premiered November 14, 1988.
Salvatore Sciarrino arranges Ary Barroso's Brazil. Luca Francesconi, Carlo Galante, Claudio Ambrosini, and Andrea Mascagni contribute new works alongside international voices: Betty Olivero (Israel), Zygmunt Krauze (Poland), Walter Zimmermann (Germany), Hubert Stuppner, and…
**Essential reading!** Having issued a truly remarkable suite of publications, dedicated to radical reaches of musical practice and thought, over the last year or so - George Lewis and Harald Kisiedu's “Composing While Black”, Hans Reichel's “Daxophonie”, Guillaume Belhomme's “Eric Dolphy”, Phil Freeman’s “In the Brewing Luminous: The Life & Music of Cecil Taylor”’ and “Radio Cologne Sound Das Studio für Elektronische Musik des WDR”, to name just a few - Wolke Verlag returns with “Cause and Curi…
First reissue of Walter Zimmermann's solo piano work Beginner's Mind, played by Herbert Henck and first released in 1978 on Beginner Records. The CD adds Abgeschiedenheit, after Meister Eckhart, released for the first time.
In intensive collaboration with the Swedish ensemble Lipparella, which specializes in creating contemporary repertoire for baroque instruments and countertenor, these 10 timeless contemporary songs were created.
Peter Söderberg, the founder of Lipparella tells: "After having met by chance at the Ultraschall Festival in Berlin in 2019, Walter Zimmermann and I started discussing whether it would be possible to perform some of his music by Lipparella. After suggesting some already existing works, w…
Three CDs and a 144-page book of Walter Zimmermann's vocal music from 1979-2016, on texts by Eckhart, Hadewijch, Mandelstam, Jabès, Creeley and others, with a 1982 rock and new music band recording, Freunde.
The first complete recording of Walter Zimmermann's string quartets by the Sonar Quartett, with Songs of Innocence & Experience after William Blake, Festina Lente and Fränkische Tänze, plus solo works for violin and for viola with voice.
Chamber works by Walter Zimmermann from 1986-89 for piano, cello and piano, bass flute and piano, and violin and piano, played by the HCD Ensemble with cellist Michael Bach and violinist Peter Rundel.
Four chamber works by Walter Zimmermann, Schatten der Ideen, Ursache und Vorwitz, Distentio and Shadows of Cold Mountain 3, played by Ensemble Recherche. The music reflects the influence of John Cage and Morton Feldman.
* 2021 Stock * Philosophical writings from antiquity have frequently underlaid Zimmermann’s work of recent years, particularly in relation to notions of time an ‘harmonia’ [...] Another recurrent theme in later works is that of the ‘broken unison’ (both melodic and rhythmic), which clearly has an allegorical/social dimension as well as a musical one [...] The isolated performance of single of his pieces emphasises their ‘otherness’ in relation to the main trends in new German music, whereas the …
Expanded 3-CD reissue of Walter Zimmermann's Lokale Musik, first issued in 1982 as a 3-LP set: two CDs remastered from the analog tapes, a third with new supplemental recordings and revised works, and a 60-page book.
Walter Zimmermann's piano works of 2001-2006, including the 38-minute Voces abandonadas after Antonio Porchia's aphorisms, played by Nicolas Hodges. A production of Westdeutscher Rundfunk Köln, released by Wergo in 2016.
Walter Zimmermann's Singbarer Rest (1993) for nine high female voices and sampler, on Edmond Jabès, and Die Blinden (1984), static drama after Maeterlinck, with Neue Vocalsolisten Stuttgart and Junges Philharmonisches Orchester Stuttgart under Manfred Schreier.