Werewolf Jerusalem

Ultra-noise 2008 album by Richard Ramirez and the first Urashima release, in an edition of 114 hand-numbered copies.

*249 copies limited edition* The "static noise" project of Richard Ramirez, Werewolf Jerusalem was introduced to the world fully formed and consumed with darkness. Ramirez is no stranger to confrontation, which makes this album's mysterious approach all the more sinister. No track titles, murky and dystopian samples, and overwhelming sound that pulses and stutters but retains all of its lurching power, plowing endlessly forward until it all just stops. 24 years after its release, Werewolf Jerusa…

*249 copies limited edition* Reissue of the long out of print 1996 album. In the 22 years since "God Has Shot Himself" was released as a CDr by Legion Sudan, it has gained a somewhat mythic status as a notably disquieting release. Some might say disturbing — and they'd be right. But it's also more than that. "God Has Shot Himself" is the sound of abandonment, of spiritual collapse. It is just over a half hour of total blackening annihilation that still must be heard to be understood. Now on viny…

Werewolf Jerusalem is one of Richard Ramirez’s most known, respected & prolific of his many projects. It’s been going since 2001, and since then the project has put out around two hundred releases taking in solo album, splits and compilations on Cdr, cassettes, vinyl and Cd format. The projects sound is based around atmospheric static studies, brutal drone matter, crackling textures and mood setting HNW. Initially influenced by the work of Chop Shop, theme wise the project often focus in on sci-…

**In process of stocking. 300 copies white label 45 RPM 12".** Live collaboration between these titans of harsh noise. Recorded February 2014 at Dead Audio studio, in Houston, Texas. Double sided offset printed DIY style pasted covers, including A4 insert, plus fliers from live events taking place surrounding these sessions. Mastered and cut at Dubplates & Mastering for maximum fidelity. Absolutely brutal record, you know what to expect with this one.

2017 Edition. The Nightmares continue on with Richard Ramirez’s trademark tradition of Giallo influenced static noise terror. The contextual direction of this album puts the senses through a state of disturbing ‘calm’ by taking on its own story of a ‘horror movie’. The frequent and sudden shifts of sound variations, samples of female shrieks, movie dialogues, static walls, pulsating buzzes, low frequency drones and textural noise layers of tightly spaced crackles sounding almost like one complet…