Weasel Walter
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Recording in Brooklyn's Seaside Lounge in 2014, these five previously unreleased collective improvisations bring together West Coast reedist Vinny Golia, performing on clarinet, saxello, sopranino, baritone saxophones with double bassist Max Johnson and drummer Weasel Walter, an absolutely impressive example of free playing intent and well-balanced conversation.
A Railroad Spike Forms The Voice
*2023 stock* "Don’t follow.” That’s the admonition saxophonist and composer Roscoe Mitchell (b. 1940) was known to give his students at Oakland’s Mills College in one-on-one sessions. In musical communication and creation, not following or directly responding to others is central to Mitchell’s philosophy and approach. As he said to me in a recent conversation, “I just let things develop with my intent, with my work, and I’ve never been a person that went around looking for people to play with. I…
Katyusha
This isn’t your grandfather’s free jazz. Hell, it probably isn’t free jazz at all, but you have to call it something. “Katyusha” is ballistic fire music that starts where the most berserk, intense free music begins and then sustains that, then pushes it further. Blood vessel bursting intensity, stamina, speed, and momentum is here in blinding quantities, all the while retaining lightning fast interaction. No dull roar, the densities and dynamics do vary, but there is never a dull moment or coast…