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In Millesuoni, Deleuze Guattari e la musica elettronica (2008), Emanuele Quinz distills some of the key ideas on the nature of sound formulated by Deleuze and Guattari over the course of their work. Central among them is the dynamic of territorialization and deterritorialization—a strategy of appropriation and subsequent release, activated in the alternation between refrain and music.
A child humming alone to ward off the fear of the dark is engaging in a process of territorialization, marking a…
2007 release ** "After my recent trip to Asia, my interest in oriental music has definitely greatly increased and then this release fell into my lap... Serendipity or coincidence, I eagerly went through this double bill, listening to all the nuances and influences I could trace back to my trip or recognize the origin of... There is definitely a lot going on but sadly the recording quality didn't seem to have always been determining factor in the choice of material. The release is dubbed as a CD …
Tip! *50 copies limited edition* Tocca Il Futuro is pleased and proud to announce “Seti non tael tene”, its tenth cassette release: a unique project by Maurizio Bianchi and Ramona Ponzini, blending industrial, concrete noise, and sound poetry. The unprecedented encounter between Ramona Ponzini and Maurizio Bianchi for Tocca Il Futuro yields a work poised on the threshold between evocation and vertigo: a sonic device unfolding through stratifications, resonances, and semantic as well as acoustic …
Ramona Ponzini's personal touch is certainly her own particular Japanese chant, together with the use of traditional percussions, bells and cymbals from Japan. Z'EV has been enchanted by all those elements (listening to Praxinoscope), asking to Ramona for this cooperation. This is the result of this "long-distance encounter". ANKOKU is a Japanese word which means "deep darkness". For this debut Ramona's voice and percussions has been registered by My Cat is an Alien in their mysterious studio, …