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his is the final work in the series of works-encompassing ataraxia, bradycard, trans~, and back_forward – using the cymbalon as source material. The process of working with this hammered stringed instrument for this series has been a “discussion…
After the pruitt igoe e.p, kangding ray returns with his third album for raster-noton, pushing further his explorations on the edge of digital and analog sounds. With or, kangding ray continues to blur the borders between experimental and bass music,…
After a break of over ten years, Sleepchamber (new spelling!) are back! We are proud to present you the comeback album of one of the most influential bands from the American Industrial scene. John Zewizz presents the new…
Hardly any other composer has ever been as far removed from conservatism as Helmut Lachenmann. In all his oeuvre his listeners are never permitted to lean back comfortably even for a moment in expectation of the well-known and familiar. Again and aga…
American Landscapes 2 ramps up the intensity slowly and with the clear objective to display power and a thorough sense of control. The first 13 minutes come at you sounding like a forest fire churning with stored energy. Underneath this unfurling for…
This CD with … the first four string quartets reflects the interesting path of Rihm’s artistic development. The Minguet Quartet approaches the first two, shorter, works with audibly high concentration without relinquishing, in the frenzy of high-ener…
Some 150 years apart, both composers developed minute nuclei into an ever expanding cosmos of sound, each against the background of his own era. Prick up your ears – Schubert's Fantasy in F minor and Sonata in B flat major D 617 crossed with Ligeti's…
Second volume, focusing on the soundtracks to walerian borowczyk's early short films. One gem each by bernard parmegiani (a 10 minute hiss-noise extravaganza) and wlodzimierz kotonski (brilliant piano-themes and raw tones).
Ben Chasny has busied himself releasing a solid run of outsider folk records for some time now; ‘The Sun Awakens’ is his eighth full-length outing and thankfully it shows no signs of Chasny letting his quality control wane. As he explored on his last…
Including Notturno volgare, for clarinet; Playtime No.1; Alex in Mongolia, for two guitars; Rite in progress, for piano; Notturno, for double bass; Playtime No.4; Dietro l'orologio, for soprano & tenor saxophones; Sei danze, for violin.
Aidan Baker is one of the most important emergent artist of the last years...! Probably this is the most important "musical" Aidan Baker release..., in fact here the sound is comparable to the best (obscure) psychedelic post-rock releases including g…
Orignal master series reissue: a real masterpiece...after a car accident put Brian Eno in the hospital in 1975, he came out with the idea of creating Ambient music, or music that was essentially to be used as atmosphere. Discreet Music was the firs…
One of the mysteries surrounding Jesús Rueda is the question how he was able to find a voice of his own, the various influences to which he was exposed during his development as a composer notwithstanding. He bid farewell to the constructivist rigor …
Concert music for solo harp: The harp, whose ancestor belongs to the most ancient musical instruments, is usually associated with impressionistic sound. But Roman Haubenstock-Ramati - the most visionary inventor of sounds among contemporary composers…
The Dekorder label's boss Marc Richter is at the creative heart of Black To Comm, and he's certainly putting himself about a bit these days: there are new albums in the works for Digitalis, and in collaboration with Boomkat barnacle, John Xela, but b…
Enclosing the listener in sonic space: This is what Beat Furrer carried to extremes in his FAMA (col legno 20612), about 15 years after Rihm, by actually placing his audience in a “building of sound”. For Wolfgang Rihm, a sonic space was something le…
Eccentric, prolific British singer/songwriter Roy Harper is a legend on the U.K. folk-rock scene. He began recording in the late 1960s, as something of a cross between Bob Dylan's troubadourism and Syd Barrett's freewheeling, wild-eyed visions. Thoug…
In the three song cycles of this recording, Wolfgang Rihm stays faithful to the text and its meaning while paying close attention to melodic line. In choosing to do so, Rihm has a deep lineage in the great tradition of Romantic art song that stretche…