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Between 13 and 16
Heavly influenced by the seventies, this band is able as no one to pick those elements and build them in a fresh and modern kraut-psychedlic shape. Playing together since 1995, the four members of Bron y Aur , attracted soon attention thanks to the quality of the first two demotapes (1997 and 1998) and obviously for two previous albums. Always considered a band who take roots in the seventies, they don't hide having spent their days in youth between Zeppelin and Sabbath, to b…
Un Peu De Neige Salie
Guenter's assiduous compositions favor extremely subtle variances in electro-acoustic crackle, subsonic rumble, and subliminal frequencies exploring the limits of the audible spectrum through invisible digital edits. The title of his landmark debut album, released in 1994 and reissued through Table of the Elements in 1996, translates as "a little dirty snow," an apt description for Guenter's naturally impressionistic minimalism. UN PEU DE NEIGE SALIE opens with "Untitled I/92," a degenerating ma…
Beasts Of No Nation / O.D.O.O.
After helping Fela Anikulapo Kuti with Teacher Don't Teach Me Nonsense, Wally Badarou then produced Beasts of No Nation. Another album that has been combined with this one is the 31-minute "ODOO (Overtake Don Overtake Overtake).
Hommage à Paul Klee
With his Pedagogical Sketchbook often regarded as a virtual manual in composition, Paul Klee has exerted a far-reaching influence on modern music. Few composers were so profoundly affected as Sándor Veress, whose encounter with Klee's work after fleeing Hungary in 1949 gave rise to seven fantasies that range from the Bachian gravity of 'Old Sound' and the intensely elegiac 'Green in Green' to the rhythmic playfulness of 'Stone Collection'. Grau and Schumacher give a committed performance, differ…
Playtime
Including Notturno volgare, for clarinet; Playtime No.1; Alex in Mongolia, for two guitars; Rite in progress, for piano; Notturno, for double bass; Playtime No.4; Dietro l'orologio, for soprano & tenor saxophones; Sei danze, for violin.
Whitstable solo
Eight soprano saxophone solos. The 2008 solo concert in Whitstable began as an invitation from artist Polly Read and film-maker Neil Henderson to collaborate on a joint work that included a concert in St.Peter's. These recordings are taken mostly from the concert but, as with LINES BURNT IN LIGHT, one piece was recorded before the audience arrived. These are the first recordings in what has become a series of visits to the church, which has perfect acoustics and is just around the corner from wh…
View
View was first presented as part of a solo exhibition at the jennjoy gallery in san francisco. the show also included paintings, drawings, and a silent video work. for the installation, i asked jenn to record for me the sounds of the View from one of the gallery windows. "sounds were recorded from ledge just above radiator on various days and times in april" sometimes the window was open, somethimes closed. i used fragments of these recordings as both a compositional cue as well as the entire so…
Chamber Music
It is with great shrewdness that Uroš Rojko has almost maxed out the unusual juxtapositions of an accordion with a viola and a piano, respectively. His fondness for the accordion may have its roots in his folk music past. On the present recording, however, these roots are not in evidence. Even the Tangos speak a language of their own, which Rojko creates by juggling characteristic fragments of tango, thereby reducing them to their essence. Even the first bars of his pieces exhibit the correspond…
IIron
4 panel CD digipack: it would be too easy to simply call IIRON the COH metal album, as it goes way beyond that. True, this album of classic Pavlov stompers contains more than its fair share of guitars both acoustic and electric, yet it still maintains that sense of power and purpose through electronic music which stands out as the COH ‘raison d’être’. Coming 11 years after IRON, which also tackled the sound of rock with alarming results, the new album features not only recent guitar tracks recor…
Einem Luftigen Akustischen Kosmos Entgegen
Collaboration performance by this two infamous german visual artists, writers & sound-poets, recorded at Lyrik-Kabinett München, June 1991. This is Carlfriedrich Claus' only sound-collaboration ever. Both artists prepared a 60-minute backing-tape and wrote a detailled score for live-performed poetry and voice-operations. In addition to these fixed compositions they left room for spontaneous improvisation and the use of small cymbals ('tschinkas'). This is like nothing else. Very serious, …
The Sea swells a bit...
Aidan Baker is one of the most important emergent artist of the last years...! Probably this is the most important "musical" Aidan Baker release..., in fact here the sound is comparable to the best (obscure) psychedelic post-rock releases including great droning, hypnotic and honeiric atmospheres. Spontaneously composed by Aidan, who plays guitar (electric & acoustic), bass, tapeloops, drum machine and percussion in his droning 'fashion soup'. In this album Aidan uses (as usual) his guitar but a…
Sugar tip
Last winter, when BLOODYMINDED was preparing to go on tour in the U.K., I was put in contact with Lee Stokoe, who was touring at the same time as us, under the name Inseminoid, with George Proctor of Mutant Ape. Not only was Lee beyond accommodating about letting us piggyback on the Inseminoid/Fecalove tour, but he was kind enough to also drive us around the U.K. for several days. I returned to the States with a thick stack of Culver CDs, which took some time to get through. I was most pleased t…
Das atmende Klarsein
Researching into the fringe ranges of hearing, and actually going to the limits: electronics – live or prerecorded – was one of the tools employed by Luigi Nono in pursuance of this object. In his work Das atmende Klarsein he moreover endeavored to expand the ability of listening: "Waking up the ear, the eyes, human understanding, intelligence, is what is essential today," the composer, also a politically aware man, observed in the early 1980s. Das atmende Klarsein "is a key work of Nono's final…
Jättiläisrotta
The burgeoning Finnish free-folk movement has been garnering much praise & attention over the past year. First CD release by Avarus who play a left-field blend of noise, folk & free jazz. From the same circle of psychos who bring us Kemialliset Ystavat, Maniac's Dream, Pylon & the Anaksimandros. Backward, dirt-eating freak folk that makes the Animal Collective sound like Judy Collins.
American Piano Concertos
The great creator of musical novelties hardly ever departed from the melodic harmonious basis, though: his major achievements included not least the development of new techniques for piano playing, which he also integrated in his book New Musical Resources. His Concerto for Piano and Orchestra (1928) appears to put the spotlight on the technical and musical-historical findings, whereas in pieces such as Irish Jig and Four Irish Tales he openly and merrily inquires into his Irish background, with…
Sufiq
Those keeping a running count will know that Sufiq brings the Muslimgauze CD catalog into the triple digits. This mini-album is especially significant, as it extends the extraordinary productivity of Muslimgauze auteur Bryn Jones beyond his untimely passing. New Muslimgauze titles have emerged since, but each was scheduled prior to Jones’ death in January of 1999. Active to the end, Jones left behind a store of finished masters. Sufiq sees the first release of material from this impressiv…
3 Compositions Of New Jazz
The mid-'60s formation of Chicago's musician collective, the Association for the Advancement of Creative Musicians (AACM), proved a watershed event for jazz, providing a springboard for some of the next few decades' most influential performers, including the Art Ensemble of Chicago, Muhal Richard Abrams, and Anthony Braxton. In many ways, Braxton's Three Compositions of New Jazz is that movement's manifesto. Seeking a new degree of abstraction and purity, Braxton opted to eschew drums or bass on…
Fractal Hair Geometry
The Dekorder label's boss Marc Richter is at the creative heart of Black To Comm, and he's certainly putting himself about a bit these days: there are new albums in the works for Digitalis, and in collaboration with Boomkat barnacle, John Xela, but before all that, we've got Fractal Hair Geometry to contend with, and it's a mightily entertaining three-quarter hours of adventurous and unusual drone studies. Richter combines wordless vocals and miscellaneous electronics with Casio and Farfisa orga…
Cipher
It has been Chicago, not New York, that has been the confluence of music of Europe, jazz of the Americas, and improvised music. Whereas NYC claims all things to be "New York" (sort of like Al Gore inventing the internet), music makers in Chicago identify and defer to varying regional influences.Such is the case on Cipher, where seemingly disparate forces come together to create heady and engaging music. But then leader Josh Abrams has made a career of such things. He began with the Philadelphia …
No Magic Man
Finally, we have managed to track down copies of one of the most revered Sunburned Hand of the Man records in existence. Originally pressed up by the prestigious Arthur magazine's own imprint, this handmade reissue (straight from the Sunburned Men themselves) takes the factory made cd and plonks it in a very plush gatefold hard-cover with handprinted artwork. 'No-Magic Man' was the first time that the band submitted a truly coherent album, prior to this their cds although insanely good were more…