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Sylph Ballet
Still living in the mythical landscapes SAND not only created Golem who was a being of the earth. Something else pulsated with a different energy of oscillation. The invisible beings of the air performed their dances. The Golem was large, mighty and of compact matter. He needed an external spirit to be navigated. Sylph creatures moved with the clouds and the wind – from gentle breezes to violent storms, always sensitive to the chimes of the motions. The sylphs are the children of the moonlight a…
Unusual Perversions
Unusual Perversions was the first "official" production of Pacific 231, originally released in 1984. Previously,Psychic Euthanasia was a limited edition, self-produced tape, and one of the first DIY experiments from 1981-83. After the short lived Berlinerluft, an outfit that included Axel Kyrou (from Vox Populi!) andBertrand Wolf, Pacific 231 swiftly moved away from the new wave genre toward a raw industrial sound with power electronics tonalities in-line with his influences, going from writers …
The Eastcode Studios Session
Dancing Wayang present a new and rare studio album by US noise legends Borbetomagus titled The Eastcote Studios Session. Recorded in 2014, it unites fire-breathing saxophonists Jim Sauter, Don Dietrich and face-flaying guitarist Donald Miller whom together summon one of their most forceful yet detailed sonic onslaughts to date. The bulk of Borbetomagus releases over the last forty years have been taken from live recordings. This particular workout, however, took place in the eponymous studio …
Stockhausen - Aus den Sieben Tagen
180-gram LP version in gatefold sleeve. Includes download code. Edition of 500. The third collaboration between Keiji Haino, one of the most prolific artists of the Japanese experimental/noise scene, and the critically acclaimed zeitkratzer ensemble, comprising stunning interpretations of Stockhausen compositions. When Keiji Haino heard zeitkratzer rehearsing for their Stockhausen performance at the Ruhrtriennale festival, he spontaneously decided to join the group for that part of the program…
Hairway To Steven
The final album for the Surfers' legendary run on Touch and Go got a reception probably not even the band figured on -- lead reviews in major music magazines, increasingly higher profiles, and more. As it is, though, Hairway is actually a touch lazy in comparison to the previous releases, sometimes sounding almost all too normal. When it connects, though, Steven works wonders, whether continuing in the punk/psychedelic fusion vein of the past or exploring a gentler, tuneful side. The lengthy ope…
Psychic, Powerless... Another Man Sac
The Surfers' Touch and Go debut remains their highlight for many fans, an inspired blast of ugly noise, knowing idiocy, drugged-out insanity and some backhanded surprises. Haynes is still relatively interpretable here; the vocal distortions are only on a few songs, like the opening "Concubine," and what one can't quite understand one can still sense. The band's self-production brings out the mighty rumbles of drummers Coffey and Nervosa and Leary's avant-junkyard guitar work with clarity and a b…
Rembrandt Pussyhorse
Everything seems to start almost normally on Pussyhorse with "Creep in the Cellar," even with the rather gone violin line -- Haynes is intelligible, the piano part is quiet serene. Then again, Haynes is talking about the creep in question doing things like taking off his skin, so clearly all is still at least somewhat tweaked in Surferland. The rest of the album makes that pretty clear; if not quite as strong as Psychic...Powerless, Pussyhorse is still a strong slice of homegrown art/psychedelia…
Desert Tracks
Sub Rosa present Michel Redolfi's Desert Tracks as part of their Early Electronic Series, originally released by INA-GRM in 1988 alongside "Pacific Tubular Waves". In 1987, Michel Redolfi hit the California desert road during the fall, to catch those hypothetical poly-sensorial desert tones. He visited the Mojave Desert, Death Valley, Palm Canyon and came back with an extraordinary album of early electronic music, sparse and bright to express the crude light and the divine silences.In 196…
Musique Barbare
CD in six-panel digipak with 24-page booklet. First reissue of Karel Appel's masterpiece Musique Barbare. In 1963, Dutch abstract expressionist painter Karel Appel (1921-2006), who cofounded the avant-garde Cobra movement in 1948, booked time in the Instituut voor Sonologie in the Netherlands to compose music for a documentary that cinematographer Jan Vrijman was making on Appel's work. Musique Barbare was born. Originally released by Philips, this masterpiece of musique concrète is a real …
City of vorticity
Track 1: City of Vorticity (with soloists): Al Margolis, violin; Alan Zimmerman, percussion, prepared hammer dulcimer; Peter Zummo, trombone, didgeridoo; Tom Hamilton, electronic sound environment.Track 2: City of Vorticity (electronic sound environment): for listening alone or as an accompaniment.The Wire has described Hamilton’s music as “colourful and seductive,” and Gramophone has noted that “the results bubble with energy, a veritable counterpoint of indeterminacy.” These brief descriptions…
Zurich
Live in Zurich 1984. Reissue of a double vinyl publish on the same label. Donald Miller, guitar, alto saxophone (on one track). Jim Sauter, tenor, alto, baritone saxophones. Don Dietrich, tenor, alto saxophone, guitar (on one track). 'First off, there is this huge saxophone sound, the bells of the two saxes often jammed against each other with a microphone dropped inside, and then there is the guitarist as a generator of sounds more crazed than anything that has ever come out of the instr…
A 1000 Keys
CD version. "How many can get a personal sound out of a fucking piano?!" - Lee Konitz. Thomas Brinkmann takes his seductive reductionism to the next level with A 1000 Keys, a harsh meditation on the expressive qualities of digital sound production. In translating the timbre of a grand piano into binary codes, thus rebuilding its corpus with "0 and 1s", Brinkmann subverts the sensual qualities of this proto-romantic instrument in a sardonic way. Replacing the musician with a mathematically p…
In defense of the machine
This new cd by Brazilian composer Jorge Antunes, one of the pioneers of electronic music in South America consists of 7 works for instruments and tape, composed between 1965 and 2003. Canção da Paz was composed in 1965, and is one of the first pieces in Brazilian music history to use a traditional instrument accompanied by pre-recorded electronic sounds. Insubstituível 2ª was written for the cellist Iberê Gomes Grosso (1905-1983). Antunes was an early pioneer in electronic music. The piece, alm…
Locust Abortion Technician
The aural equivalent of a nightmarish acid trip and arguably the band's best album (or worst, depending on your point of view), Locust Abortion Technician tops the psychedelic, artsy sonic experimentation of Rembrandt Pussyhorse while keeping one foot planted firmly in the gutter. The record veers from heavy Sabbath sludge (even parodying that band on "Sweat Loaf") to grungy noise rock to progressive guitar and tape effects to almost folky numbers in one big, gloriously schizophrenic mess. Gibby…
JK's Kamer +50.92509° +03.84800°
At +50.92509° latitude and +03.84800° longtitude Niels Van Heertum recorded his first solo record, in the familiar warmth of his living room in a windmill in the East of Flanders. On the one hand the record explores the sonic possibilities of the euphonium, tuba and trumpet. On the other hand it creates a place without haste. Pure intervals are superposed and moved in order to avoid tension and agitation. Meanwhile the amplified horns circle around the rounded windmill room forming a dense …
A Thousand & One Nights (1969 Ost)
In the 1960s Osamu Tezuka’s Mushi Productions was one of the leading producers of TV animation in Japan. Three of his Mushi series had been sold to American children’s television: Astro Boy (1963), Kimba the White Lion (1965), and The Amazing 3 (1966). In addition, Tezuka was the author of Ambassador Magma in 1965, intended as a TV cartoon series, but when it failed to sell, Tezuka sold the story to P Productions to become a live-action TV series. It became a U.S. children’s series known …
Transpandorem
UnicaZürn, David Knight and Stephen Thrower, build their long, ceaselessly evolving musical compositions through a process of improvisation, followed by careful editing and processing. Their music, drawn from subconscious associations while recording, is frequently aquatic or oceanic in overall mood and texture. Knight has spent most of his life living on the banks of the Thames while Thrower resides on the East Sussex coast, and their musical flights of imagination tend toward rolling ri…
1971-1981
Restocked, reduced price! Nine-LP box version. 180-gram vinyl. Edition of 1000. Cluster's influence on the development of electronic music cannot be overstated. The original trio of Conrad Schnitzler, Hans-Joachim Roedelius, and Dieter Moebius released two seminal albums as Kluster before Roedelius and Moebius replaced the "K" with a "C" and continued as a duo. They produced eight albums in their most innovative period between 1971 and 1981, two of them together with Brian Eno. Cluster antici…
Star System
The 3-dimensional graphic scores used on the album "Star System" are subsets of the Robin Hayward Tuning Vine, which arose out of a desire to visualise the harmonic space implicit within the microtonal tuba. Each of the balls represent pitches, and the struts between them musical intervals. In "Star System" (side A), the musicians orbit once around the star-like structure, revealing the harmonic space implicit within it. In " Square Dance" (side B), the various squares and rectangles within…
Suspense
Restocked. Long sought after by collectors, these reissues will be snapped up by a hungry public. The first thing one notices is the conciseness of Fèvre's material. It would be unusual for production music of this sort to be used in a concentrated burst of more than a few minutes, so Bernard Fèvre restricts his compositions to this length, making these albums completely free of filler, partly because tunes don't stick around long enough to outstay their welcome, but mostly because their brevity…