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Accidental guitars
restocked, last copies - geoff mullen presents a new side of his ever-changing and open language, dealing here with his rawest material to date, and in many ways finding himself in a homecoming to the guitar. on Ôaccidental guitars' geoff expands his instrumental language with his unique variety of invented, accident-prone technique. re-contextualized live performances are filtered through an intuitive sense of form and pretexts, leaving us with an intense, jarring, pointed, and textural c…
The Well
hand-numbered edition of 200 copies lp on manuel mota's private headlights imprint documenting a heavyweight duo set from marcia bassett of zaimph, hototogisu, double leopards, ghq et al and improvising portuguese bassist and guitarist margardia garcia. garcia is one of the major new generation european free players, coming out of the same scene as mota, and she's just as capable of generating swans-style industrial entropy as she is playing explosive fire music. here bassett uses keyboar…
Associazioni Poro
Alessandro Brivio’s new record is another collection of complex and obsessive rhythmic tracks, reflecting his studies and passion for african aesthetics. The title is an homage to the Senufo secret society (the Poro) and to the Associazione Poro, a foundation of africanists founded by the great italian collector Carlo Monzino.Numbered edition of 200 copies. Transparent vinyl (cut at Dubplates & Mastering, Berlin) with printed labels. Silkscreened cover (black on black carboard), with small inser…
You're Next
I am not sure if I ever heard of Massimo Pupillo, who plays 'low end bowel chainsaw' on this record, but since a lot seems tongue in cheek here, it might also be a guitar with effects. Everything here says: we poke fun at those who play with the stereotypes of the world of industrial music. One side is called 'First Offence' and has titles as 'Necrophiliac Cunnilingus', 'Rope For The Undead' and 'Vomit Buffet', while 'Second Coming' has 'Rib Cage Of Rotting Horror', 'Broken Spine Crushed Cranium…
Preludes a la vie
LAST COPIES, already out of print: Préludes à la vie (Preludes to Life) combines pieces from 1972 to 1991 in two electronic operas. In Le prisonnier du son (The Prisoner of Sound) a single human voice tells the story of a lone character trapped in a world of manipulated sounds. The title piece is a series of technical exercises in the possibilities of musique concrète.
This second album on empreintes DIGITALes, as with the first one, consists of very different works which are quite separated in …
A fidgety and excitable engine
For more than 25 years Jeph Jerman, previously with the moniker Hands To, has heavily explored the realm of field recordings and the devices to record it.Over the years his sound has become gradually more gaunt and essential, leaving more and more the electronic aspect apart and instead increasing the acoustic size.This made the sound of his compositions, if possible, even more organic, succeding to play entirely acoustic sets using only small objects found in nature such as stones, seeds, pine …
Silencer
Eldritch electro-acoustic explorer and uncompromising sound artist Luke Younger aka Helm presents his first new material since his Impossible Symmetry (PAN 027LP) album. Issued as a split release between PAN and his own Alter label, Silencer documents four studio actions conducted in the wake of his renowned LP, charting the alchemical relationships between base, stripped-down rhythms, cruddy electronics, and acousmatic source material manipulated on cassette tapes. Features foghorn brass fro…
l'Opera concret
Michel Chion's music concrete from 1971-1997, mostly inspired by classical forms. The compositions are 'Etude d'apres Beethoven' and excerpts from other works. Opera is the central theme. As Chion says, "With concrete music, we can create an 'opera for the ear' in which the composer, because he is working on a sound that is fixed, with its own time and space, finds himself with the possibility of providing the music, decors, lighting and also conducting and directing this theater of louspeakers.…
A Dragonfly For Each Corpse
A Dragonfly For Each Corpse is a record that stands no daylight. A feverish nightmare of an album, dragging us into a brown paper bag —ferocious cannibal jungle ambience seeping through— till we're cast down some stairs into a cellar made out of spit. A twirling folkballad sung by a ghost made out of chewing gum turns into a symphony of typing fingers, ticking clocks and slamming car doors, like a noirish soundtrack to the kidnapping of the Lindbergh baby, accompanied by squeaking …
Part 3
Inspired by the "GIALLO" film of the same title, Vice Wears Black Hose is the obsessed & fanatical project of Sam McKinlay (The Rita) and Richard Ramirez (Werewolf Jerusalem/Black Leather Jesus). VWBH's dives into the HNW (harsh noise walls) pool and completely drowns the listener in its dense, dark and pure sound. The two long tracks fall in a hardcore noise fashion between all out wall noise and tense roaring harsh noise storm that slowly shift through different deep grains of noise text…
At The Helm
East New York Ensemble de Music came out of the diverse community of Bed-Stuy, Brooklyn, where African, West Indian & black American cultures converged. First and foremost a deep Spiritual Jazz record, At The Helm also incorporates elements of the West Indies, and both the Near and Far East. Originally issued in a very small pressing by Folkway Records in 1974, at a time when the label was doing some great underground recordings! The sound is loose and free – spiritually building in a man…
Already awake in the night
Mindblowing new LP on ini.itu label, composed by Amelia Cuni & Werner Durand, with David Trasoff. The music on this LP is based on the Hindustani Raag Lalit and its modulation to Raag Todi. Lalit is performed in the early morning before sunrise, Todi later on, after sunrise. Here, they are both played against a background of sine waves tuned to the raag’s intervals and going through subtle phase shifting. The restrained sinewaves tapestry, ornamented with Amelia Cuni’s voice and David Trasoff’s …
Communication
one of the most surprising, varied and knockout albums of the year, ranging from widescreen soundscapes to intimate drone transmissions, hip hop variations and miniature bleepy interludes - an absolute mustBetween 1992 and the early 2000's, former folksinger turned lo-fi avant-garde minstrel Bugskull (aka Sean Byrne) released a string of highly acclaimed compositions for a selection of Portland, Oregon's finest independent imprints. Since then his name has circulated in hushed tones among those …
Music for contemporary dance
"In early 2010 Peter Broderick was approached by the collaborative media artist duo kit monkman and tom wexler aka kma, who asked him to create a score for congregation, kma's most ambitious work to date. The world's first ever ballet designed, choreographed and composed entirely for pedestrian performers, congregation has been commissioned by scan and the british council. Due to premiere simultaneously at rockbund art museum, shanghai as part of world expo and bournemouth for the inside out fes…
Physical Changes
CD+DVD+LP. Mueller's mammoth new solo percussion work. If his previous solo effort "Metals" was about pummeling rhythms & frequencies, this drives the whole idea into oblivion, as the sounds here are something to be felt as much as heard.
Classroom projects - Incredible music made by Children in school
Incredible music made by children in schools" says is it all really. Jonny Trunk has collected the best moments of that most niche of niche collectors' genres, the school album, spanning music by small primary school choirs singing folk songs to full-blown avant-garde experiments written and performed by children still at secondary or grammar school. As with practically all Trunk releases, it's a nostalgic gas for anyone over a certain age - we reckon anyone younger than 25 may be baffled and be…
They Play To Make Music Fire!
Founded 40 years ago in 1972, The Pyramids released three albums before splitting up in 1977: Lalibela (1973), King of Kings (1974), and the seminal Birth/Speed/Merging LP (1976). Three albums that made them one of the most mysterious and legendary of all the spiritual cosmic jazz collectives of the early '70s, like the Art Ensemble of Chicago and Sun Ra. "We were way ahead of our time, so we decided to let time catch up." -- Idris Ackamoor. After a highly energetic reunion of the group in 200…
Presque Rien
Recollection GRM presents four musique concrète masterpieces by French electro-acoustic innovator Luc Ferrari -- all of the Presque Rien's collected together in one vinyl set for the first time. Presque rien n°1, le lever du jour au bord de la mer (1967-1970): "Following the complete disappearance of abstract sounds, we can regard this piece as a sonic snapshot and the culmination of an evolution. This is a realistic rendering (as faithful as possible) of a fishing village waking up. T…
I Love You, Please Love Me Too
With "I love you please love me too", Joseph Hammer continues his journey into playful yet heavily focused idiot-savant infinite psychedelic inertia. Utilising consumer audio technology and 20th century detritus, Hammer lovingly decodes his passion for mid century sci fi and AM radio station beyond all point of recognition like a snakecharmer. Multi-dimensional audio collage techniques to a free form and completely unorthodox plunderphonic hypnosis. Baked devotionals for tape loop minds. Joseph …
Raga electric
LP version. In the early '60s, fresh from his clean behind the ears years at Harvard, Henry was undergoing rapid ideological shifts: cavorting with Maciunas and the whole Fluxus bit, doing performances at Yoko Ono's loft and recording with La Monte Young; having it out with his Stalinist cohorts over the relative merits of a good blues run and searching for a new musical language outside of the various generic artistic restrictions before him at the time. What he arrived at was an expressive pra…