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The bulk of the material on Tom Recchion's second album for Birdman was recorded just after the completion of Chaotica in the mid-'80s, and sounds like a natural continuation of that record (despite the absence of any Esquivel). Recchion is assisted on some tracks by noted musician, composer, author, journalist for The Wire, and music curator David Toop (himself a collaborator with Eno, Jon Hassell, John Zorn, Talvin Singh, Adrian Sherwood, and Scanner). Recchion labored on I Love My Organ for y…
'Sillón is proud to present what has to be Italy's best kept secret on the improvised music scene. Based in Madrid, Spain, Alessandra Rombolá works in the field of contemporary music and improvisation. Her stunning debut-cd, Urueña, shows her great musicality and sense of form. Her sound is so rich that it fills the whole space of the beautiful Church in the tiny village in central Spain, Urueña. The music is captured in detail by sound-wizard, Pierre-Olivier Boulant. A must for all fans of crea…
Françoise Barrière was born on june 12th, 1944. classical training: piano at the conservatoire de versailles; harmony and counterpoint at the conservatoire national supérieur de musique, paris. less classical training: service de la recherche, ortf; ethnomusicology at the ecole pratique de hautes etudes. in 1970, she founded in collaboration with christian clozier, the groupe de musique expérimentale de bourges (now called the international institute of electroacoustic music of bourges) that the…
An attempt to convert Brussels' sonic reality into music. Mutated environmental sound materials gathered in Brussels, remixes of interviews with inhabitants and extracts of installations are flanked with atmospheric compositions made with sounds from other cities and countries.
Today, the piano concertos by Béla Bartók are regarded as works of classic modernism and are considered suitable even for conservative audiences. Musica Viva, the concert series for contemporary music in Munich, included the piano concertos in their program back in 1957, a time when it was by no means a matter of course to hear this music in established concert halls. The man at the piano was one of the greatest of his trade: Géza Anda, a fervent and uncompromising advocate of Bartók's oeuvre, w…
1991 CD reissue of the 2nd TG album, originally issued in 1978; digitally remastered by Chris Carter. Adds 2 bonus tracks from the legendary Sordide Sentimental 7" ("We Hate You (Little Girls)" & "Five Knuckle Shuffle". Breaking from the live sound of the previous Second Annual Report, D.O.A. finds the group assembling collages of computer noise, cassette tapes on fast forward, looped feedback and tape hiss, surreptitiously recorded conversation, threatening phone calls, and much more, all to a …
Following the success of their very first performance together at the 2004 FREEDOM OF THE CITY festival (heard on Emanem 4215), Roger Smith and Louis Moholo-Moholo went into the studio to record some more. Their second meeting went so well that they recorded enough duo improvisations for a complete CD. The resulting music is heard complete, with Smith on Spanish guitar and Moholo on augmented drum set.
2008 release ** Limited edition of 100 copies. "Summons of Shining Ruins is a project of Shinobu Nemoto, who works with electric guitar, tape delay, old rhythm machines, stompboxes and 4-track-recorders. No computer or software is used to record this work. And you can hear that in every tone."
this mindblowing album was originally released in 1972, when Robin Williamson was at the time still a member of the Incredible String Band, the ensemble he started with Mike Heron in 1966. These ten songs are all Williamson originals, with the exception of"Strings In The Earth And Air" by Ivan Pawle.Where his band's recordings were then getting increasingly electric, this is a return to a more acoustic bearing. This set includes some gorgeous, if overlooked, songs from the vast catalogue William…
Second one in the guitarimproseries (first one was Shifts). This Finish guy is pretty young but has a distinctive feel towards his guitarplay. Excerpts from his talents could be found on the Killa 7\\"s but here he is operating alone on his selfbuild guitar and other \\"soundlabs\\". It\\'s dark and quiet with lots of floating, hissing and inspired contructions. Every now and then a melody pops up which brings together the harmony between impro and a \\"listenable\\" experience. As for guitarpla…
A conductor enjoys the privilege of being able to reconsider his attitude to musical works over and over again. The composer Boulez adheres to the same maxim: of his own compositions he regards only very few as being finished; most of them are, to him, "work in progress." The first two pieces on this collage CD were actually withdrawn by Boulez after their premiere as he wished to think them over again. Later on, Polyphonie X (1951) in view of its extremely strict serial procedure appeared to hi…
Alfred Otterstaetter began playing music in the late '70s, releasing homemade tapes and records under different band names. Blumen des Exotischen Eises LP was released in '86 in the quantity of 100 copies on his Dead Eye Records. It was recorded between '83 and '85 and consisted of spontaneous music, some of it played by Alfred alone on different instruments with overdubs, and some with friends. Some tracks have early '70s open-air spaced out feel, others -- more heavy hypnotic Teutonic sound. O…
rare UK album from 1981. Musique Concret were an obscur London duo composed by Jim Friedman & Michael Mullen with a short lived musical history : their sole album 'bringing up baby' was originally released on Steven Stapleton's label United Dairies and there is also one short track on compilation. This is a great experimental power electronics works with the use of many delay and echo, tape recorder manipulations, collages, rhythms box, noise, and others studio trickery, naturally close to Nurse…
Works of art are often triggered by private events. Sarà dolce tacere (1960), for example, was written on the occasion of the 40th birthday of Bruno Maderna, Nono's (former) teacher and close friend; and also in 1960 Nono wrote Ha venido for his daughter's first birthday. Djamila Boupachà (1962), ¿Dónde estás, hermano? (1982) and Quando stanno morendo (1982), on the other hand, are clearly expressions attributable to the politically involved, the committed cosmopolitan Nono.
Restocked “A trance-tape piece, constituting the entirety of the genre called Illuminatory Sound Environment, composed in the 70s in response to Catherine Christer Hennix’s “Electric Harpsichord. ” John Berdnt’s enthralling liner notes explain ISE as “an unfurling sound field of overwhelming but far from gratuitous sensuality, a highly “tuned” texture where all of the aspects are coordinated to make a deeply unusual “whole”, a new kind of perceptual gestalt... The piece has a disorienting flow t…
Completely unique, stunningly musical, technically impressive & breathtakingly simple. The Necks have defined an endlessly productive area of performance that is at once both minimal and gripping, obvious yet profoundly subtle. Easy to say, hard to achieve. It can take time for a group with a completely original idea to find its public & The Necks have been pursuing this one for over a decade in their native Australia - but it doesn't age, it just matures.
Long awaited reissue of this historic pre-FMP album by Peter Brotzmann. Known to many for it's placement on "The List" (T. Moore's Top Ten list of free jazz artifacts as published in Grand Royal of course), this is one of the most desirable and completely unseen albums in the genre of modern improvisation. Recorded April 18/24, 1969 and released on the Calig-Verlag label. Simply put, Nipples is one of the rarest and most influential European energy jazz recordings of all time. The incendiary Sex…
It took Tim Wijnant two years to complete the successor of his debut-album Gravity=Love. All this resulted in a stream of ideas, influences which were put into this new album. This is a mature CD ranging him amongst the likes of Pimmon/Fennesz/Markus Schmickler. The Wide Album is a progressing work. Started out by collecting 'sounds' from different sources. Manipulated, and processed into rough tracks and fitted alongside one another until a definite version was completed and fine-tuned as a who…
From The Kitchen Archives No. 4: Composers Inside Electronics continues a series of CD releases featuring recently discovered audio recordings of concert performances at The Kitchen dating from the mid-1970s to the early 1980s. The electronic innovation of the time is illustrated here by tracks from David Tudor, John Driscoll, Phil Edelstein, Martin Kalve and Bill Viola." All recordings from this CD are from 1977/78. The Kalve piece is from 1978 and is performed by John Driscoll, Martin Kalve, T…