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Originally released in 1971, this is one of the artistic high points of his career. And yet, for nearly 30 years it was not heard in its entirety, as what was originally intended as a double album was pared down to a single LP. Now, thanks to 4 Men With Beards, the complete double album is available on vinyl for the first time
Dustin Wong, like many of us, dove into the world of music and art as an unhappy youth looking to rebel against certain ideals and "absolute truths" that contrasted his own beliefs. A twisting path of punk discovery and a growing respect for sonic visionaries like Jimi Hendrix, Brian Wilson, John Fahey, and Brian Eno led Dustin to further pursue his muse. He eventually wound up at the Maryland Institute College of Art, where he met and co-founded the critically acclaimed band Ponytail. …
Oustanding new release!! Although with irregular appearances in recent years, Osso Exotico is by far one of the most consistent music projects in Portuguese experimental music. "Sablier" is their ninth album,, and the band includes André e David as well, Francisco Tropa, Patrícia Machás e Manuel Mota. Truly deluxe LP edition, gatefold cover, with and additional DVD
This review for Wet Hair’s excellent debut full-length is dedicated to the late Barry Goldwater, five-term U.S. Senator. In 1984, Senator Goldwater wrote the Cable Franchise Policy and Communications Act, allowing local governments to require public, educational, and government access channels on television sets in their area. This act also wiped said local government’s hands clean of whatever content these channels would feature. Because of this act, because of Barry Goldwater, many a ni…
Their 1978 debut EP, No Tears, was recorded with vocalist Winston Tong and sound engineer Tommy Tadlock. Replete with tense synth swells, devastating live drums and a psychotic ode to the "creatures of the night," the title track is a crucial entry in the synth-punk canon that stacks up next to the best work by UNITS and THE SCREAMERS. Reininger's electric violin congeals with electronic atmospherics to unnerving ends on the instrumental "Litebulb Overkill." Few records do justice to the mania a…
In 2011, Le Syndicat & Sektor 304 began to exchange sounds through internet, driven by a mutual artistic respect & the will to create a new project together. No way to make another traditional split with separate tracks by each bands. The goal was to rearrange, transform, mutate & sometimes destroy each other sounds to create real collaborative tracks where the sound and styles of the bands are efficiently melted. This process has been on work for 2 years, during 2011 & 2012. The re…
Chris Forsyth has recently been touring around Europe with his Paranoid Cat Band in support of their excellent LP on Family Vineyard as well as playing with Meg Baird on her recent record and a continuing member of the Peeesseye. Koen Holtkamp plays as part of Thrill Jockey's Mountains, as well as releasing solo material on aformentioned Thrill Jockey and Type. On Early Astral Forsyth and Holtkamp team up, playing guitar and synthesizer and modular electronics respectively. The record consists t…
Sonatas and Interludes for Prepared Piano (1946-48). New recording by Nurit Tilles in a deluxe 3LP (45 rpm) audiophile box set. The release of this limited edition (433 numbered copies) is in honor of John Cage's Centennial Year, produced in conjunction with the John Cage Trust. Includes archival material, a 40-page color book with essays, pressed on 200 gram vinyl and slipcase. "If the sinking of the Titanic in 1912 marked the end of the 19th century, then John Cage's birth that year repre…
Alessandro Brivio’s new record is another collection of complex and obsessive rhythmic tracks, reflecting his studies and passion for african aesthetics. The title is an homage to the Senufo secret society (the Poro) and to the Associazione Poro, a foundation of africanists founded by the great italian collector Carlo Monzino.Numbered edition of 200 copies. Transparent vinyl (cut at Dubplates & Mastering, Berlin) with printed labels. Silkscreened cover (black on black carboard), with small inser…
Latest work by swiss artist Marc Zeier presents 9 musique concrete compositions based on ice, wind, plankton, a whip, a bow, a suitcase, and other recordings made in the last few years, reminiscent of his 90's albums 'Seismogramm' on Schimpfluch and 'Yack Park' and 'Geopod' on Zabriskie Point.
RESTOCKED: Golden Trees is a minimalist psych-folk masterpiece. A supergroup of sorts, Helen Rush, Pat Gubler and Samara Lubelski have created seven songs characterized as much by quiet and restraint than by their acclaimed musicianship. The lyrical lines in these songs appear suspended between pregnant pauses of silence and subtle instrumental flourishes. On one side of the gap, Samara Lubelski's violin invokes the Velvets and other avant string-players. On the other side, P.G. Six layers effec…
A Dragonfly For Each Corpse is a record that stands no daylight. A feverish nightmare of an album, dragging us into a brown paper bag —ferocious cannibal jungle ambience seeping through— till we're cast down some stairs into a cellar made out of spit. A twirling folkballad sung by a ghost made out of chewing gum turns into a symphony of typing fingers, ticking clocks and slamming car doors, like a noirish soundtrack to the kidnapping of the Lindbergh baby, accompanied by squeaking …
This is the debut full-length from Julian Lynch, who to date is probably best known for a split 7" with Matthew Mondanile of Real Estate, Ducktails and Predator Vision fame. The two are childhood pals and frequent collaborators, but here Lynch steps out of the shadows and into the lo-fi limelight. The album stitches together fourtrack recordings and various fragmentary, cross-cultural elements into a fluid tapestry of psychedelic doodles and hazy songs driven by keyboards and guitar. L…
A droony ambient join venture between Le Dictateur and artist/musician/fashion designer Canedicoda, one side Lp released for the exhibition Aero Invisible Giants, Canedicoda at Le Dictateur, february 2011. Edition of 200, spectacular packaging with white vinyl, screenprinted foldgate, poster and photo.
awesome reissue of the rare 1967 psycho-electronic wonder, with psychedelic comic book, in deluxe gatefold sleeve. drug induced wild electronics by john mills-cockell and trippy outsider narrative by blake parker. the package offers a glimpse into the installations and psychedelic environments that intersystems created (for example, the mind excursion center) during the 1960's, with the time-capsule effect as reported by the media including the toronto telegraph and time magazine. (the mind excu…
The Spring Press is very pleased to announce the release of a new masterpiece by the one and only Richard Youngs. A commanding new exploration of his interest in the composition of voice and electronics. Utilising motif and repition each work is rich, detailed and slowly developing, both tracks spanning over sixteen minutes each.
The Curfew Recordings were made at a disused industrial site on the river Tyne in 1984 and feature John Smith (then publisher of Interchange magazine), Sean Dower (ex Death Magazine 52 & later of Bow Gamelan Ensemble) And John Mylotte (of the band Metgumnebone). The recordings were made inside a 10m tall and 26m wide, steel-plated cylindrical, structure, once used for bitumen storage. The instrumentation is acoustic and the recordings are unprocessed (the space however adds a remarkable reverb).…
Commercially available for the first time, this 1970 library album by Alessandro Alessandroni is the only existing full-length recording of his extraordinary vocal group, I Cantori Moderni, an eight-to-sixteen person choir featuring Edda Dell'Orso, Giulia De Mutiis (Alessandroni's first wife), Gianna Spagnuolo, Augusto Giardino, and Franco Cosacchi, and highlighting, through twelve original themes by Alessandroni, the complex vocal harmonies of the legendary group that lent their voices to the a…
restocked - AA krauty, rhythmic throb & a sort of gutterized/behead the prophet stance that once seemed to have run up & down the west coast. Both of these things are filtered through post-Spacemen sensibilities & fueled w/ violin, bass & drums