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EXCLUSIVE! Guitar+tape manipulations create a hypnotic noise pastiche akin to the background buzz in the switching station of your local phone company. 1-sided. Limited 500.
first-time ever legit ri for this lost gem from the late '60s euro psychedelic underground. belgium-based portuguese soul brothers tony & waldo lam (better know as jess & james) join forces which american jazz man scott bradford and belgian mad scientist & electronics grand daddy Arsene Souffriau for a crazy trip of groovy free-rock and soul into electronics trip in the best pierre henry's 'jerks electroniques pour la messe du temps present,' cecil leuter's 'pop electronique,' jp massiera's male…
Two years after releasing SRS' 'Heaven 39' 2LP, Diophantine Discs is happy to release a record of new recordings by Sshe Retina Stimulants! Following in a vein similar to his other recent recordings this year, we are presented with four tracks of very abstract and experimental noise music. Using a variety of treated and processed instruments and electronics, this is surely one of the most complex, intense, and dynamic works by SRS. Sshe Retina Stimulants, the project of P.NG5361.B (Paolo Bandera…
When you discover that this LP consists of two side-long tracks entitled 'Hypnotic Brain Cloud Float' and 'Mystical Bamboo Garden Cultivation' I think you know it's gonna be business as usual for Expo 70. Both tracks were recorded live in the Autumn of 2010; one in concert, one for a radio session. Both these tracks are Justin Wright performing solo, but it doesn't seem to make a huge difference to the already-minimal Expo 70 sound. On side A it's all ponderous drones and synth swoops and …
Ver last copies: Reissue of the first Absolute Body Control-Tape (Originally released as cassette "Untitled" on Body Records 1981 ) which came as part of the long sold-out Absolute Body Control Vinyl-Box-Set (VOD37). The reissue is in red Vinyl and lmtd. to 444
Excellent split with Ryan Garbes and Shawn Reed’s Wet Hair delivering one of their most perfectly articulated runs of psychedelic pop narcosis with aspects of late Spacemen 3/Spectrum, Silver Apples, Boston garage, classic Kraut radiophonia and an approach to melodic song styles that has aspects of Woods. Naked On The Vague go back to their original duo line-up for their side, by far their most interesting set-up, with a darker/heavier Industrial aspect than on their recent Siltbreeze LP a…
Dreams is a reissue of Chris Forsyth's second solo album. In 2009 Forsyth pressed up 100 LPs for a European tour and created quite an uproar of approval by the heads who managed to score a copy. Now available again, Dreams rightfully shows Forsyth at the creme of American guitarists who blend masterful skill of country/blues with sometimes violent aggression or mind-bending arrangements. Dreams was recorded and mixed between 2007 and 2009 and catches Forsyth in the studio layering acoustic and e…
Richard Skelton’s work as A Broken Consort is, ostensibly, consistently and easily contextualized within a broader composer-centric scene. Nick Cave and Warren Ellis, for example, deal in similar realms of psychogeographics with their soundtrack work on The Assassination of Jesse James by the Coward Robert Ford and the like. There, the compositions render emotions on the physical plane. Landscapes and troubled faces don’t just feel alienated or manic or soul-crushingly vast. They look it.…
Beside the usual noise- and experimental-projects there were also great new-wave-bands like The Misz. Eddy Merckz is a good example for the extreme high quality of the 80′s cassette-culture-scene. Their very catchy sound is comparable to early Virgin Prunes with some more pop-appeal; fine harmonies and male/female singer made this band to remarkable milestone in european new-wave, although they unfortunately never reached a bigger audience. And “Eddy Merckz” is in my eyes their best wo…
Gray-area reissue of this rare album previously only available in the legendary 3LP set only Free Improvisation (together with New Phonic Art and Iskra 1903, on the Deutsche Grammophon label, issued in 1973); analog re-recording. LTD. edition 180 grams. Karl Heinz Böttner: electric guitar, 'Vox Organ Guitar', vocals, ocarinas, flexatone, zither, electric bass, guitar, framus; Mike Lewis: Hammond (and Leslie) organ, vocals, percussion; Michael Ranta: percussion, home-made plucked instrument, voca…
Robedoor have acquired a "drummer/modular synth dealer" since last we heard from them, and with this new LP - their first since last year's Endlessly Blazing - they let fly with their newly enhanced line-up, stirring up smudged-out psych nightmares that sound like they're being performed from somewhere deep within a cave system. In fact, if the blind flesh-eating monsters from The Descent had a house band, 'Indo Shadow' might be the outcome. The album's second half is especially good, with the f…
Gorgeous one-off private-press released in 1981 by one-time Tangerine Dream / Kluster associate Conrad Schnitzler, which was given only to friends and family. Tracks 6-11 are pretty odd, even for Schnitzler, with its pitched up vocals & arbitrary lo-fi synth drippings; but the real prize are tracks 1-5 featuring his teenage son Gregor on electric bass and completely fried vocals (in English no less) as run through Conrad's massive modular synth rig.Limited to 500 pieces. Unplayed archival copy
Very rare Hermann Nitsch Picture LP album, qith the recordings of the 5th day (7th of august 1998) of this 6 day event. Limited to 400 numbered copies with letterpress insert, long out of print
LP version with printed inner sleeve: The Bureau B label breaks into new territory and presents a newly-recorded album by Krautrock legends, Faust. "There is no group more mythical than Faust." Thus wrote English musician and eccentric Julian Cope in his classic of the genre, Krautrocksampler. Which says it all really -- neither the habitus nor the music of the six-piece Hamburg group is easy to grasp. Formed in Hamburg in 1970, some lauded Faust as the best thing that ever happened to rock, oth…
Massive new album in an edition of 300 copies from the duo of Karen Constance & Dylan Nyoukis: The Larval Tuning Fork consist of two side-long works judiciously edited and put-together with an easy/impenetrable logic from live shows and performances across the globe. Much of this is on the minimal side as is the contemporary Blood Stereo style, with plundered conversations and small-scale clatter and drone put to the service of long blanks of almost hypnotically monomaniacal accumulations…
Back in stock! 1966's Strange Strings is the zenith of Sun Ra's analysis of string instruments and, as its title suggests, the album documents Ra's exploration of their outer limits, charting a kind of vivisection of the timbral make up of the traditional string section. The introductory piece 'Worlds Approaching' sets jolting cellos alongside plodding timpanis and some wild brass and woodwinds which out-weird anything on the string front, but by the time we get to the more overtly exploratory t…
Originally issued in a limited pressing in 2008, BEACH HEAD is a release of sunburnt affection for a place that has since submerged: a coastal constellation of friends and energies that still slosh and burn through dimensions just above our perceptual apparatus. These are the coordinates, should you want to go: THOUGHTS ARE BELLS opens in séance before easing back into full Florian blossom. HORSE STEPPIN’ is a love song to Neil Young’s six-string gateway: sunblushed and indulgent, persistently b…
Germany's answer to Daphne Oram or Raymond Scott - or more likely an elaborate wind-up perpetrated by Jan Jelinek, on whose Faitiche label her "archive" recordings sporadically appear - Ursula Bogner is back. Whether or not it's Jelinek behind the Bogner corpus (and I think by now we know the answer to that), there's no disputing the consistently brittle beauty, dizzying complexity and easy charm of her radiophonic constructions. You certainly get a lot of Bogner for your buck on Sonne = …
lucky warehouse find, few copies available of this long out of print lp "For many, this is the definitive Lightning Bolt album. It's certainly an accessible release given some of the mayhem that came earlier in their back catalogue, yet somehow, despite sounding more tightly organised, and being structured around more conventional song frameworks the album manages to be heavier, focusing on riffs and dare I say it, actual hooks. Illustrative of that point, apparently Muse have been known to…
Improvising drone-rockers Bad Statistics hail from Wellington, New Zealand, hurling Nordic doom, kraut rock and feral skronk into an industrial blender, and delivering a noisy, prolonged earful of lethargic experimental nonsense. Vocalist and saxophonist Thebis Mutante sounds like Mark E. Smith with stomach ache on 'If I Were A Pint Of Milk', groaning and whinging his way through a moribund death rattle of a song, seeing out a twenty-one minute duration that feels approximately four times as lon…