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Delphine Dora and Mocke present Le Corps Défendant on Okraïna. Ned Netherwood of Was Ist Das? on the release: "There is something special about when artists like these collaborate. Two independent talents, both completely self-sufficient choosing to come together and see what happens, to let the muses mingle and share the results with the rest of us. What we have here, however, is not some quick jam caught on tape but a long distance collaboration carefully put together over three years. Th…
(Last Copies!) 2026 small repress. Ideologic Organ present Unfold, brand-new recordings from The Necks, the legendary Australian trio who excel in bypassing musical cliche whilst exploring and extending the practices embedded within improvisation, jazz, post rock, ambient, minimal, and textural, "sound based" music. The latest document from this long-running ensemble presents itself as a double LP, with four side-length tracks. A deliberate absence of numbered sides hands a substantial swatch of…
Michael Nyman's book is a first-hand account of experimental music from 1950 to 1970. First published in 1974, it has remained the classic text on a significant form of music making and composing that developed alongside, and partly in opposition to, the postwar modernist tradition of composers such as Boulez, Berio, or Stockhausen. The experimentalist par excellence was John Cage whose legendary 4' 33'' consists of four minutes and thirty three seconds of silence to be performed on any instrume…
In this brilliant collection, path-breaking figures of American experimental music discuss the meaning of their work at the turn of the twenty-first century. Presented between 1989 and 2002 at Wesleyan University, these captivating lectures provide rare insights by composers whose work has shaped our understanding of what it means to be experimental: Maryanne Amacher, Robert Ashley, Philip Glass, Meredith Monk, Steve Reich, James Tenney, Christian Wolff, and La Monte Young. Collected here for th…
An illustrated monograph documenting and extending Resynthesizers, a project by artist Florian Hecker combining electroacoustic, olfactory, and textual elements, staged at the modernist Fitzpatrick-Leland House in Los Angeles.
Florian Hecker is an artist whose work is realized through the technical manipulation of sensory data. By utilizing machinic scales and registers, Hecker creates environments marked at once by overwhelming complexity and vexing subtlety, where audience members are led to d…
Following the success of “A Brief History of Curating” (now available in nine different languages, in its sixth reprint, and as an e-book), this publication gathers together interviews with pioneering musicians of the 1950s to the 1980s. The book thus brings together avant-garde composers such as Elliott Carter, Pierre Boulez, and Karlheinz Stockhausen; originators of electro-acoustic music such as François Bayle, Pauline Oliveros, Iannis Xenakis, Robert Ashley, and Peter Zinovieff; Minimalist a…
Why does the letter 'M' stand alone as the title of this book by the author of Silence and For the Birds? The dictionary gives the definition of 'M' as the 13th letter of the alphabet, the symbol for 1000, and if you think they fit, they do. Or you may find clues in Cage's topics, words beginning with M that figure among the author's concerns: including music, mesostics, Marcel Duchamp and making matters worse. From Buckminster Fuller to Chairman Mao, from Merce Cunningham to mushrooms - here ar…
From iconoclastic writer and musician Adele Bertei comes a wholly original hero's journey that wages war on the cliché of the “misery memoir.” Set in a 1960s and ’70s American neighborhood rife with poverty and violence, fatherless Irish mothers and Italian mobsters, and women crucified into madness by misogyny, Bertei speaks through her electrically alive avatar Maddie Twist to flip the victim script. Through her unshakable belief in imagination, poetry, music, and community, she transforms tra…
*2024 stock* “I consider this one of my most richly lyrical and consistently inspired works,” wrote Keith Jarrett of “Mirrors”, the almost half-hour long concluding piece on Arbour Zena. “Jan Garbarek’scontribution is irreplaceable and ecstatic.” It is easy to agree that Arbour Zena as a whole is one of Jarrett’s most exceptional albums. Evocative writing for strings, beautiful playing by Keith and Jan and by Charlie Haden at his most soulful, and a glowing panoramic production make this 1975 re…
The New Quartet stands as a landmark in modern jazz, capturing Gary Burton at a creative peak and introducing a band of extraordinary new voices. Recorded in March 1973 at Aengus Studios and now reissued in ECM’s “Luminessence” series, this album features Burton’s radiant vibraphone alongside guitarist Mick Goodrick, bassist Abraham Laboriel (in his debut recording), and drummer Harry Blazer.
The album’s repertoire is a showcase of jazz’s evolving language, with compositions by Chick Corea, Keit…
Eight years after Blue Maqams, Anouar Brahem returns with a poignant project, titled after a line of verse by poet Mahmoud Darwish, which asks “Where should the birds fly, after the last sky?” Graceful chamber pieces for oud, cello, piano and bass subtly address the metaphysical question and its broad resonances in a troubled time. While drawing upon the traditional modes of Arab music, Brahem has consistently sought to engage with the wider world, too, and found inspiration in many sources from…
“Destined to go down in history as a jazz classic” was the verdict with which The Guardian greeted this album on its release in 1997, saying, “Wheeler’s compositions and four of the world’s greatest improvisers make for a tranquil set that rewards with every listening. This is beautiful, golden music.” Angel Song is among the apexes of the label’s catalogue, uniting four master-improvisers – each with a unique artistic identity – in an intimate, drummer-less quartet session. Kenny Wheeler is the…
Idiosyncratic, large-scale and in its fundamental disposition one of a kind, Florian Weber’s Imaginary Cycle, conceived for the unique instrumentation of brass ensemble and piano, is a hybrid of multiple musical languages that seamlessly blends the harmonious with the oblique. Here Weber presents a cycle in four parts, plus an opening and an epilogue, in which the German pianist is joined by a group of four euphoniums, a trombone quartet as well as flautist Anna-Lena Schnabel and Michel Godard o…
Brazilian percussionist Naná Vasconcelos’s Saudades album, recorded in March 1979, was the culmination of a dream for a musician who had long yearned to hear the berimbau in an orchestral context. This ‘concerto’ for an innovative player of a traditional instrument was made possible with the creative input of Egberto Gismonti, here the arranger of the material for strings, as well as co-composer and supporting soloist. The Radio Symphony Orchestra Stuttgart was conducted by Mladen Gutesha (who h…
Estonian vocal ensemble Vox Clamantis and their leader Jaan-Eik Tulve have established themselves among the leading interpreters of Arvo Pärt’s music over a quarter-century of close collaboration with the composer – a relationship that builds on the almost half a century long artistic partnership between Pärt and producer Manfred Eicher. Of the ensemble’s ECM New Series recording The Deer’s Cry, the BBC Music Magazine wrote that “the level of artistry necessary to achieve the kind of living, bre…
Tractus emphasizes Arvo Pärt compositions that blend the timbres of choir and string orchestra. New versions predominate, with focused performances from the Tallinn Chamber Orchestra and the Estonian Philharmonic Chamber Choir under Tõnu Kaljuste’s direction that invite alert and concentrated listening. From the opening composition Littlemore Tractus, which takes as its starting point consoling reflections from a sermon by John Henry Newman, the idea of change, transfiguration and renewal resona…
Big Tip! ** One-time pressing, strictly limited edition ** After more than three decades of whispered reverence among jazz cognoscenti, the complete story of Keith Jarrett's transformative return to his musical birthplace can finally be told. At The Deer Head Inn: The Complete Recordings, a sumptuous 4LP box set to be released in August 2025, captures every note from what may be the most emotionally resonant performance in the pianist's extraordinary catalog. On September 16, 1992, something ext…
*2025 stock* Pianist-composer Vijay Iyer follows his 2021 ECM disc Uneasy — the first to showcase his trio featuring bassist Linda May Han Oh and drummer Tyshawn Sorey — with Compassion, another album in league with these two gifted partners. The New York Times captured the special qualities of this group, pointing to the trio’s flair for playing “with a lithe range of motion and resplendent clarity… while stoking a kind of writhing internal tension. Crucial to that balance is their ability to c…
*2024 stock* The Survivors’ Suite, recorded in 1976, is the crowning achievement of Keith Jarrett’s “American Quartet” with Dewey Redman, Charlie Haden and Paul Motian, and one of the all-time enduring masterpieces in the ECM catalogue. Melody Maker: “The Survivors’ Suite is a brilliantly organized and full-blooded work which provides the perfect setting for all four talents. This is a very complete record. It creates its own universe and explores it thoroughly, leaving the listener awed and sat…
Mysterious, dramatic and alluring, Luminessence comes from a peak period in the creative association between Keith Jarrett and Jan Garbarek, recorded in 1974, immediately after their vibrant Belonging album. Here, Jarrett creates shimmering orchestral frameworks to spur Garbarek to some of his most concentrated, impassioned and expressive playing. “The melodies that Jarrett writes sound like Garbarek improvisations, so great is the rapport between the two men,” wrote Ian Carr in his Keith Jarre…