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Following the records made in collaboration with Francisco López and the instrumental ensemble Zeitkratzer, John Duncan returns to solo work and to exploring further the sound source he's always preferred, shortwave. We know nothing about the actual radio transmission that Duncan picked up on 18 April 2002 in the course of a single recording that gave life to this work. Only shadows remain, taking on the aspect of bells, resonating into infinity, together with reverberations and apparent choruse…
Comprised of one 44 minute track, Variation #9 'Pantelleria,' this archival release is one of my all-time favorites of the piano and tape variations from the early eighties. Using a lilting piano melody on a small loop, the requisite magic happened in the recording process when this particular loop would randomly slip along the play head revealing an extraordinary counterpoint (in reverse) on the other side of the tape. To me, this piece evokes a lazy Arcandian summer idyll, and will alwa…
Brand new solo release for guitarist Nicola Ratti with his languid, disarming sound of small and gentle gestures and loping rhythms, often repeated and subtly shifting in an impressionistic vision founded on traditional elements. Merging guitar, piano and double bass with percussion, environmental sounds and occasional voice, Nicola constructs songs that by turns float, swell and envelop in magnetic fashion. A piercing tenderness remains at the core of his work, though on Ode there is a more exp…
Monoton was founded in 1979 by hypermedia wizard konrad becker as an art project that underwent various transformations and collaborations in its exploration of psycho-active sound. these eps contain distinguished electronic soundscapes related to mathematics and psycho-acoustics research made from 1981 to 1983 with analog synthesizers and micro-computers, including a commodore 64. with many materials never released or rarely available, six of these eight lost tracks see the light of day for the…
estocked, reduced price: Perpetuum Mobile is the result of a uniquely schizophrenic 'open source' compositional process: the UK's finest collage composers (collage-posers?) Ergo Phizmiz and People Like Us (aka Vicki Bennett) uploaded files to a shared server, downloaded and processed each other's work, and flung the resulting fragments back at each other. The result is an interpenetrating audio-collage so intricate that neither party can recall who did what to whom. So far, so avant-garde; but w…
Til odslig horisont evolves slowly and quietly over forty-five minutes and rewards the listener's attention with a great listening experience, manifold soundscapes and atmospheres melting into one another. As often, describing this work will not do it justice, and so I propose that you make yourself comfortable, close your eyes and simply listen. You will enjoy it without an eloquent description.'B. Günter
Awesome and obscure release, the music on this disc is a collection of awesome noisy sound works establishing Tinguely in the tradition of Luigi Russolo’s noise machines or John Cage’s Imaginary Landscapes. Tinguely’s sculptures rotating parts create awkward rhythm patterns, metallic rattlings and loud percussion sounds, more often than not on the verge of falling apart. Similar sounds can be heard in Jean-Marc Vivenza’s robust take on ‘bruitisme’ or Pierre Bastien’s self-build mecano instrument…
Second regular-size book/disc set in this reissue campaign of heidsieck’s seminal self-released sound-poetry work from the 70s. this edition covers the “passe-partout” series (“nº 10 à 21”) written & executed between january and december 1972...
Very rare, original and now long deleted 10" by Canadian artist Rodney Graham, a conceptual artist and long time Bruce Nauman associate that subverts distinctions of format and genre, and the result is an entertaining and intelligent artist's ''book.'' "Getting it Together in the Country" consists of an LP and an extensive text insert. The LP contains recordings of Graham improvising on the guitar to the legendarily surrealistic mass love scene Michelangelo Antonioni's film "Zabriskie Poi…
beautiful catalogue + cd edition, the cd contains a field recording of the installation ear(th), which was a collaboration with two scientists from cal tech - Ann Polsenberg-Thomas, and Mark Simons. The installation consisted of an 8' x 16' x 24' wooden structure with 80 robots on the roof that would strike glockenspiel bars based on data translating an image of an earthquake. It was comissioned by the Williamson Gallery at Art center college of design for The tender land festival. The CD was d…
Original copy of this awesome double album by visionary futurist composer Alberto Savinio, issued in 1978 by Multhipla label. A very rare item, original and in new codition, for those into avant garde artists editions, fluxus related, broken music ecc.
Majestic triple-disc and book from mssr. heidsieck containing a 3+ hour piece from 1978 - the third and final installment in the regular-sized book/cd trilogy of heidsieck’s 70s work (along with “le carrefour” and “canal street.”) again: essential listening for the student of outsider yalp...
this 7" was created for the exhibition "invisible other" at the new american art union in portland oregon. in the original installation the 7" sat on a turntable that could be activated by viewers. here are some notes that accompanied the work... the sound was created by editing out all of the speaking out of the soundtrack LP of robert bresson's film "proces de jeanne d'arc".
ONJT+ (Otomo Yoshihide’s New Jazz Trio +) plays Ornette Coleman’s “Lonely Woman” and Albert Ayler’s “Bells.” ONJT means Otomo Yoshide’s New Jazz Trio; Otomo Yoshihide (guitar), Mizutani Hiroaki (bass, misc.), Yoshigaki Yasuhiro (drums, percussion), and “+” means guests for those 2 CDs: Sachiko M (sinewaves) and Jim O’Rourke (EMS synthesizer). Otomo continues his “New Jazz” project from ONJQ (Quintet) via ONJE (Ensemble) to ONJO (Orchestra), and now he organizes ONJT + (Trio +) as his core …
ONJT+ (Otomo Yoshihide’s New Jazz Trio +) plays Ornette Coleman’s “Lonely Woman” and Albert Ayler’s “Bells.” ONJT means Otomo Yoshide’s New Jazz Trio; Otomo Yoshihide (guitar), Mizutani Hiroaki (bass, misc.), Yoshigaki Yasuhiro (drums, percussion), and “+” means guests for those 2 CDs: Sachiko M (sinewaves) and Jim O’Rourke (EMS synthesizer). Otomo continues his “New Jazz” project from ONJQ (Quintet) via ONJE (Ensemble) to ONJO (Orchestra), and now he organizes ONJT + (Trio +) as his core …
Number seven on the Japrocksampler Top 50, available again for the first time in over a decade! This preposterous piece of psychedelic avant-jazz sounds like the work of aliens, each with only one foot in our universe. Propelled by cacophonous brassy blasts, volleys of machine-gunning, ecstatically 'Light Fantastic' rhythms and moments of Teo Macero-style 'Mixing Concrète' (during which the whole track becomes consumed by waves of new sound); the result is the most singular mash-up of inappropri…
"Un biglietto del tram" is an historical album, featuring some of the most important, militant, political and proletarian fighting songs of the Seventies. Stormy Six sound is acoustic here, but it does not copy the anglo-american folk style; in fact it shows a very personal and original approach and a mediterrean influence. This CD is a milestone of the italian Seventies music scene!Available in the usual BTF deluxe papersleeve CD series with gatefold cover and detailed booklet with vintage phot…
One of their miraculous duo result is their first CD "Territory" (dmf-112, 2006). This work, "DOTS" is even more overpowering, speed, ramified rhythm, edits, and so on. First, they recorded their improvised music in studio, then they overdubbed various sounds, edited the materials and mixed different effects into the tunes. This is the music for the prog rock, math rock, post rock fans. Dense and Fiery !