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In the three song cycles of this recording, Wolfgang Rihm stays faithful to the text and its meaning while paying close attention to melodic line. In choosing to do so, Rihm has a deep lineage in the great tradition of Romantic art song that stretches back to the distinguished names of Schönberg, Berg, Brahms and Schumann. Approaching the text both from the perspective of the singer and from that of the accompanying pianist, Rihm is able to reach tremendous heights of expression. While the eleve…
From The Kitchen Archives No. 4: Composers Inside Electronics continues a series of CD releases featuring recently discovered audio recordings of concert performances at The Kitchen dating from the mid-1970s to the early 1980s. The electronic innovation of the time is illustrated here by tracks from David Tudor, John Driscoll, Phil Edelstein, Martin Kalve and Bill Viola." All recordings from this CD are from 1977/78. The Kalve piece is from 1978 and is performed by John Driscoll, Martin Kalve, T…
Site-specific FAMA, “audio theatre piece for large ensemble, eight voices, actress, and sound structure,” requires the best performers for execution. Luckily, Furrer draws upon the talented Neue Vocalsolisten Stuttgart and Klangforum Wien. Also credited are the architect, acoustician, technical and lighting engineer, costumer and stage direction. Texts are by Ovid and Arthur Schnitzler. The focus on space and solo instruments (contrabass flute and two bass clarinets) suggest Nono’s late aestheti…
Enclosing the listener in sonic space: This is what Beat Furrer carried to extremes in his FAMA (col legno 20612), about 15 years after Rihm, by actually placing his audience in a “building of sound”. For Wolfgang Rihm, a sonic space was something less concrete and more indirect: “Organically sprawling strings of sound should be woven around the listener, circling her from different directions. In this way, the listener is not left to her own devices while opening up to it; the piece itself come…
Completely unique, stunningly musical, technically impressive & breathtakingly simple. The Necks have defined an endlessly productive area of performance that is at once both minimal and gripping, obvious yet profoundly subtle. Easy to say, hard to achieve. It can take time for a group with a completely original idea to find its public & The Necks have been pursuing this one for over a decade in their native Australia - but it doesn't age, it just matures.
More lost Scandinavian sounds from Silence, this one being a folksier variant on the Träd Gräs tribal hoe-down formula. Lots of hand drums and long hair. Hippie as hell, but decidedly non-stinky. Fantastic! Handgjort (trans. "Handmade") recorded a legendary album in 1970 released by Silence Records. All covers were hand-painted by the band members. The music is moody underground folk with Eastern influences. The album sold very poorly and is a serious collector's item today. The original b…
RESTOCKED This is another great piece of musique concrete from Michel Chion. Never published before ! Composed in 1979 at the GMEM studios in Marseille. Comes with a 16 page booklet with texts from Michel Chion and Lionel Marchetti.TheWire beautiful review Michel Chion proposes three different modes of listening : causal, semantic and reduced. The first relates simply to a sound’s source or causal agent. The second involves a desire to extract meaning, or meaningful action. Reduced listening …
Recorded in Salzburg on August 10, 1993, this recording documents a portrait concert devoted to the music of György Kurtág that spans most of his career, from his Op. 1, first string quartet, written when he was in his forties, to works of recent years. The performers are a star-studded gallery of mostly-Hungarian musicians, many closely associated with Kurtág's music, including the pianist Zoltan Kocsis, the soprano Adrienne Csengery, the Keller Quartet, the cellist Miklos Perenyi and the compo…
Back in stock. This is the first Esplendor Geometrico anthology to be published. Pioneer and cult band born in Madrid in the year 1980, is one of the most influential in the international Industrial and Rhythm & Noise scene in the last two decades. Is a DOUBLE CD released in a six-panel digipack, with works that comprise the period from their very beginning to the present, with some recent recordings. 28 tracks have been selected, amongst which some of the hits most acclaimed by their fans (Sina…
UK's Michael Chapman began his career on the Cornish folk circuit in 1967. He signed to the Harvest label, home to Pink Floyd, Deep Purple and many others, recording four quasi-legendary albums. The influential Fully Qualified Survivor was John Peel's favorite record of 1970, and featured future Bowie collaborator Mick Ronson. After decades of recording and touring, Chapman remains an obscure figure in the states. His profile was raised by a lengthy interview with big fan Thurston Moore in…
More electronic music by Badings: did we partly cover Badings' electronic music on the Popular electronics Boxset (Basta 3091412), here's the best of the rest, to say so. CD1: 'Capriccio' (1959) for violin and two sound tracks. 'Genese' (1958) music for five audio-frequency oscillators. 'Dialogues for man and machine' (1958) text and voice: Ramses Shaffy. 'The woman of Andros', 'Toccata' (1964).
Music and carpets? Well, the latter's slightly irregular patterns certainly inspired Morton Feldman to write his Crippled Symmetry (1983). "With Feldman, composing more and more takes on the nature of writing a diary; he weaves and knots his sounds like the Turkish nomads make their carpets, the ones he admires so much for their asymmetrical deviations in pattern." (Ulrich Dibelius) It is just these deviations from the standard, that which is slightly shifted, slightly out of place, that Feldman…
CD 1: “La Grande Vallée”. Concrete music composed in 1993/1996 at INA-GRM (Paris-France). Field recordings, electronic, analogic synthesiser, realisation and composition : Lionel Marchetti. Voice : Hélène Bettencourt. Additives voices : Frédéric Malenfer, Bruno Roche. Bass clarinette : Jean Andréo. Sib clarinette : Lionel Marchetti.“Portrait d'un glacier (Alpes, 2173m)”. Concrete music composed in 1998/2000 at INA - GRM (Paris-France). Field recordings, electronic, analogic synthesiser, realisat…
Periodikmindtrouble is Ilitch's (a.k.a Thierry Muller) first album, released on Oxygène Rec. in 1978. This reissue present for the first time the complete works of Periodkmindtrouble such as it had been conceived and should be released at that time: as a double LP. So, here it is as a double CD (including a 12 pages color booklet) with the following musical works : the album Periodikmindtrouble in its entirety, plus the complete recordings of Innerfilmsequence, plus the unreleased track …
Martyn Bates' elusive work as Migraine Inducers issued before his involvement with Eyeless in Gaza finally gets released on CD. Originally circulated on cassette in a tiny quantity as Dissonance/Antagonistic Music in 1979, it later saw a marginally wider release in the United States in somewhat abbreviated form. The complete version of this legendary album is included here, as is a second disc recorded in 1994 with Gaza partner Peter Becker to complete the work.
'Chry-Ptus' (1971). Originally two tapes which are to be played simultaneously, with or withour synchronisation, which does not affect the structure of the work, but creates changes in the game of sub-harmonics and overtones. Three variations on this piece were performed at the New York Cultural Center in 1971, with variations of amplitude and location modulation as well as synchronisation. Realised on the Buchla Synthesizer at the New York University. The booklet contains a text by painter Paul…
"Led by infamous Fluxus member Takehisa Kosugi, Tokyo's Taj Mahal Travellers were one of the prime examples of a band more heard-of than actually heard. Their vinyl legacy (the 1972 LP July 15, 1972 released on CBS/Sony Japan; the 1974 2LP August 1974 released on Columbia Japan and recently reissued by P-Vine as a 2CD; one side of the mythical Oz Days Live 2LP compilation released on Oz in 1973 and recently bootlegged as a single LP) could dig a hole in your wallet deeper than the Grand Canyon. …
double CD edition'Friedl has developed his 'inside piano' technique to such a level of delicacy and precision, that any anticipated distinctions between instrumental and electroacoustic music, or between improvisation and composition are dissolved or transcended.' - Stephen Robinson, The Wire'This is the first solo release of zeitkratzer's mastermind Reinhold Friedl. He teaches the grand piano how to sing and to sound like an orchestra, calling this new way of playing an old instrument I…