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Tod Dockstader is one of the all-time great figures in the world of musique concréte composition, with his "organized sound" works from the 1960s being amongst the most radical ever conceived -- in league with Schaeffer, Henry, Stockhausen, and Varese. Aerial is a rare new work in the realm of shortwave radio, from one of America's most experimental composers. This release is the first (Volume 1) in a three-part series. "I've written before of my interest in shortwave radio. When I was ve…
Somewhere between Alex- ander Rodchenko, Jackson Pollock and Charles Ives: Marino Formenti's piano studies based on an instal- lation by Florian Pumhösl as a listening experience! The brilliant Italian pianist has placed compositions by Charles Ives (»Thoreau« from the Concord Sonata, the song »Tom Sails Away«, and »Study 11«) under his magnifying glass and studied them, has taken them apart, searched them for resonances, assonances and silences, and confronted the results with Ives’ own methods…
Two Reich masterpieces, definitively recorded, featuring a crystalline, high-energy Tehillim with the ONLY RECORDING of the newly revised version of The Desert Music. A must for Reich fans. For freshness and focus, the new recording of Tehillim surpasses the 1981 recording by Mr. Reich & his own ensemble.
The pieces for piano/cembalo on this CD include the first two Capriccios by the 24-year-old Ligeti, the Musica ricercata, and the first volume of the legendary Études, in brilliant interpretations by the German pianist Erika Haase. Ligeti was a master in how to make tricky compositional systems appear as more than just that by inspiring them with sensual substance: that's what distinguishes the artist from the artisan. Throughout his life Ligeti kept his ears pricked up and his senses sharpened …
The most ambitious and grandest of his projects would of course never see completion. For over forty years, Ives continued to supplement the material for his Universe Symphony, adding both notes and details. At some point, the scenario he envisaged got somewhat out of hand, Henry Cowell reported. “Several orchestras and large parties of singers, male and female, were to be placed in valleys, on mountain slopes and on summits,” and “6 to 10 different orchestras on several mountain tops, each movi…
First live document and fourth album overall from a band that mixes free jazz ecstasy with garage rock intensity. Even with no electricity, they make a hell of a noise and the album is an explosion of energy. Recorded at the Bla in Oslo.
Aidan Baker is one of the most important emergent artist of the last years...! Probably this is the most important "musical" Aidan Baker release..., in fact here the sound is comparable to the best (obscure) psychedelic post-rock releases including great droning, hypnotic and honeiric atmospheres. Spontaneously composed by Aidan, who plays guitar (electric & acoustic), bass, tapeloops, drum machine and percussion in his droning 'fashion soup'. In this album Aidan uses (as usual) his guitar but a…
restocked: Swedish percussionist Erik Carlsson in a solo work using multi-tracking to create a set of composition ranging from ominous environments to quirky abstractions, an excellent collection of modern percussion pieces. "This is a fine album of carefully constructed, but also somehow partly unconsidered works by a finely talented musician. The six pieces each make clear musical statements, separate to one another and yet they form a well rounded, nicely balanced suite when brought tog…
Remastered from the original Neuilly/UniDisc/Mondiodis/SM mastertapes 2012. 46 track CD. All original recordings. First Ever Official Reissue. 20 page full colour booklet with exclusive liner notes and rare photos. Ultra-rare French production music workouts that bare comparison to Bernard Herrmann, Jerry Goldsmith and Ennio Morricone at their best. Tracks from 'Percupulsions' Neuilly Ð MC 8002 (1970), 'Gymnorythmies 1' UniDisc (1975), 'Le Vitrail Eparpillé' Mondiodis (1976), 'Imaginations…
Alfred Otterstaetter began playing music in the late '70s, releasing homemade tapes and records under different band names. Blumen des Exotischen Eises LP was released in '86 in the quantity of 100 copies on his Dead Eye Records. It was recorded between '83 and '85 and consisted of spontaneous music, some of it played by Alfred alone on different instruments with overdubs, and some with friends. Some tracks have early '70s open-air spaced out feel, others -- more heavy hypnotic Teutonic sound. O…
On reading the title Gnomic Variations, lovers of piano music might fancy themselves to be in a kind of "Grieg's World," but the truth is far from it: the title of the piano solo, completed in 1981, does not refer to any thieving Irish gnomes but solely to the conciseness of the structure of the work. "Gnomic" here means expressing an idea in brief words, or, simply, describing a maxim as accurately as possible. The Gnomic Variations consist of three parts, comprising a total of 18 variations. A…
One of the world's most creative harpists, Zeena Parkins has contributed her inimitable playing style to the work of artists like Bjork, John Zorn, Yoko Ono,Sonic Youth and Matmos, whilst also recording a number of wonderful solo albums (including the timeless Nightmare Alley) and a couple of Phantom Orchard collaborations with electronics guru Ikue Mori. What most immediately sets Parkins apart from her peers is a roving appetite to look beyond the ordinary constraints of her instrument. While …
Java is the center of Indonesian culture. Three out of every four Indonesians live on Java. It is the home of some of the most elegant musical styles to be found anywhere. To the veteran international sound collector, Javanese music is no secret. For the uninitiated, rather than going through an introductory outline of Javanese music history, I will wish you away to the internet, a library, or bookstore where you can find plenty of information on the subject. The selections on this CD are a comb…
The second cello concerto, entitled: Y: la fiesta está en pleno apogeo – And: The feast is in full progress (1993), is based on a poem by the Chuvash poet Gennadi Aigi. The vision of a raging mass of people awaiting the last Judgment is transformed into music by the composer with gripping, immediate, expressive force, free of graphic patterns. A moment of glory not for Gubaidulina only, but for David Geringas on cello, too. And as a bonus on this CD: Diez Preludios –Ten Preludes for Cello, in Vl…
It is the eternal questions that Nikolaus Brass mainly concerns himself with in his compositional work: the question of existence, of being, and first and foremost of all possible intermediate stages at the edge of what is conceivable, of what can just be grasped. In VOID (1999) he investigates the feeling left by loss, "structural empty spaces that bear the construction of sound while challenging it at the same time." For a due (2003), Brass has borrowed short captions from Yashushi Inoue's nov…
Carl Michael von Hausswolff's first major domestic release. As a composer he has been the main sound organizer in the duo Phauss; he has also worked with The Hafler Trio, and is currently performing live in the group Ocsid with Graham Lewis (Wire, Dome). As a visual artist, he is co-founder of the conceptual state of Elgaland-Bargaland, which hosts a worldwide array of embassies and consulates, and who physical territory is described as 'all borderlines between existing states and areas at sea.
Finaly restocked: Line is proud to present Proximities the first solo recording by Steve Roden on the label since 2005′s critically acclaimed release, Airforms. "Proximities was recorded in 2010 during my time as the artist-in-residence at the Chinati Foundation in Marfa, Texas. I began by recording a performance of a series of tones played on an old battery powered Paia Oz, that were determined by the letters A-G as found in a text by minimalist sculptor Donald Judd. I recorded the tone seq…
Titles often occur to Reinhard David Flender only after he has completed a composition. When listening to Aurora, for example, "a visual association is evoked. The piece starts with a long double bass tone. Then a high pitched tone played by oboe and harp comes in, briefly at first, repeated at intervals; as the piece proceeds it is joined by other tones, until a short melody emerges. Thus the title Aurora, the first rays of sun at the crack of dawn, which then give way to a shape: the dome of t…