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View
View was first presented as part of a solo exhibition at the jennjoy gallery in san francisco. the show also included paintings, drawings, and a silent video work. for the installation, i asked jenn to record for me the sounds of the View from one of the gallery windows. "sounds were recorded from ledge just above radiator on various days and times in april" sometimes the window was open, somethimes closed. i used fragments of these recordings as both a compositional cue as well as the entire so…
Mad Sweeney\'s shadow
In Mad Sweeney's shadow: mass, piano trio, lieder cycle, wind quintet – for each of these "classic" formats Corcoran has created his own original, archaic sound.
Musica Viva 03
Musica Viva 03: Pleading for divine forgiveness, exploring the bounds of possibility of clarinets, and tricks of light.
Hotel paral.lel
"Re-mastered at Piethopraxis in Köln, July 2007. "Hotel Paral.lel", originally released in September 1997 by Mego, was Christian Fennesz's debut solo album. Following up from the EP "Instrument", it was an investigation into the sonic possibilties residing in guitar based digital music, recorded just before mobile computing devices became the norm. A far more darker and experimental work than what was to follow. Freeform noise, sliced techno beats and subtle ambient textures create a time…
Opus 3.1
special price offer: Opus 3.1 consists of 20 tracks divided into five acts. Each cut--or scene--represents a different percussion instrument. Some are quiet, others cacophonous, but even the slow, stark resonance of a ringing gong maintains a sharp level of intensity. The sole drawback is inconsistency: After being soothed into a reflective trance state, the listener is occasionally jolted by the strident opening clang of the subsequent cut. Ghost Stories, a 1-track, 68-minute live recordi…
Nipples
Long awaited reissue of this historic pre-FMP album by Peter Brotzmann. Known to many for it's placement on "The List" (T. Moore's Top Ten list of free jazz artifacts as published in Grand Royal of course), this is one of the most desirable and completely unseen albums in the genre of modern improvisation. Recorded April 18/24, 1969 and released on the Calig-Verlag label. Simply put, Nipples is one of the rarest and most influential European energy jazz recordings of all time. The incendiary Sex…
Garage
Smalltown Supersound's "Superjazz" offshoot delivers this much-discussed darkcore jazz fusion album led by sometime sonic youth collaborator Mats Gustafsson, here rummaging through improvs and cover versions like a garage band picking up trumpets, double bass and drums for their heavily skewed but massively charming workouts. Sticking a hairy a tongue out at the polished slickness of the Bad Plus, The Thing offer up cover versions of tracks by the Yeah Yeah Yeahs, The White Stripes and Peter Bro…
Urueña
'Sillón is proud to present what has to be Italy's best kept secret on the improvised music scene. Based in Madrid, Spain, Alessandra Rombolá works in the field of contemporary music and improvisation. Her stunning debut-cd, Urueña, shows her great musicality and sense of form. Her sound is so rich that it fills the whole space of the beautiful Church in the tiny village in central Spain, Urueña. The music is captured in detail by sound-wizard, Pierre-Olivier Boulant. A must for all fans of crea…
Integrale de la musique de chambre
Long deleted, this is a must have cd collecting all the Scelsi pieces for string orchestra. "An internal struggle, stemming from the introductory tremolo, all through its serene yet chaotic means of lumonisity"
Koola Lobitos 63-68/69..
Recorded between 1964 & 1969. Includes liner notes by Mabinuori Kayode Idowu, Jacqueline Grandchamp-Thiam & Rikki Stein.Mojo (Publisher). Intriguing...KOOLA gathers 6 highlife tracks from 1964-68, ranging from the almost-Caribbean via trad jazz to the nascent funk of 'Wayo'....by THE 69 LA SESSIONS [Fela] had discovered African music in California and the 10 tracks are life-affirming slabs of soul music.
The Highway\'s Jammed With Broken Heroes
Gas-station attendants around the world will rejoice at news of this final missive from Jason DiEmilio (aka Azusa Plane), a cleverly titled reminder of one of the Boss's most visionary & epic lines. Featuring two long tracks of cable glitch, amplifier hum and microphone bumping, this CD has such comedic aspirations that even Neil Hamburger will probably have to sit up and take notice. Thank you, New Jersey.
Elektronische musik
One of the biggest finds in total Kraut electronic underground in the recent years. Crack in the Cosmic Egg asks: Does this exist? Yes it does! A Student of Eimert, Reinhold Weber produced several records of his own, two between 1969 and 1971, both of which are total weird and wild electronic, handmade, pre-synthesizer. Topped with crazy German language monotone lyrics. For fans of Cluster, Eimert, Stockhausen and people generally interested in the weird side of music. The second LP of his will …
Un Peu De Neige Salie
Guenter's assiduous compositions favor extremely subtle variances in electro-acoustic crackle, subsonic rumble, and subliminal frequencies exploring the limits of the audible spectrum through invisible digital edits. The title of his landmark debut album, released in 1994 and reissued through Table of the Elements in 1996, translates as "a little dirty snow," an apt description for Guenter's naturally impressionistic minimalism. UN PEU DE NEIGE SALIE opens with "Untitled I/92," a degenerating ma…
Natura renovatur
Giacinto Scelsi  (1905-88) has featured prominently in my music writing life for a decade and a half, ever since I wrote  Discovering Scelsi  on my first computer for Piano Journal (Oct. 1986), one of the first UK articles about this fascinating and elusive composer.There are particular reasons why the Scelsi CD in the latest, indispensable batch from Kairos prompted a trawl of my files. Scelsi applauded my analysis of his piano music and we had a cordial correspondence, after which I met him tw…
3 Compositions Of New Jazz
The mid-'60s formation of Chicago's musician collective, the Association for the Advancement of Creative Musicians (AACM), proved a watershed event for jazz, providing a springboard for some of the next few decades' most influential performers, including the Art Ensemble of Chicago, Muhal Richard Abrams, and Anthony Braxton. In many ways, Braxton's Three Compositions of New Jazz is that movement's manifesto. Seeking a new degree of abstraction and purity, Braxton opted to eschew drums or bass on…
The Sea swells a bit...
Aidan Baker is one of the most important emergent artist of the last years...! Probably this is the most important "musical" Aidan Baker release..., in fact here the sound is comparable to the best (obscure) psychedelic post-rock releases including great droning, hypnotic and honeiric atmospheres. Spontaneously composed by Aidan, who plays guitar (electric & acoustic), bass, tapeloops, drum machine and percussion in his droning 'fashion soup'. In this album Aidan uses (as usual) his guitar but a…
Sound Track From Film \"Mabuta No Ura\"
From the one sheet "Sound track collections of BORIS that continues activity. This album puts, listens to the novella from the sound source, & there is a concept where the image flows to the other side of the eyelid of the person who read. Chaos in the silence that can be heard w/the feedback noise & fuzz sounds & the rhythm, drone, spacey & chill out, etc. That do the sequence minimal stimulate this album listener's imagination." Umm, yeah. No real interpretation here. If you don't know BORIS, …
Oboe plus
Right at the start we are welcomed by Le sexe du noyé by Walter Feldmann, which (besides requiring exceptional technical skill) keeps a tight rein on the oboist, even as far as inhaling and minute movements are concerned. But Matthias Arter does not play the oboe only but also other members of the customary concert instrument's family, like the musette (sopranino oboe) he uses in the last part of his own composition Changes. And he has a lot more to offer even than a great variety of different p…
s/t
Recorded live at Verity's 1972, this CD represents possibly the finest duo performance of Derek Bailey and Han Bennink. Reissue of the rare LP on Incus
Sonatas & Inteludes
The sonata originated in the Baroque as a small, one-movement form, which nevertheless already contained the core of the sonata to be later developed and composed in elaborate detail by the Viennese Classics. In his Sonatas and Interludes John Cage stuck to the concise, one-movement form, thus establishing a link to Scarlatti and Bach's preludes as well as to Chopin's Préludes and Satie's piano pieces. Other than many of his later, freer works, these small but complex gems are fixed and noted do…