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Limited to 400 hand-numbered copies! Helm is the ambiguous solo moniker of London-based sound architect Luke Younger. Although, perhaps best known as one half of the pioneering avant-drone outfit Birds of Delay, it is in the more esoteric work of Helm that Luke's art takes on its most radical shape. Using processed piano, Casio MT-40, cymbal and guitar strings Cryptography steers the Helm sound through a melange of fringe territories: glacial drone meditations, reconfigured gamelan cluste…
RESTOCK! Limited to 500 copies with a numbered postcard insert, this a beautiful LP by the C. Heeman duo project with Af Ursin's Timo Van Luyck was started in 2004 and has produced two albums so far, the self titled first album (Some fine legacy) and Open Air (Robot), presenting yet another facet of Heemann's ideas of textural electroacustica, this time with a focus on improvisation.
In the Djebala foothills of the Rif Mountains in northern Morocco is the ancient village of Jajouka. For hundreds of years music has poured out of that village, music by the world’s only “4000 year old rock band” (William Burroughs), the Master Musicians of Jajouka. For hundreds of years the Master Musicians were the musical group of choice for the princes of Morocco, but they were not heard outside their native soil.Fast forward to 1950, Morocco, free of French and Spanish colonialism, is alive…
"Hype Williams have cultivated a sublime aura of mystique around their heady sound with only a few 7"s and an almost-mythical LP for Carnivals. Ahead of a forthcoming HiT EP, their latest, 'Find Out What Happens When People Stop Being Polite And Start Gettin Reel' is one of the most highly anticipated albums of the year, a 24-minute portal into their hypnagogic vortex. If you've checked their warped videos on youtube or picked up the 'Do Roids And Kill E'rything' 7" you'll have a good idea what …
Gate is the long-dormant alias of The Dead C's Michael Morley, who releases A Republic Of Sadness as the first Gate release in over ten years. The New Zealand avant-garde lynchpin is on tremendous form for this record, creating a dreamlike procession of slowed down loops, heavily treated vocals, jarring electronic textures and even beats. The first two tracks prove especially powerful, with 'Forever' elegantly crackling through a swathe of string sampling while pitched-down vocals utter…
Black Rose Recordings are proud to present the exceptional new album by Asmus Tietchens. Corrosion is a degradation mechanism. It is an insidious process often difficult to recognise until deterioration is well advanced. Are these new pieces a comment on the current state of noise music, serious music or both? As a pioneer of electronic composition his work spans over three decades and doesn't fit easily into any one category. Early recordings ranged from experiments with tape machines and elect…
The Curfew Recordings were made at a disused industrial site on the river Tyne in 1984 and feature John Smith (then publisher of Interchange magazine), Sean Dower (ex Death Magazine 52 & later of Bow Gamelan Ensemble) And John Mylotte (of the band Metgumnebone). The recordings were made inside a 10m tall and 26m wide, steel-plated cylindrical, structure, once used for bitumen storage. The instrumentation is acoustic and the recordings are unprocessed (the space however adds a remarkable reverb).…
a great album pulled out of the stream of time (1983-1985). They have never been on record or on air (nevertheless, some have been released on international cassette-compilations in the '80s). Back then they called it "primal industrial-punk".
This one was their second album in 1975, featuring Richard Pinhas from Heldon and the most electronic effort of Lard Free. We can't hear bass guitar here anymore. The instruments on this item are mostly synths, in addition yet piano, drums, vibes, guitar - and clarinet as the first time guest on the recordings of LF. And the trips are longer (two LP-side-long trips here) than on earlier stuff. We can understand approaching to more meditative and athmospheric electronics with urbanis…
Kye is proud to present Inland, the new LP by Clapton-based Astor. Advancing the cause of 2012's 'Alcor' LP, 'Inland' finds Mark Harwood and sometime collaborator Maja Larsson further complicating reason with dark and circuitous audio constructs. Inland' is sonically conceptualised through the meticulous choice of instrument used: ranging from an array of bells, gongs and ethno-percussion, alongside petrified piano melodies and a grinding organ. Accordingly, this is complemented by the use of T.…
In January 2011 Mark was invited by Erik Wiegand (aka Errorsmith) to make some presets for his new software synthesizer which he was building for Native Instruments. After developing about 40 sounds*, Mark decided to rework his UL8 project by extending the pattern generating systems used in its construction, which he then connected to the sounds produced in Erik's synthesizer. The result is this double 12" single, featuring 9 tracks and a remix from Mark's friend and colleague Mat Steel. …
Their 1978 debut EP, No Tears, was recorded with vocalist Winston Tong and sound engineer Tommy Tadlock. Replete with tense synth swells, devastating live drums and a psychotic ode to the "creatures of the night," the title track is a crucial entry in the synth-punk canon that stacks up next to the best work by UNITS and THE SCREAMERS. Reininger's electric violin congeals with electronic atmospherics to unnerving ends on the instrumental "Litebulb Overkill." Few records do justice to the mania a…
In the year since Luke Roberts recorded his debut Big Bells and Dime Songs a lot has changed. Luke now owns a guitar (a Collings 000 2H model) that his sophomore album was written on, he has moved from Brooklyn to Montana to Nashville, his childhood home, and the songs were written over a long period of time in his Brooklyn apartment (as opposed to largely on the bus down to the studio on the debut). The combination of changes made a significant and noticeable impact on the songwriting an…
Restocked, now out of print: Pakistani-born musician Ilyas Ahmed traffics a sound that borders on the folk/drone/raga/rock axis, one that Scottish critic David Keenan has called “gone”. Currently residing in Portland, OR, Ahmed has released recordings on Time-Lag, Digitalis, and Root Strata. He is known to perform live with Honey Owens (Valet) and Jed Bindeman (Eternal Tapestry, Heavy Winged) and his recent recordings have featured Liz Harris (Grouper). He first appeared in the Fall of 2005 with…
Founder of the Steel Cello Ensemble (1970s) featuring various players over the years. The music was produced on steel instruments like the Bow Chime or the Steel Cello that were built by Rutman himself. Among the musicians he collaborated with were Rudi Moser (drummer of Die Haut and Einstürzende Neubauten), Matthias Bauer and Carsten Tiedemann. This is a recording of a concert by Robert Rutman and his steel cello's recorded at a Berlin Art Gallery. If you are unfamiliar with the Steel Cello Ens…
Recorded at Studio GOK Sound, Tokyo April 7 2010 by Hamamoto Yohei.Produced by Masami Akita and Lasse Marhaug. Cut by Rashad Becker at Dubplates & Mastering, Berlin. Cover design by Lasse Marhaug. Masami Akita and Lasse Marhaug have been working together since the mid 90ies. The first release on Marhaug's (now deleted) label Jazzassin Records in 1995 was the First Rock split single. In 2001 Merzbow and Jazzkammer (Marhaug's project with John Hegre) released a live album. Later, Akita and…
Mindblowing pure droney nectar limited LP, very last copies around..."Beautiful artwork can be the gateway to a promised land of sensual delights and aural ecstasy. This is a perfect example of that collision. Recorded at home for the famed Resonance 103.3 FM and broken into two parts for the record, Kerflooey consists of two multilayered, well-crafted sonic drone actions of subtle, beautiful, and haunting densities. Ian Nagoski takes the listener on a reworked journey through his previ…
RESTOCKED *Bit of a departure for the Old English Spelling bee, embracing scenic dubbed-out tapestries described by the label as a cross between Burial's sample-strewn claustrophobia and Ennio Morricone's spaghetti western scores...* The Olde English Spelling Bee label has lit up our week with this incredible debut from Forest Swords. Nope, we've never heard of them before either, but they're only based down the road in The Wirral so we'll send them a thank you message via carrier pigeon o…
The 1978 release of Corwood Industries Ready For The House, began one of the most compelling, disturbed, and singular legacies in musical history. In the 30 years since this unique debut, Jandek has released 53 albums of mournful, atonal music that continues to defy classification and accessibility. And while the past three decades of intense productivity have yielded a depth of discussion, a handful of legendary live performances and even a film documentary, no amount of time or experien…