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Recorded in ann arbor in 1975, this long lost destroy all monsters gem features the group as a sextet (mike kelley, jim shaw, cary loren, jeff fields, kalle nemvalts, and john reed). missing are the lovely lyrics and goth scrawl of niagara but in her place we see the collective brainstorm through 30 minutes of an underground music/non-music and b-culture genealogy that is unmistakably destroy all monsters. a melted mind, reconstructed with duct-tape, bent circuits, saxophone drips, and fuzz that…
Massive new album in an edition of 300 copies from the duo of Karen Constance & Dylan Nyoukis: The Larval Tuning Fork consist of two side-long works judiciously edited and put-together with an easy/impenetrable logic from live shows and performances across the globe. Much of this is on the minimal side as is the contemporary Blood Stereo style, with plundered conversations and small-scale clatter and drone put to the service of long blanks of almost hypnotically monomaniacal accumulations…
Last copies...180 gram orange vinyl with gold mixed in, cover by Mike Rudolph. Recorded on 11/04/04 and 3/13/05 by Mike Johnston & Dennis Gonzales. Dennis Gonzalez (trumpet, percussion); Faruq Z. Bey (tenor, alto sax, gong); Mike Carey (tenor sax, bass clarinet); Skeeter C.R. Shelton (tenor, soprano sax); Mike Gilmore (vibes, marimba, saz, tamboura); Mike Johnston (bass, percussion); Nick Ashton (drums, percussion). 3rd vinyl release on Qbico by this great ensemble. Here, as a septet with specia…
long deleted, very few availabe...Many if not most of Derek Bailey's fans (I was going to write "hardcore fans," but aren't we all?) will be surprised at the existence of these extremely early solo recordings, originally issued by Incus back in 1973. Even for a label as unorthodox as Incus, the TAPS represented a unique but very short-lived experiment in "marketing"; basically, Derek decided that it would be interesting, cheaper, and "less formal" to issue some of his favorite recent solo improv…
Rag captures the best from a series of freely improvised meetings between saxophonist George Cartwright and percussionist Davu Seru, recorded at various Minneapolis venues over the course of 2009. Cartwright – longtime leader of Curlew, and owner of a musical c.v. which includes Ornette Coleman, Half Japanese, Alex Chilton and Loren Mazzacane – can be restlessly melodic or jaggedly guttural on the reeds, although his bedrock lyricism is never far from the surface. Seru’s playing is a tr…
Kranky manage to sieve through the muck and pluck out another breathtaking album, the debut from Autistic Daughters - a collaboration between Dean Roberts, Werner Dafeldecker and Martin Brandlmayr (Radian). Those of you out there (and there are many) who revere Talk Talk’s ascent into heavenly climes with their “Laughing Stock” and “Spirit of Eden” albums will immediately find themselves seduced by this project’s wondrous effervescence. Except whereas Talk Talk emerged from a pop-focused univers…
250 copies, vinyl limited edition. 'Some days everything goes wrong. Some days sky is always grey. Some days lovers goes. Some days the disease focuses on friends, other ones pass away. Some days life is hard to live. When everything happens at the same time, the same summer, it could be called a Dark summer. Summer 2006 was a Dark summer.' Thierry Müller. Rough improvisations (guitar and/or bass - 1 or 2 takes) recorded by Thierry Müller in summer 2006
*restocked* Recorded from 2009-2011, during which time Caboladies members Eric Lanham and Chris Bush relocated from Kentucky to Chicago, Renewable Destination constitutes the duo's most refined and focused work to date. Both as a collaborative unit and under solo monikers Carl Calm and Flower Man, Lanham and Bush have produced a wealth of limited-run releases in recent years on labels such as Arbor, Dekorder, Digitalis, and their own Smooth Tapes imprint which document their uniquely fractured s…
Earlier this year we all fell in love with the absolutely killer (but sadly ridiculously limited) 'Twisted Stems' 7" from moody Londoners Guapo, and now we have the perfect accompaniment. Aethenor is the project of Daniel O'Sullivan (of Guapo), the prolific and omnipresent Stephen O'Malley (Sunn o))), Khanate, KTL) and Vincent De Roguin and between them they have managed to lay down some of the most earth shatteringly atmospheric and cinematic soundscapes this side of Earth's incredible 'Hex' al…
Another highly sought-after pressing from the Olde English Spelling Bee, this time from Christelle Gualdi aka Stellar Om Source, featuring Daniel Lopatin aka Oneohtrix Point never* Intrepid sci-fi soundtrack-y synth excursions from the mind of electronic visionary, Christelle Gualdi aka Stellar Om Source, collated by the good folk at Olde English Spelling Bee. 'Trilogy Select' is essentially a directors cut of tracks taken from Stellar Om Source's trio of self-released CDr albums made bet…
Suishou no Fune originated in Tokyo's fertile psychedelic scene. After landing a spot on PSF's Tokyo Flashback 5 and releasing Where the Spirits Are in 2006, the group ventured out from Japan and took every opportunity to play across the United States and Europe. During one of these trips in the spring of 2007, the group-- down to the crucial duo of Pirako and Kurenai-- went into a recording studio for a few days and laid down these massive new tracks. Prayer for Chibi might be the ultimate Suis…
With a treasure trove of analogue, swirling effects, arch songcraft and a sweet yet assured vocal delivery, Trowel & Era brings to the table the epic debut long player by the one man band Apothecary Hymns (AKA Alex Stimmel). Stimmel has made a collection with one foot in kaleidoscopic coastal loner psych that floats on a musical bed of whimsical levity and another foot rooted firmly in the grand ethos of east village troubadours of the mid 60s." Alex Stimmel: acoustic & electric guitars 6 & 12 …
I met Richard in 2004 on a crazy tour in Australia (Oren Ambarchi's last What is Music?). He was a founding member of The Sun City Girls but he came out to play solo. Instantly we were entranced by his playing, so many beautiful elements of why I love guitar come through in his music and presence, without floating around in genre space at all. Here on the road with Kevin Drumm, Dead C, Residents, Gang Gang Dance, Black Dice, etc amongst this insane lineup Richard ended up supporting Pan S…
Ben Chasny (COMETS ON FIRE) might beat you if you call his solo work folk music. Hypnotic, mesmerizing, full of rough edges & elliptical turns round & round. First studio record from the highly prolific Chasny, joined by free-jazz sensation CHRIS CORSANO on drums & absolutely no computers. Chasny says "I see my music as being much more from the underground class of '92 than this folk scene...it has the same rock to folk quotient as Zep 3...Rock is the new folk & folk fucked rock without the reac…
For his first time ever release on vinyl Kazuma Kubota delivers a masterpiece of composed cut-up noise. Field recording, harsh noise and silent mixed together for a unique composition. Require multiple listenings to understand the beauty inside in this work. 140 gr vinyls, black inner sleeves, printed label, deluxe 330g ultra white paper. 100 copies.
Live at the Hint House might be considered a field rec. in as much as it is a recording of an ambience or soundscape. Made on my first ever trip to mainland America to play music this is the 2nd set of that evening, the 1st set had been an acoustic one of songs and slide guitar. At the start of the 2nd set i quickly realised that my guitar was not working and rather than stop and attempt to find out what was wrong i decided to just continue and improvise with what was at hand on the table …
Germany's answer to Daphne Oram or Raymond Scott - or more likely an elaborate wind-up perpetrated by Jan Jelinek, on whose Faitiche label her "archive" recordings sporadically appear - Ursula Bogner is back. Whether or not it's Jelinek behind the Bogner corpus (and I think by now we know the answer to that), there's no disputing the consistently brittle beauty, dizzying complexity and easy charm of her radiophonic constructions. You certainly get a lot of Bogner for your buck on Sonne = …
Mind Over Mirrors might not be a familiar name to most, but the brain behind the project, Jaime Fennelly, has been involved in numerous acclaimed and respected projects over the last few years. Primarily known for his work as an integral member of Peeesseye, he's also involved with Acid Birds, Manpack Variant and Phantom Limb & Bison. The Voice Rolling is his first solo record in five years and the first under this new moniker.First and foremost, this is a harmonium record and that's important t…
Performed by: Psychatrone (synth), Brian Turner (guitar). Recorded 1996 live to tape. One side is a synth/gt duo with WFMU's boss Brian Turner, while side B is a solo synth. Both tracks recorded in the mid-'90s. Psychedelic waveforms with a freeform sound that grows on you... subtle and mesmerizing.