We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
** 2021 Stock ** This is the first complete recording of Walter Zimmermann’s string quartets. The 10 Fränkische Tänze, from the project Lokale Musik (Local Music) explore the folk music of Franconia in Germany. They are built on research of old peasant books of dances, some dating back to the early 19th century and the beginning of the notation of folk music. The many dance melodies including waltzes, Schottische [German polka], mazurka, galop etc. are captured, rejected and presented in just in…
John Cage’s vision of the future of music was first shaped by an intense creative period from 1935-1942, when he wrote many of the seminal works of percussion chamber music featured here. When he composed these works, the young Cage was basically the same age as the members of Third Coast Percussion. This release includes all three of the groundbreaking Constructions. First Construction (in Metal) utilizes dozens of metal instruments which are beaten, scraped and shaken, creating an other world…
Until Spring was first conceived in 1975 on the Buchla synthesizer using only analog techniques. “It was about 10 years from Silver Apples to Until Spring,” Subotnick explains, “and I’d evolved a whole concept and a technique, but I had gone as far as I could go with it. I could do everything I wanted to do, but I couldn’t do it in real time.” As computers and software developed in the coming decades, Morton Subotnick created a software-based instrument that he felt could allow him to compl…
This is Luc Ferrari’s second disc for Mode and it features three pieces from different periods and for different ensembles, two of which are first recordings. “Visage 2” is for brass and percussion and was written in 1955-56. This is an early work for Ferrari and it is informed by his study of serialism at Darmstadt, yet is based on the confrontation between two sexual bodies (note the lovely nude woman on the cover with Ferrari as he looks over his composition on the page). The music itself is …
“Hispania “Triptyque pour piano” (1939). Suite No. 5 “Il Circo” (1935). Suite No. 6 “I Capricci di Ty” (1939). Stephen Clarke, piano. Mode’s Scelsi Edition continues with the fourth volume devoted to his piano works — three first recordings of major, large scale works from his early period of the 1930s. The piano plays a role of undeniable importance in Scelsi’s life and work. From 1930 to 1941, and again from 1952 to 1956, the composer produced an enormous repertoire for the instrument, includi…
The release of this CD celebrates Aldo Clementi’s 75th birthday in 2010. Clementi is one of the remaining living composers of the Italian avant-garde generation, which included Berio, Nono and Maderna. Clementi’s works for flute (including works for multiple flutes and flute with tape) are performed by one of his long-time collaborators, Roberto Fabbriciani – some of these works were written for or dedicated to him. Many of these works utilize Clementi’s signature explorations of the canno…
Ulrich Krieger completes his A Cage of Saxophones survey of Cage’s works composed for, or which can be played on any instrument or instruments. For this volume, Krieger combines works specifically composed for saxophone with works of no specified instrumentation that are suited for saxophones and winds. Most of these are “indeterminate”works, which require the performer to create the realization based on materials supplied by Cage. In some situations, Krieger used Cage’s compositional “tools” …
Xenakis Edition Volume 10 - Complete String Quartets. On Surround Sound DVD only:The studio recording process was dynamically captured by a multiple camera shoot. Each quartet is given its own visual treatment. Filmed in High Definition Video, widescreen format. 48khz-24-bit high resolution 5.1 surround sound recording. 'Tetras' (1983). 'Tetora' (1990.) 'ST-4-1,080262' (1956-62). 'Ergma' (1994). The Jack Quartet: Christopher Otto and Ari Streisfeld, violins. John Pickford Richards, viola. Kevin…
Laurel Karlik Sheehan gave the Canadian premiere of Two2 with Jack Behrens in 1990. Rob Haskins is a respected John Cage expert and scholar. Together they bring an authority and expertise to this performance of Two2. In most of the Number Pieces, all the performers have some freedom through Cage’s use of time brackets, flexible measures that show a range of possible starting and ending times. The time bracket system of notation used in these works allows a certain amount of flexibility in the p…
* 180g, double LP on Black Vinyl in gatefold sleeve* Remastered by Dierks/Flüchter. Walter Wegmüller (1937 - 2020) was a Swiss-Jenish artist who grew up in difficult circumstances in Bern. After training in Basel, Bern, Paris and London, he began his artistic career. In addition to painting and sculptural works, Walter Wegmüller occupied himself with the entire spectrum of art. He gained widespread international attention, especially from 1974 onwards, with the publication of his "Zigeuner Tarot…
Asking is a large-scale work for piano solo that is a meditation and reflection on all of the meanings of the word “Asking”. Asking was specially composed for Eve Egoyan.
The first recording of John Cage’s large scale composition for 3 recorder players. The Trio Dolce wrote Cage for permission to perform Solo with Obbligato Accompaniment on three alto recorders, one octave higher than the prescribed range. In a letter from March 1987 Cage replied: “Of course you may use the 3 alto recorders. I am glad that you are playing that piece.” They performed it on July 1988 with Cage in attendance. Cage’s enthusiastic reaction to this performance encouraged Trio Dolce t…
Roger Reynolds’ (b.1939) music is a bit of a paradox: intimate in detail, while on a broader scale it is epic. It fits well with the music of his friends: Toru Takemitsu and Iannis Xenakis. The three works on this disc were composed over a four-year period (1987-1990). All are first recordings, and the first complete disc of Reynolds’ orchestral music. Symphony[Myths], dedicated to Takemitsu, is for large orchestra: woodwinds in fours, piano, harp and an extended percussion section. It is see…
Like his near contemporary Franco Donatoni, Aldo Clementi (b.1925) is an Italian composer who has had a very fruitful association with that most Italian of instruments, the guitar. Both Clementi and Donatoni shared similar paths in their compositional development: the early influences of major early 20th-century composers through the adoption and later rejection of serialism and the Darmstadt courses they both attended, culminating in their very individual mature styles. Clementi's recent pieces…
Earle Brown first encountered the work of Alexander Calder in 1948, whose mobile sculptures Brown saw as a visual embodiment of the variable (impermanent) aesthetic that he was striving to create. This Calder aesthetic stayed with Brown throughout his several stylistic shifts. Whether he was writing twelve-tone serial music (Music for Violin, Cello, and Piano), conceptual graphic scores (Folio and Four Systems), composed material open form scores (String Quartet, New Piece and Tracer), or sponta…
Gavin Bryars' music, post 'The Sinking of the Titanic' and 'Jesus' Blood...', is well known and often performed today. Less known are the earlier works featured on this cd, created during the years 1969-71. At that time, Bryars became associated with Michael Nyman, John Tilbury and Brian Eno - marrying ideas from Cage, Fluxus, free improvisation and experimentalism. Some of the works recorded here appeared on Eno's avant-garde Obscure label in the mid-1970s. In 1, 2, 1-2-3-4, the musicians liste…
A performance for camera person and light, One11 is a film without subject. There is light but no persons, no things, no ideas about repetition and variation? Chance operations where used with respect to the shots, in black and white. The light environment was designed and programmed by John Cage and Andrew Culver, as was the editing of the film.The orchestral work 103 musically accompanies One11. Like the film, 103 is 90-minutes long, divided into seventeen parts - its density varies from solos…
"The first recording of his 32-minute grand cantata 'La Nascita del Verb.' Steeped in chromaticism, with hints of Scriabin and a sea of percussion, 'Nascita' boasts a vast double fugue (one of the most imposing in the history of music) and a forty-seven voice canon in twelve keys. This work, 'truly written in blood,' left Scelsi 'in a deplorable state, afterwards he stopped composing for several years. One of Giacinto Scelsi's infamous pieces are the 'Quattro Pezzi (su una nota sola).' Ear piece…
This is Pape's third monographic CD with Mode Records. Whereas his last Mode CD ("Electro-acoustic Chamber Works", released in 1998) presented his ground breaking works of 1993-1996, this new CD presents a selection of his more recent pieces composed from 1998 to 2004. While Pape continues his fascination with composing with chaotic sound in Le Fleuve du Désir IV and Weaveworld Prologue, it is his new approach to composing with packets of granular time that predominates on this CD. In La Na…