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Back in stock. Released: 1997.Jim O'Rourke is a rarity: a genuine bridge between the avant-garde and the underground. From his production work (Smog, Wilco, Faust) to his own freewheeling excursions as a solo performer and member of outfits like Gastr del Sol and Sonic Youth, his work continues to bring the out there in here. Happy Days pits a lone guitar against a phalanx of hurdy-gurdies, a decided shift away from the composer's electronic-based work. A roiling hornet's next of activity that F…
Long deleted, originally released by Columbia Records on March 1970, “ Kokotsu / Ecstasy” is here re-released for the first time. Sonic-wise, the disc unleashes a whirlpool of Latin styled mondo -sexploitation sounds that get spiced up with feminine breathing and respiration sounds, moaning and hissing, igniting a maelstrom of assorted eroticism and sexual depravity. In all, it resembles a caged vixen engaged in sexual intercourse, hatching out cries, moans, sighs, words and other sounds such as…
Collected here are three radioplays from three Fluxus affiliates, Philip Corner, Alison Knowles, and George Brecht. Each piece is built from a simple element and features a text recited by the author and sometimes others. Corner's piece is an homage to Erik Satie, built from a sparce two chord piano figure and a recitation that teeters along the stereo field. Knowles' piece, which she delivers along with Brecht, Hanna Higgins, and Jessica Higgins, is built from a long list of bean names on top o…
special price offer: Opus 3.1 consists of 20 tracks divided into five acts. Each cut--or scene--represents a different percussion instrument. Some are quiet, others cacophonous, but even the slow, stark resonance of a ringing gong maintains a sharp level of intensity. The sole drawback is inconsistency: After being soothed into a reflective trance state, the listener is occasionally jolted by the strident opening clang of the subsequent cut. Ghost Stories, a 1-track, 68-minute live recordi…
German percussionist and Guru Guru founding member Mani Neumeier on drums, percussion, tapes, trombone, vocals, steel drum, Gamelan & radio. Swiss improviser Luigi Archetti on guitars, bass, tapes & mandolin. Totally flipped out rock/improv hybrid that is quite effective.
Giacinto Scelsi (1905-88) has featured prominently in my music writing life for a decade and a half, ever since I wrote Discovering Scelsi on my first computer for Piano Journal (Oct. 1986), one of the first UK articles about this fascinating and elusive composer.There are particular reasons why the Scelsi CD in the latest, indispensable batch from Kairos prompted a trawl of my files. Scelsi applauded my analysis of his piano music and we had a cordial correspondence, after which I met him tw…
In 1988 the first issue of these recordings of Gran Torso and Salut für Caudwell was awarded the Preis der Deutschen Schallplattenkritik (German Record Critics' Award); and neither compositions nor recordings have lost any of their value up to today. In Gran Torso, Lachenmann tried to explore the “mechanic and energetic conditions of sound production”. This resulted in singular, unusual sounds which simultaneously exploded the barriers of audibility, playing technique and sound as such. The guit…
Airforms was first presented at the Scottsdale Museum of Contemporary Art [Scottsdale, Arizona] in April of 2004. The work was inspired by a group of experimental houses designed by Wallace Neff in the 1940s using a process he called airform construction. The houses were built by spraying concrete over an inflated balloon structure. Inspired by the nautilus sea shell, the houses were an investigation into the aesthetic possibilities of structures formed by air, and the psychological effects of l…
the long awaited SIGILLUM S 20th anniversary album: this is the digipack CD and a limited edition gatefold double vinyl , with different track lists and sequences for each format (some tracks are on both formats, while others can only be found either on CD or vinyl).
Edition of 350 numbered and signed copies packaged in deluxe gatefold sleeves. A CD edition of what every DANIEL MENCHE fan considers his finest work to date. Remastered and expanded with a bonus album Sunder, a follow up to Deluge. Deluge & Sunder is actually a surprising departure from previous explorations by Mr. Menche as the tones are generated by real live instruments (bass guitar, accordion, piano and melodica) as played by a real live Menche. The rumbly counterpoint that so well defines …
At 7pm on a cold Tokyo evening in January 2002, Taku Sugimoto met Mark Wastell at the exit to Yoyogi underground station. Taku had with him his acoustic guitar and a cello that Mark was to use for that evenings concert. They walked the short distance to Offsite, more or less just around the corner. Once inside, Mark began to change the cello strings and Taku started to arrange the recording equipment. Tetuzi Akiyama and Toshimaru Nakumara arrived shortly after and busily set about install…
Music for a Summer Evening (1974) is the third part of the "cosmic drama" Macrocosmos, which investigates the relations between the innermost human soul and the vastness of the cosmos; relations that also determine the temporal, dynamic and tonal dimensions of the composition. Its immense material extravagance is reflected by a range of some 70 percussion instruments; in addition, the two pianists are required to perform a variety of different techniques, such as pizzicatos, flageolets, etc. A s…
JanuarY 2004. Two years after the highly acclaimed album “Rose-garden", the portables come up with their second full length. “Girls Beware!" starts where their previous album ended. De Portables developed a cult reputation during the years, mainly because of their many intense and always different performances. Against all recent trends, standards and expectations they do their thing; they play because they like playing. The quartet twists themselves during 11 songs a way between pop, post-rock …
The three cultures at the center of the songs on this recording make a joint appearance in the finale of the Siete cantos de España. They are formed into a unified whole in Ensalada, as the soprano and the baritone begin singing together texts of Castilian, Sephardic and Arabic origin. The poems’ subjects are love, agony and death; and in order to bring them to life Halffter requires a large orchestra of about 100 musicians and two soloists with the baritone singing Spanish texts and the soprano…
Shifts is Frans De Waard. Famous for his ground-breaking releases on his own Korm Plastics/Bake/Microwave labels (all available as CDRs) and his work for Staalplaat (which he didn't found, contrary to popular belief) and from a thousand other projects as Goem, Beequeen and Kapotte Muziek. Shifts produces another angle of De Waard's minimal music. The guitar is the source of Shifts. After a string of 7"s, 10"s and 2 CDs, we are proud to say that Mechanica is one of his best. The album is a contin…
Drop the usual children's opera platitudes, add a liberal measure of cheek – result: a smart musical comedy, young and saucy, just like the brave little people that go about their business here. Do the children today know at all what this fairytale is about? Well, if they don't, Wolfgang Mitterer will bring it home to them, with just a few characteristic instruments: double bass, samples, synthetic sounds. Elisabeth Rombach as the little tailor takes to the road boldly and merrily, parading the …
An exhibition companion compilation to SFMOMA's 2003 listening room program 33 RPM: 10 Hours of Sound From France, curated by Laurent Dailleau. 33 RPM's Compact Disc companion features compositions from Kasper Toeplitz, Kristoff K. Roll, Jean-Claude Risset, Lionel Marchetti, Christophe Havel, Laurent Dailleau, Mathieu Chamagne, pizMO, Jean-Philippe Gross, and Mimetic. Comes with a 24 page booklet and original program details.
The Thing pretty much tore my living room to shreds on the release of their last album 'Garage' with its rock 'n roll take on free jazz. Their rendition of the Yeah Yeah Yeah's 'Art Star' especially defined their sound perfectly with a distinctly punk rock ethic applied to what to most sounds like truly out-there jazz. It's hardly surprising that the band is made up of Norwegians then, the country that has birthed some of the most continuously exciting free jazz to date and continues to with lab…