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2025 stock This album at hand by prolific legend Martin Denny is the one which gave a name to an entire genre. Released for the first time in 1956, “Exotica” does have more than just a historical importance. The songs are all outstanding. Based on jazz and folk this is an early example of mind altering music , because the album sets you in a dreamy state with all its haunting melodies and the sound effects that remind of wild animals in the jungle trees. The rhythmical base is rooted in Latin mu…
2025 stock ** "Released not recently for the underground 'Jumbo' Dorgon y su grupo will make us discover and feel no longer a solitary and difficult Dorgon or immersed in impromptu and meticulous 'two-up' experiences. Accompanied and supported for the occasion by Curtis Hasselber (guitar and trombone), Ted Reichman (accordion), his partner Laura Cromwell (drums) and Matt Moran (vibes), this phantasmagoric figure of 'metropolitan minstrel' will confirm his multifaceted soul and desire to push him…
1994 release ** "For this recording of nine improvised compositions by CCMC, the group has culled the best of a series of recording sessions of "spontaneous music". Snow likens this type of music to photographer Cartier-Bresson." Paul Dutton, John Oswald, Michael Snow, Al Mattes, John Kamevaar, Jack Vorvis."
1993 release ** "With its rich blend of elemental rhythms, mutated voicings and expanded fourth world tribal spaces, Forgotten Gods succeeds admirably in the quest for an improvised spacemusic. Like jazz, you can listen to each of the players and consider their moment-to-moment artistic choices. Like avant-garde work it achieves something wholly new, yet it also manages to satisfy the tonal, rhythmic and textural demands common in other forms of polar music. That's not bad for starters, but unde…
2025 stock ** "The present recording, recorded in a studio by an ensemble of first-call freelancers led by two ideally sympathetic conductors, Eric Wubbels and Taylor Ho Bynum, provides eloquent evidence of what Laubrock has achieved. Both of her orchestral pieces – Vogelfrei, with its variegated textures, animated rhythms, swooping vocals, and inexorable momentum; and Contemporary Chaos Practices, where four instantly distinguishable soloists (Mary Halvorson, Davis, Wooley, and Laubrock herself…
1996 release (RARE) ** "This encounter between Japanese mystic guitar/hurdy gurdy/percussion and voice demon Keiji Haino (leader of the power rock trio Fushitsusha) is a free for all of textured noise and plucked and bowed notes -- screaming, yelling, hollering, and percussion-like sounds that have nothing whatsoever to do with rhythm. In fact, to be perfectly honest, it is quite difficult to find a language in which to review a music that has no linguistic precepts at all. When Haino is screami…
2002 release ** "It is difficult to think of this as anything but pure joy, although in some ways it is less intense than other releases led by the remarkable violist Mat Maneri and it is stamped with a cerebral quality from the start. There is a surprisingly charming density, too, that comes through on most tracks, though as with most of his work, there are few if any melodic references but instead a focus on color and sound. Maneri carefully paces himself and the quintet so that every note cou…
1991 release ** "Based in Munich. Originally formed as an experimental music group in 1968 by Michael Kopfermann, its activities became morefold later on, most notably through the formation of the "PHREN-Theatergruppe" (PHREN theatre group). The name PHREN appeared in the mid-1970s, the earlier name was "Gruppe für Experimentelle Musik Michael Kopfermann" (Group for Experimental Music Michael Kopfermann)."
“Viator” is as skeletal as it is instantly recognizable. Following the inception of the unmistakable post-power electronics cubist-Latin-blues that kept Adrián de Alfonso busy during his Don The Tiger days, the first album under his own name is a ruthless step forward into a new form of avant-garde balladry, raw and stripped down, poetic yet enchanting, anchored in a sort of stubborn and repetitive primitivism, which synthesizes the future rituals of a stateless tradition. "Viator" consists main…
1992 release ** "Descriptive work comparable to film music or the story of Babar... First collective composition of the Compagnie d'Eustache by Jean-François Bovard, Pierre Cochard, Philippe Genevay, Jacques Henry, Philippe Krüttli, Jean Rochat."
First album in seven years from Maple Death Records founder James Jonathan Clancy (Italy/Canada), and the first under his birth name following previous ensembles His Clancyness (Fat Cat, Maple Death) and Brutal Birthday (Total Punk, Improved Sequence). In the interim between those projects and this latest, ‘Sprecato’, Clancy has refined and honed his vision —steadily and carefully drawing from a host of disparate influences to create a new kind of singer-songwriter album that bridges the divide …
2025 stock ** Amazing remix album by the Czech Opening Performance Orchestra. Opening Performance Orchestra using the very noisy Das Testament from 1983 by M.B. are able to make an even more abrasive and challenging work than the original. Possibly one of the best M.B. remix album we have listened to in a long time. Very Recommended! Edition of 200 copies in digipack with 8 pages booklet with text in Italian, Czech and English.
2025 stock ** Recorded in Milan (Italy) and originally released in 1975, Sea of Faces stands as one of Archie Shepp's strongest recordings of the Seventies. A highly varied program, covering Shepp's entire spectrum and performed by an all-star line-up featuring Archie Shepp - tenor & soprano sax, piano, vocals, Charles Greenlee - trombone, tambourine, vocals, Dave Burrell - piano, Cameron Brown - bass, Beaver Harris - drums, tambourine, vocals, Rafi Taha - vocals, Bunny Foy - vocals, maracas, pe…
2025 stock ** Biannually, La Muse en Circuit and the SACEM organize an international contest of radiophonic creation open to young composers. They welcome the winners in La Muse en Circuit studios, produce a CD and the public performances of the pieces for the festival Archipel at Geneva which are performed again for the festival Extension in Paris.
Topographies nocturnes by DinahBird & Caroline BouissouCouvre-feux by Floy KrouchiAll In Time by Sarah Boothroyd
2001 release ** "Another dip into the melting pot of early 70s black music - a time where latin, jazz, soul and funk mixed together and would eventually beget disco."
2009 release ** "Hacking away on a homemade system and twisted electronic tools, eRikm and Noetinger gleefully activate levers, tactile screens and joysticks with the utmost concentration. Doneda makes the air shake with acoustic vibrations. Together, they give free rein to their audio tricks, buzzing, interference, constructive feedback, electro-shocks, concrete slipping, hazed quotes, white noise, saturations and incisive scratches."
2025 stock ** "Blending two of the most unconventional voices on the planet–Ute Wasswerman and Jaap Blonk–with percussionist Michael Vorfeld, also on string instrument, light bulbs and electronic devices, Wasserman adding voice, whistles, kutu wapa, frog buzzer, and mirliton, and Blonk adding electronics; wonderfully eccentric while impressively informed and masterfully executed."