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The Field Within A Line
With his riveting performance in the inaugural Sequesterfest online festival in April 2020, Ken Vandermark inspired the Black Cross Solo Sessions.  Already in the early days of lockdown, making good on the promise – or threat – of protracted off-road time, Vandermark had dedicated himself to the creation of a new book of works for solo reed instruments, which he debuted that day.  The result of this watershed moment for the Chicago-based improvisor and composer was a body of works that reassert …
Charivari
One of the architects of No Wave with his band DNA, a pioneer of noise guitar, sublimely inventive producer, and slinkily seductive songwriter, Arto Lindsay has worn countless musical hats. Invited to make a solo record for the Black Cross Solo Sessions, Lindsay boiled it down to essential ingredients, waxing a collection of bristling new songs and works for solo guitar; on six of a baker's dozen tracks, his angelic voice offsets the bracing dissonance of his acidic electric. Recorded at studios…
Three Nails Left
Corbett Vs. Dempsey present a reissue of Alexander von Schlippenbach Trio's Three Nails Left, originally released in 1975. One of the all-time great records of improvised music from Europe. Period. Blisteringly hot. Uncompromisingly inventive. Staggeringly beautiful. And insanely rare. Originally issued in the mid '70s on FMP, at its core Three Nails Left features the legendary Schlippenbach Trio -- British saxophonist Evan Parker, and German percussionist Paul Lovens joining the German pianist …
Babi
Corbett Vs. Dempsey presents a reissue of Milford Graves's Bäbi, originally issued in 1977 on Graves's own IPS label. This is the first reissue of one of the most legendary albums in the history of free music. Recorded live in concert in 1976, when Graves' trio with saxophonists Arthur Doyle and Hugh Glover was at the height of its powers, Bäbi is a testament to the absolutely unique approach the drummer had established for himself. He had reconfigured the drum kit, removing the second heads on …
Roscoe Village (The Music Of Roscoe Mitchell)
Tuned metal percussion figures prominently in the sound universe of Roscoe Mitchell. Many of Mitchell's early compositions for the Art Ensemble of Chicago feature xylophone and tuned bells, and his immersive set-up known as The Cage arranges an array of percussed instruments in a circle around him, including all sorts of metallophones and gongs. On Roscoe Village, Chicago-based improvisor Jason Adasiewicz has transcribed and arranged a selection of Mitchell-penned pieces, performing them all on …
The Complete Yale Concert, 1966
For a performance at Yale University in New Haven, Connecticut, in spring of 1966, percussionist Milford Graves invited pianist Don Pullen to play duets. The two musicians had worked together in a band fronted by saxophonist and clarinetist Giusseppi Logan, with whom they had recorded two LPs in 1965 for ESP-Disk'. Graves was already a daunting presence in free music. One step at a time, he was busy transforming the role of drumming in jazz, introducing a new way of dealing with unmetered time a…
The Sum Of Our Wounds (Cassette Recordings 1973-85)
Red Vinyl, edition of 500. The archetypal Martin Rev sound – a perennial influence on generations of musicians – is most prominently in evidence in the works of Suicide, the duo he played in across the decades with with Alan Vega. However, the radical and distinctive nature of his music can be traced further back in time, originating in the base energy of rock’n’roll which the teenage Rev experienced as the ubiquitous soundtrack to his home city of New York.
Alloa
Huge Tip! The composer, percussionist and instrument builder Limpe Fuchs has spent six decades exploring the outer limits of sound and its effects on the listener. Born in Munich in 1941, Fuchs is part of a generation of German artists who sought radical new approaches to art, music and social organisation in the period following the Second World War. Alloa, Bavarian for alone. Limpe likes to be alone, because she is never lonely. When she is not on concert tours, she cultivates the garden in fr…
Point Of Departure to Compulsion!!!!! revisited
Point of Departure was an inflection point in Hill’s output for Blue Note, his penchant for formal complexity and compacted materials – which he revisited beginning in 1969 with a nonet date, tracks with a string quartet-augmented ensemble, and an album with voices – giving way to what proved to be a short-lived foray into the minimally scored pieces that distinguished Compulsion!!!!!. The two recording sessions were separated by only eighteen months, but they were among the most convulsive in j…
The Mess Is Here 1958, Revisited
Recorded live 1958 in Stuttgaert. First time on CD. Performed by: Eddie Williams, Art Hoyle, Eddie Mullens, Dave Gonzales, Macky Kasper trumpets; Louis Blackburn, Wade Marcus, Larry Wilson, trombones; Leon Zachary, Bobby Plater, alto saxophones; Andy McGhee, Gerald Weinkopf, tenor saxophones; Lonnie Shaw, Werner Baumgart, baritone saxophones; Lionel Hampton, vibraphone & piano; Oscar Dennard, piano; Billy Mackel, guitar; Julius Browne, fender bass; Wilbert Hogan drums; Cornelius "Pinocchio" Jame…
Free Fall Clarinet 1962, Revisited
Temporary Super Offer! The trio of Jimmy Giuffre, pianist Paul Bley, and Steve Swallow on acoustic bass, through their previous recordings and live concerts in Europe, had reached the precipice of complete improvisational freedom. The leap came with Free Fall. What I feel to be the more revealing and revolutionary aspects of this album, however, are to be found in the five unaccompanied clarinet pieces. – Art Lange With this release we like to celebrate Jimmy Giuffre at 100. (26. April 1921 – 24…
Venereology
Custom Color Twist Edition. The undisputed king of Japanese noise Merzbow returns, as the landmark album 'Venereology' celebrates 25 tinnitus-inducing years with its inaugural vinyl pressing! Remastered by James Plotkin (Isis, Electric Wizard, Full Of Hell, and more) and featuring reworked art, this is the most extreme recording of harsh electronic sickness you will ever own! 'Venereology' features a second LP with more than 20 minutes of unreleased bonus material. By 1994, Merzbow had a signifi…
More Lost Performances (Revisited)
"The almost five year span bookended in this particular Ayler revisitation marks, in a certain sense,  the beginning and end points of the most lasting and creative portion of his remarkable, though  sadly brief, career." – Brian Olewnick
Noisemakers[s]
*2024 Stock*  Noisemaker[s] is the catalogue for the 1999 two-part exhibition by the same title held at the Blackwood Gallery, curated by then Director/Curator Barbara Fischer. This exhibition featured artists who isolate a diversity of noise-material for specific auditory, physical, and emotional effects. The exhibition presented works by Daniel Olson, Marla Hlady, Colette Urban, and Lewis deSoto. The catalogue contains an essay by curator Barbara Fischer, and includes fourteen colour images of…
I Have Nothing to Say, Only to Show (Book)
*2024 Stock*  Natalie Czech therefore accomplishes something completely unexpected, something rarely seen either in literature or the visual arts: her works are based on experimental designs that engender something new by subsequently amending found texts, while at the same time opening up known texts—by Apollinaire, O’Hara or Brinkmann—to new readings in a fascinating way, thus rediscovering these works in other contexts, through other media, as images, through the medium of photography, and he…
2nd Session 1956 Revisited
Here is a chance to hear Miles Davis in something close to real time. Small matter that most collectors of hard bop will have these sides already and will be familiar with a particular running order. Perhaps those who have invested in the complete sessions will have a clearer sense of the continuity of these remarkable sessions, but that now familiar obsession with the burrs and snarf of the studio process may win out over musical appreciation. What happened at Van Gelder’s on October 26 1956 is…
Les Chercheurs De Sons (Book)
*2024 Stock*  "Les chercheurs de sons" have left the certainties of traditional lutherie behind them to explore the "terra incognita" of music. Invented instruments, musical machines, sculptures and sound installations: a long subtitle to reflect the diversity of approaches to this musical field as diverse as it is inventive. Thirty contemporary French-speaking musicians specializing in sound invention present a selection of acoustic sound objects they have imagined and designed. By offering an …
3 Works for Strings, Giusto Chamber Orchestra
"Each composition arises from a clear idea that the listener can grasp. That is their beauty, I’d argue – there’s no need for, or possibility of, any process of beautification. They are conceptual art in the broadest sense, but vividly concrete in their sonorous properties. So they are a paradigm of musical art – for music is an art that is abstract in form, concrete in utterance." - Andy Hamilton
Sounds Heard (Book + CD)
*2024 Stock*  Sounds Heard is not only a collection of writings intended for people who are interested or involved in contemporary music, especially those performers - including children - who lack a formal musical training. It also charts a wide cross-section of the activities of an intriguing musical personality. At different times in Hugh Davies' nearly 40-year career he has been variously described as "the world's leading electromusicologist", "the most informed person around on the general …
Workshop Of The FIlm Form (Book)
2024 Stock*. Workshop of the Film Form provides an in-depth overview of the achievements of Warsztat Formy Filmowej (WWF; Workshop of the Film Form), a group of avant-garde artists who were working at the Leon Schiller National Higher School of Film, Television and Theatre in Lodz, Poland, between 1970 and 1977. WWF was founded by the students and graduates of the school, now known as the National Film School, and included: Wojciech Bruszewski, Pawel Kwiek, Andrzej Rózycki, Józef Robakowski, Zbi…