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String Quartet II
* 2021 Stock ** During the decades following the Second World War, all eyes shifted toward New York, a city which, at that moment, played host to some of brightest creative minds of the century. Innovations were abound. Visual artists, writers, thinkers, musicians, and composers continuously pushed into previously unthinking ground. While the United States had been previously known to give birth to a wild and distinct breed of composer, from Charles Ives to Nancarrow, Harry Partch, Cowell, and b…
Vinyl Coda III-IV
The Vinyl Coda project returns to God Records for the second chapter of the Philip Jeck masterwork, originally released in the late 90s and now freshly re-mastered for this LP re-release. Philip Jeck revolutionised the world of experimental music with his pioneering turntable collage work, with his hazy and intuitive narrative of sounds that never quite head in the direction you expect. In these sets, Jeck uses a number of turntables and prepared records to create strange soundscapes in which cr…
Elements
*In process of stocking.* Since my piece Terrible Fake (Piano, Drums, 2013) and especially Darkroom (Clarinet, Vibraphone, Sampler, 2017), I've been trying to to integrate some grooves into classical contemporary idiom. Since those experiments were mostly for smaller setups, this time I wanted to transfer it into the larger one in order to get more possibilities to work with different textures and coloring within harmonic structures of clusters and chromatic movements of melodies. Constant trans…
Revue instrumentale et electronique
Gerd Kühr is a synonym for combining complexity and simplicity, modernity and “tradition”. Revue instrumentale et électronique - spatial composition for an instrumental ensemble and recorded sound in six movements – manage to cross and unite great variety of aspects of musical expression: complex, though powerful rhythmical constructions with hard accented percussion - boosted through ensemble spread in a room - and highly lyrical passages with extreme appreciation of time structured silence. Al…
The Compromise Is Not Possible
2008 release. The Compromise Is Not Possible was composed at the end of the 2004 by Slobodan Kajkut. It was commissioned by Hoerfest, a festival of contemporary and experimental music. Composed with the concept of combining contemporary techniques with heavy metal elements, the piece brings crushing guitar/drums parts with various screamings of voice, combined with silent high and low organ drones.
Differenz/Wiederholung 2
Bernhard Lang's Differenz/Wiederholung 2 is a multi-media piece for amplified ensemble, three voices and video installation. While the music is filled with rocking-and-rolling, anti-grooving sound slaps, "scored free jazz", and crippled repetitions, three vocalists present texts (including rap) from Gilles Deleuze, William Burroughs and Christian Loidl, commenting on usual repetitive human habits and its nonsense. If Captain Beefheart's Trout Mask Replica (1969) is a milestone of avant-rock, …
Terrible Fake
Terrible Fake explores rhythmic relationships between drums and piano in context of somewhat crippled art of trip-hop. It is mostly based on irregular beats in order to create kind of fragmented groove. Different characters are alsoemphasized through mostly chromatic movements of piano in different registers, producing either undefined tonal system or droning wall of sound.Terrible Dub is nevertheless a "dub" version of the piece which minimizes Terrible Fake to it's fundamentals regarding time …
Berlin Exercises
Christian Wolff on Berlin Exercises: "'Exercise' indicates relatively shorter pieces in which the process of work, of practicing and of trying things out within specified limits, in short a kind of discipline in process, are being attempted. I regard them as both exercises in composing and for performers, especially as the performers function as members of an ensemble." Your first encounter with the music of Christian Wolff leaves you with the impression you’ve just heard (or played, or re…
Linien II
The title gives an indication as to what this cycle is about: “Lines” as a catch-all phrase for melodic relationships: differently formed – from a unison melody for two instruments to counterpoints of independent voices; composed in different ways – from “calculated” proportioning to spontaneous writing; expressive in different ways – from lament to competition. If nothing else, these pieces are also a journey through all registers of the clarinet family, from Eb- and Bb clarinet through basset …
Untitled (N°7) - LP
After more then 20 years on the Viennese music map, Polwechsel could be easily considered as legendary, no matter of which constellation of the band the word is. Currently consisting of Werner Dafeldecker (Double-Bass), Michael Moser (Cello), Martin Brandlmayr and Burkhard Beins (Percussion), hey always explored the borders between structured compositions and their improvisational aspects. Hectic nature of their recent pieces, amplified through overall brilliant dynamic range, shows further st…
The Black Saint And The Sinner Lady
*2024 stock* Official Reissue in collaboration with Impulse Records! Special gate-fold edition. Recorded on January 20, 1963, by an eleven-piece band and released in July of that year by Impulse!, The Black Saint and the Sinner Lady consists of a single continuous composition partially written as a ballet divided into four tracks and six movements. Charles Mingus defined the album's orchestral style as "ethnic folk dance music", and it blends jazz and classical, while also integrating elements o…
Four For Trane
** Official reissue by Elemental music in collaboration with Impulse Records! Special Gatefold Edition. ** Recorded for the Impulse label by Archie Shepp in 1965, four of the five tracks on Four for Trane are reworkings of pieces originally recorded in 1959 & 1960 by John Coltrane, and released on his Giant Steps (1960) and Coltrane Plays the Blues (1962) albums. They are rearranged here by Shepp and trombonist Roswell Rudd. The album also features trumpeter Alan Shorter (Wayne Shorter’s brother…
Symposium
Lésions Graves is an experimental extreme-metal trio on a journey towards minimal music. Racing drum patterns and humming melodic shreds interweave with disharmonic sound spheres and complex rhythmic and melodic phase shifts. Fast, loud, aggressive, repetitive, irritating...
Piano Music
Georges Aperghis is probably still not much associated, by the public that internationally attends performances of his works, with music for solo piano. Music-theatre – of an uncommonly original kind, with extended vocal techniques much to the fore – has usually been his stamping ground. The concerns that his operas and other music-theatre compositions have embraced – often focusing around a highly individual approach to words and to all aspects of language, developed with great musical sophisti…
For Bunita Marcus
2019 Repress. In the 1980's, Morton Feldman composed two large-sized pieces for his favourite instrument, the piano. Both pieces, Triadic Memories (1981) and For Bunita Marcus (1985), clock in at about 90 minutes. Both compositions are excellent examples of the group of works that they belong to: Triadic Memories demonstrates the complexity and tonal opulence of Feldman’s pattern compositions from 1977 through 1983, whereas For Bunita Marcus shows the stripped-down, almost dismissive structures …
Piano Concerto - Classical Blend/Weihnachtsoratorium
Petr Bakla belongs to generation of composers whose output no longer seems bound to the imperative of the "search for sounds" extended technique. Instead, he builds his music on the unmarked instrumental sound, which he uses to create a flow of interacting layers and explore the means of pure pitch, time and sound volume to the expressive extreme. His first ever solo release presents him at his best - two orchestral pieces as a definite manifesto of monumental monochromatic environments, b…
Ouate
A little bit of Baroque, a little bit of Zwölftonmusik, a little bit of electronica, that's Robert Lepenik
Dw16 / Songbook
DW is an on-going cycle of Bernhard Lang's pieces, where composer explorespossibilities of loops and repetitions, which became his compositional trademark. Songbook I is another piece where Lang highly involves his patterns from Jazz and Pop music, transformed through “damaged beats”. "For many years one of my main influences beside the work of Philip Jeck were the movies of Martin Arnold: they more or less became the trigger for the series of pieces called Difference/Repetition
Organ Works Vol. 2
The second instalment of Klaus Lang's organ works and once again, two monumental works that span over two vinyl sides. "ABD" - contemporary vision of sacral chord progressions. "Melrose abbey" - perverse art of mourning music. Ultimate drone. Absolute torment.
Live At Pep's
** High Quality reissue. Gatefold Edition ** One of Yusef Lateef’s best albums from one of the finest periods of his esteemed career, the 1964 LP Live at Pep’s showcases the reedman backed by trumpeter Richard Williams, pianist Mike Nock, bassist Ernie Farrow, and drummer James Black. Taped at a live performance at Pep’s Lounge in Philadelphia, Pennsylvania, the album was so successful that a full second LP was culled from the same sets. The program alternates between hard bop originals and cove…